Islam and Gender on Campus

2020 ◽  
pp. 96-118
Author(s):  
Alison Scott-Baumann ◽  
Mathew Guest ◽  
Shuruq Naguib ◽  
Sariya Cheruvallil-Contractor ◽  
Aisha Phoenix

Discussions about Islam and gender on campus have generally focused on Muslim women’s dress and status in Islam. However, the processes that make Muslim women’s dress on campus so salient have received little attention. This chapter explores gender and Islam on campus, contextualizing it within the politics of dress, with a particular focus on Muslim women’s negotiations of how to dress. We argue that gendered stereotypes about the headscarf or niqab contribute to the construction of Muslim women as extremists or oppressed. We show that Muslims sometimes faced scrutiny or hostility from students and lecturers who read particular dress choices as symbolic threats. Taking an intersectional perspective, the chapter illuminates how some Muslims modify their dress in different contexts to increase a sense of belonging or reduce stigma. We also explore how some Muslims challenge misconceptions about Islam and gender.

Ethnicities ◽  
2021 ◽  
pp. 146879682110018
Author(s):  
Sheymaa Ali Nurein ◽  
Humera Iqbal

Young Black Muslim Women (BMW) have complex, intersectional identities and exist at the margins of various identity groupings. Given this, members of the community can face societal relegation across, not only race and gender lines, but across religious ones, too. This paper explores the lived experiences of intragroup discrimination, identity and belonging in 11 young Black Muslim Women in the United Kingdom. In-depth, semi-structured interviews were conducted with participants and thematically analysed through the lens of intersectionality. The use of an intersectional framework facilitated an understanding of the manner in which the sample was multiply marginalised. Two key themes emerged from the interviews: firstly, around experiences of intragroup and intersectional discrimination and, secondly, around the challenges of responding to and coping with the negative effects of such discrimination. Participants discussed the cross-cutting nature through which they faced discrimination: from within the Black community; from within the Muslim community; and as a result of their gender. The non-exclusivity of these three identities result in constant encounters of discrimination along different dimensions to their personal identity. They also developed diverse means of coping with this marginalisation including drawing from religious beliefs and mobile identifications, i.e. performing different aspects of their identities in different contexts. The present study contributes to existing knowledge in its focus on an under-researched group and emphasises the negative effects of intragroup discrimination. The paper importantly highlights the diversity within the Black community and considers the (in)visibility of Black Muslim Women within society.


Itinerario ◽  
2021 ◽  
pp. 1-19
Author(s):  
Francis R. Bradley

Abstract This article examines five wars that occurred on the Malay-Thai Peninsula in the period 1785–1838 and the deep impact they had upon women's lives during and after the conflicts. Constituting the majority of surviving refugees, women rebuilt their lives in the wake of war through business and trade in Malaya, as Islamic teachers in Mecca and Southeast Asia, and as servants and slaves in Bangkok. In each of these settings, women encountered new forms of agency and newfound challenges, shifting cultural values that regulated decisions and actions, and evolving perceptions of the qualifications for leadership. Focused upon the political demise of the Patani Sultanate, a state with a long history of female rule, this study is of particular relevance to scholarly debates concerning women in contemporary warfare because of its transnational focus with keen attention to women in a variety of Islamic spaces and contexts, its aim of dispelling the pervasive notion of Muslim women as lacking agency, and as a point of comparison for the present armed conflict still raging in Southern Thailand that has claimed more than five thousand and continues to impact women and gender dynamics in the region.


2021 ◽  
Vol 17 (1) ◽  
pp. 163-185 ◽  
Author(s):  
Pohanna Pyne Feinberg

Walking plays a generative and pedagogical role in the work of contemporary artists Émilie Monnet (Anishnaabe/French) and Cam (Innu/Québecois), both of whom work and live in the region known as a Tiohtià:ke to the Haudenosaunee, as Mooniyang to the Anishinaabeg, and as Montréal to many others. This article proposes that recent artistic interventions and participatory projects offered by Monnet and Cam infuse the international discourse about walking as a pedagogical force with their distinct perspectives as Indigenous women. They employ walking to reinforce their presence, to learn from place, to contest colonial narratives and exclusions conveyed by visual culture, to honour their ancestors, to indigenize collective memory by amplifying Indigenous voices and contributing to the re-storying of place, a concept inspired by Potawatomi environmental biologist Robin Kimmerer. Monnet is an interdisciplinary artist who combines theatre, performance, image and sound art as a performer, creator and director. She is also the founding director of Onishka, an mutlimedia Indigenous arts organization. Cam is a street artist and the lead coordinator of Unceded Voices, a street art convergence for artists who are Indigenous women, women of colour, queer, two-spirit and gender non-conforming. She is also currently the national coordinator of the Aboriginal Curatorial Collective. With a shared awareness that the dynamics that comprise place are intrinsically relational and dialogical, the work of Cam and Monnet intervenes in the felt and seen world to reinforce their sense of belonging to this region. Walking is integral to their respective research, creation and collaboration that enables their work to contest dominant colonial narratives while honouring the contributions of those who have been disavowed.


2021 ◽  
Vol 02 (05) ◽  
pp. 48-54
Author(s):  
Yulia Sergeyevna Kim ◽  

Concept of Love expression has been studied by a number of scholars. The concept is of great interest to psycholinguists, researchers of gender linguistics and lingvoculture. The relation between gender roles, gender expectations and confessing love to the partner has been determined. Willingness to say I love you is directly connected with the culture. Different cultures’ views and attitude towards verbal love expression have been researched and outlined. The interviews and surveys supported the interrelation and interconnection between love expression and culture. Asian and Muslim women tend to expect men to take initiative while Americans are more likely to be open-minded in this question. Asian families express their feelings by taking care of their family members while Americans say they love each other all the time. The mentality of different nations is effected by collectivism and individualism.


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