Twenty-First-Century Excess
This chapter evaluates the legacy of Burgess, Carter, and Amis by examining the work of a new generation of excessive English stylists, including Zadie Smith, Nicola Barker, and David Mitchell. It begins by showing how arguments similar to those made against stylistic prolixity in the aftermath of World War Two have resurfaced post-9/11. It goes on, through close readings of three novels (NW, Darkmans, Cloud Atlas), to show how this newer generation of writers has adapted and expanded the methods of the earlier stylists of excess by staging a return to ideas of character, interiority, and empathy in a way that still prioritizes authorial style and amplitude. With reference to Dorothy Hale’s notion of the aesthetics of alterity, it shows how these authors have made innovative use of free indirect style and polyphony to create a critical empathy that self-reflexively trains us to apprehend its own limitations.