Introduction
Fictions of Credit’s introduction lays out the book’s aims and methods. It argues for a revised understanding of England’s credit culture: the nexus of social relations, discursive forms, and economic practices to which the widespread use of monetary credit gave rise in the early modern period. To do this, it lays out the case made by economic historians that, because of cash shortages and expanding market activity in the period, the majority of transactions at all levels of society ran on credit. The introduction argues that the resulting social and economic indeterminacy gave rise to something more complex than either straightforward trust or blanket suspicion: rhetorical strategies intended to produce trust in one’s own soundness and interpretive strategies aimed at evaluating the trustworthiness of others. The introduction then turns to the book’s source texts and methods: plays by Shakespeare and his contemporaries and practical handbooks written by and for merchants, retailers, householders, and farmers.