The Marketplace of Love

2019 ◽  
pp. 93-117
Author(s):  
Sally Holloway
Keyword(s):  
Material Culture ◽  
Consumer Goods ◽  
Romantic Love ◽  
Transitional Period ◽  
Church Courts ◽  
Marriage Contract ◽  
Valentine's Day ◽  
New Consumer ◽  
The Church

This chapter reveals what was new to the material culture of courtship, from porcelain snuffboxes and glass signets printed with romantic motifs to the increasingly elaborate laced and embossed valentine cards sold by printers, booksellers, and stationers’ shops. The Georgian era is presented as an important transitional period in the modernization and commercialization of romantic customs. After Hardwicke’s Marriage Act of 1753 required marriages to take place at church in a single legal event—precluding suits in the church courts to compel the performance of a marriage contract—courting couples exchanged an ever-diversifying range of new consumer goods as romantic gifts. A growing number and variety of novelty items such as printed handkerchiefs were designed specifically as valentine souvenirs, as Valentine’s Day developed into a love industry. The chapter explores how love was packaged and sold to consumers in new ways, and the consequences of this shift for the rituals and experiences of romantic love.

The Language of Flowers in the Victorian Knowledge Age

2013 ◽  
Vol 3 (2) ◽  
pp. 136-160 ◽  
Author(s):  
Molly Engelhardt
Keyword(s):  
Material Culture ◽  
George Eliot ◽  
Charlotte Bronte ◽  
Elizabeth Gaskell ◽  
Romantic Love ◽  
Narrative Fiction ◽  
Knowledge Age

The language of flowers is typically dismissed as a subgenre of botany books that, while popular, had little if any influence on the material culture of Victorian life. This article challenges this assumption by situating the genre within the context of the professionalisation of botany at mid-century to show how efforts to change attitudes towards botany from a fashionable pastime for the gentler sex to a utilitarian practice in service of humanity contributed to the revitalisation and popularity of the language of flowers. While scientific botanists sought to know flowers physiologically and morphologically in the spirit of progress and truth, practitioners of the language of flowers – written primarily for and by women – celebrated uncertainty and relied on floral codes to curtail knowing in order to extend the realm of play. The struggle for floral authority was centred in botanical discourses – both scientific and amateur – but extended as well into narrative fiction. Turning to works by Elizabeth Gaskell, Charlotte Brontë, and George Eliot, I show how Victorian writers expected a certain degree of floral literacy from their readers and used floral codes strategically in their fiction as subtexts for practitioners of the language of flowers. These three writers, I argue, took a stand in the gender struggle over floral authority by creating scientific botanists who are so obsessed with dissecting plants to reveal their secrets and know their ‘life truths’ that they become farsighted in matters of romantic love and unable to read the most obvious and surface of floral codes. The consequences of the dismissal of the superficial are in some cases quite disastrous.

Church Discipline in the Later Middle Ages: the Priors of Durham as Archdeacons

2004 ◽  
Vol 40 ◽  
pp. 95-105
Author(s):  
Margaret Harvey
Keyword(s):  
Recent Work ◽  
Middle Ages ◽  
Fourteenth Century ◽  
Local Level ◽  
Church Discipline ◽  
Full Account ◽  
Church Courts ◽  
Medieval Church ◽  
The Church ◽  
The Way

It is often forgotten that the medieval Church imposed public penance and reconciliation by law. The discipline was administered by the church courts, among which one of the most important, because it acted at local level, was that of the archdeacon. In the later Middle Ages and certainly by 1435, the priors of Durham were archdeacons in all the churches appropriated to the monastery. The priors had established their rights in Durham County by the early fourteenth century and in Northumberland slightly later. Although the origins of this peculiar jurisdiction were long ago unravelled by Barlow, there is no full account of how it worked in practice. Yet it is not difficult from the Durham archives to elicit a coherent account, with examples, of the way penance and ecclesiastical justice were administered from day to day in the Durham area in this period. The picture that emerges from these documents, though not in itself unusual, is nevertheless valuable and affords an extraordinary degree of detail which is missing from other places, where the evidence no longer exists. This study should complement the recent work by Larry Poos for Lincoln and Wisbech, drawing attention to an institution which would reward further research. It is only possible here to outline what the court did and how and why it was used.

