Choric Theatre

Author(s):  
Erika Fischer-Lichte

The ninth chapter, ‘Choric Theatre. Between Tragic Experience and Participatory Democracy’, discusses a new form of theatre that grew out of Greek tragedy’s chorus. While Einar Schleef used the chorus in The Mothers (1986) in order to create a new tragic theatre, in the 1990s—that is, after the protest choruses of the Monday demonstrations in the GDR had led to the fall of the Berlin Wall—choric theatre became an important form of political theatre. Mostly, these choruses were composed of local citizens, as in Volker Lösch’s Oresteia in Dresden (2003) or in theatercombinat’s The Persians (2006–8), and often even of members of a minority, as in all of Volker Lösch’s later productions. Here choric theatre gave a voice to those who had been silenced and even anticipated a utopia of a truly participatory democracy.

2012 ◽  
Vol 10 (1) ◽  
pp. 7-19 ◽  
Author(s):  
Carole Pateman

Over the past two decades we have heard an historically unprecedented volume of talk about and praise of democracy, and many governmental, non-governmental, and international organizations have been engaged in democracy promotion. Democracy is a subject that crosses the boundaries in political science, and within my own field of political theory there has been a major revival of democratic theory. In political theory, argument about “democracy” is usually now qualified by one of an array of adjectives, which include cosmopolitan, agonistic, republican, and monitory. But the new form that has been by far the most successful is deliberative democracy. By 2007 John Dryzek could write that “deliberative democracy now constitutes the most active area of political theory in its entirety (not just democratic theory).” Not only is there an extremely large and rapidly growing literature, both theoretical and empirical, on deliberative democracy, but its influence has spread far outside universities.


Author(s):  
W. H. Zucker ◽  
R. G. Mason

Platelet adhesion initiates platelet aggregation and is an important component of the hemostatic process. Since the development of a new form of collagen as a topical hemostatic agent is of both basic and clinical interest, an ultrastructural and hematologic study of the interaction of platelets with the microcrystalline collagen preparation was undertaken.In this study, whole blood anticoagulated with EDTA was used in order to inhibit aggregation and permit study of platelet adhesion to collagen as an isolated event. The microcrystalline collagen was prepared from bovine dermal corium; milling was with sharp blades. The preparation consists of partial hydrochloric acid amine collagen salts and retains much of the fibrillar morphology of native collagen.


Author(s):  
M.K. Lamvik ◽  
L.L. Klatt

Tropomyosin paracrystals have been used extensively as test specimens and magnification standards due to their clear periodic banding patterns. The paracrystal type discovered by Ohtsuki1 has been of particular interest as a test of unstained specimens because of alternating bands that differ by 50% in mass thickness. While producing specimens of this type, we came across a new paracrystal form. Since this new form displays aligned tropomyosin molecules without the overlaps that are characteristic of the Ohtsuki-type paracrystal, it presents a staining pattern that corresponds to the amino acid sequence of the molecule.


2013 ◽  
Author(s):  
Joshua Wilt ◽  
William Revelle

Nature ◽  
2001 ◽  
Author(s):  
Philip Ball
Keyword(s):  

2008 ◽  
Vol 38 (16) ◽  
pp. 5
Author(s):  
ELIZABETH MECHCATIE
Keyword(s):  

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