‘Stunt-Reading’
Chapter 2 offers the first full-scale treatment of Paul Muldoon as critic. It looks at his major works of literary criticism, from the F. W. Bateson Lecture ‘Getting Round’ and To Ireland, I to the later End of the Poem, and considers what these lecture series from his American years can tell us about Muldoon the reader, as well as the poet. Muldoon announces himself on the critical scene not only as a self-proclaimed ‘stunt reader’ but an extraordinarily Freudian thinker, who is unusually attentive to the kinds of veiled communication and word-association that might reveal a writer’s ulterior motives, resistances, or unconscious desires. But his offbeat, often knowingly mischievous performances in these lectures also suggest a basic distrust of the authority of the critical reader, and in turn raise questions about the kinds of reading his own poems are expected to elicit.