TECHNOLOGIES OF DOMINATION AT MISSION SAN BERNABÉ, PETÉN, GUATEMALA

2016 ◽  
Vol 27 (1) ◽  
pp. 49-70 ◽  
Author(s):  
Timothy W. Pugh ◽  
Katherine Miller Wolf ◽  
Carolyn Freiwald ◽  
Prudence M. Rice
Keyword(s):  
Material Culture ◽  
Ethnic Groups ◽  
Power Relations ◽  
Indigenous Populations ◽  
Church And Community ◽  
Hybrid Ceramic ◽  
The Church

AbstractThe Spaniards established severalcongregacionesor missions in central Petén, Guatemala, shortly after the 1697 conquest of the region to help control local indigenous populations. Recent investigations at the church and community of Mission San Bernabé revealed details about the entangled relations of Mayas and Spaniards. Foucault's four technologies of domination help explicate these power relations as they were played out in the small settlement and the church at its center. Material culture differed in many ways from that of the pre-conquest Itzas, but was clearly predominantly “Maya.” Spanish-style goods and burial patterns were found as were hybrid ceramic wares, the Spanish-style artifacts most common in an elite residence, reflecting that Maya elite acted as brokers with the Spaniards. The occupants also incorporated Spanish domesticates into their diets. Some changes likely resulted from various ethnic groups residing in the same settlement, but others were the product of indigenous adaptations to the situation of contact. Nevertheless, it is clear that the mission anchored a number of strategies of domination that subdued the occupants of San Bernabé.

scholarly journals The Lashkendar Church and the Alan-Abkhazian Cultural Contacts: Prospects of Studying

2018 ◽  
Vol 15 (3) ◽  
pp. 298-308 ◽  
Author(s):  
E. Yu. Endoltseva
Keyword(s):  
Material Culture ◽  
Ethnic Groups ◽  
Cultural Exchange ◽  
Silk Road ◽  
Byzantine Empire ◽  
Close Proximity ◽  
Krasnodar Region ◽  
The Church ◽  
The Silk Road ◽  
Christian Beliefs

The article studies the Alan-Abkhazian cultural contacts by analyzing architectural decorations of these peoples. Actuality of the study is determined by considering the architectural decorations as a cultural marker of Abkhazians and Alans in the period of the 8th—10th centuries. This point of consideration is primarily important for studying the material culture of the ethnic groups living in close proximity to the route of the Silk Road, which is regarded as a powerful catalyst for cultural exchange between the numerous tribes and peoples each having its own unique and diverse artistic skills. The article compares a number of artifacts: some fragments of the altar barrier from Anacopia (Republic of Abkhazia, New Athos) and some fragments of the altar barrier from the Ilyichevskoe Hillfort (Krasnodar Region, Otradnensky District). This allows the author to state that there existed common ornamental schemes in the monumental art of those peoples in the period preceding the 13th—14th centuries. The article analyzes the patterns and zoomorphic images of “animals in a heraldic pose” from the church on Mount Lashkendar (Republic of Abkhazia, Tkuarchalsky District), and a dog from the Alan tomb of the Kyafarskoe Hillfort (Karachay-Cherkess Republic, Zelenchuksky District), providing additional arguments for the animals’ identifi cation. The author explores the system of images of the Alan tomb to determine the semantics of the dog’s image in the Christian church’s decoration and comes to the conclusion that the symbolism of the dog’s image originates from pre-Christian beliefs (namely, those Zoroastrian). The article emphasizes the fruitfulness of studying the Alan-Abkhazian contacts using the example of architectural decoration: it makes possible to identify some images and specify their dates. The author offers a variant of identifi cation of the relief from Mount Lashkendar; defi nes the place of this unique monument in the course of formation of the original artistic culture of the Abkhazian Kingdom; notes the heterogeneous infl uences on this process, coming both from the territories of different regions of the Byzantine Empire (Constantinople, Cappadocia, etc.) and from Transcaucasia (Armenia, Georgia). The Alan-Abkhazian layer of cultural contacts is highlighted.

Introduction

2017 ◽  
Author(s):  
Oliver H. Creighton ◽  
Duncan W. Wright ◽  
Michael Fradley ◽  
Steven Trick
Keyword(s):  
Civil War ◽  
Material Culture ◽  
Evidence Base ◽  
Final Part ◽  
Documentary History ◽  
Siege Warfare ◽  
Material Evidence ◽  
The Church

This introductory chapter outlines the historiography of the reign of King Stephen (1135–54), highlighting how study has been dominated by documentary history while archaeological and other material evidence has played a marginal role. It identifies landmark studies of the period, summarises the principal chroniclers that cover Stephen’s reign and discusses charters as another cornerstone of the evidence base. A major debate has centred on whether or not the period should continue to be styled as ‘the Anarchy’, with scholars taking maximalist and minimalist views of the violence and disturbances of the period. The final part of the chapter explains the approach and structure of the volume: after a chronological outline of the civil war (Chapter 2), the book covers conflict landscapes and siege warfare (Chapter 3), castles (Chapter 4), artefacts and material culture (Chapter 5), weaponry and armour (Chapter 6), the church (Chapter 7), settlements and landscape (Chapter 8), and a detailed case study of the fenland campaigns (Chapter 9), while Chapter 10 presents a self-contained concluding essay that reflects on what the material evidence can and cannot us about the conflict and its consequences.

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