Chapter 44 Phineas and his Friends

Author(s):  
Anthony Trollope
Keyword(s):  

Our hero’s friends were, I think, almost more elated by our hero’s promotion than was our hero himself. He never told himself that it was a great thing to be a junior lord of the Treasury, though he acknowledged to himself that to have...

1980 ◽  
Vol 11 (1) ◽  
pp. 72
Author(s):  
Philip S. Foner ◽  
Crawford Kilian
Keyword(s):  

Author(s):  
David Gillis

This chapter examines what the idea of man as microcosm means for the place of the commandments in Maimonides' scheme of things. Mishneh torah's microcosmic form reflects the various parallels that Maimonides draws more or less explicitly in The Guide of the Perplexed between the laws of nature and the law of the Torah: both are perfect; both are permanent; both are accessible to reason. It implies the Torah's derivation from nature via the uniquely comprehensive prophecy of Moses, who understood God's governance of the world more perfectly than anyone before or since and translated this understanding into a system of laws. Despite Maimonides' programmatic remarks about ease of reference and so forth, the classification of the commandments in Mishneh torah is above all a rationalization of the commandments. Through its form, Mishneh torah presents them sub specie aeternitatis: they condense the rationality of the cosmos. Its treatment is to be distinguished from mystical interpretations that link the commandments to a supernal domain rather than to nature.


Author(s):  
David Gillis

This introductory chapter provides a background of Maimonides and his code of Jewish law, the Mishneh torah. Maimonides applied the highest literary art to the highest of tasks: to bequeath, as philosopher-statesman, a law that would regulate the life of the individual and of society and move people closer to the knowledge of God. The result of that art is a book to be read and experienced, not just consulted. The central feature of Mishneh torah as a work of art is the casting of the commandments of the law in the form of the cosmos. The microcosmic form suggests, in the first place, that studying Mishneh torah, like the study of the universe, can be a way to the knowledge and love of God. On the plane of ideas, this form embodies the relationship between the ‘small thing’ and the ‘great thing’, between halakhah, on the one hand, and physics and metaphysics on the other. It depicts philosophy as the matrix of halakhah, reflecting the view of the relationship between philosophy and religion in the Islamic philosophers.


1937 ◽  
Vol 37 ◽  
pp. 207-211
Author(s):  
W. H. D. Rouse

The general theme of the ode, is labour leading to peace and happiness: Rest is the first word, Home is the last, and between we have the Labours of Heracles indicated by a specimen, his earliest feat of prowess. The poet need not give a complete catalogue of the labours, which every child knew by heart; nor need he give any special one, such as the Nemean Lion: he gives the first, and leaves the etcetera to take care of itself. And by this choice of the first, he brings out one of the underlying thoughts—that natural ability is the great thing. No one can have taught a baby just born what to do when serpents appear. As regards Chromios, the choice of Heracles was proper, if he claimed to be himself a Heracleid, as seems likely; and the general parallel of a long life of labour is close enough, without pressing a detail.


1979 ◽  
Vol 84 (3) ◽  
pp. 881
Author(s):  
Gerald Stanley ◽  
Crawford Kilian
Keyword(s):  

2019 ◽  
Vol 3 ◽  
Author(s):  
Kathryn T. Stevenson ◽  
M. Nils Peterson ◽  
Sarah J. Carrier ◽  
Renee L. Strnad ◽  
Ryan A. Olson ◽  
...  

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