GEORGE CRUMB (b. 1929)Apparition (1979)
This chapter explores George Crumb’s cycle, Apparition. As a display piece and an evocation of fantasy and colour, the piece can prove enthralling for the listener. Here, the pianist is an equal partner, with a wide-ranging virtuoso role for one adept in modernist techniques, including using the inside of the piano. The piece also shows Crumb’s innate understanding of the voice and its timbral possibilities. Notation is often ‘free’ and spatial, and could appear challenging to the uninitiated, but it all turns out to be eminently practicable. Much use is made of elaborate melismas, including passages of rapid grace-notes, and the interval of a seventh seems to be especially favoured—the singer has to tune a great many of these, often exposed, and unaccompanied at a quiet dynamic.