scholarly journals International Corporate Prosecutions

Author(s):  
Brandon Garrett

This chapter deals with corporate prosecutions around the world, focusing on the approach adopted by federal prosecutors in the United States in which settlement negotiations with companies are resolved, either through a plea agreement or agreements entered largely out of court and without judicial oversight. These agreements, called deferred and non-prosecution agreements, have added new flexibility but also some additional uncertainty to the practice of corporate prosecutions. Before discussing how this U.S. approach has altered the international corporate prosecution landscape, the article considers varying standards for corporate criminal liability. It then examines underlying corporate crimes and how standards and enforcement approaches may vary depending on the type of crime, settlement approaches toward corporate criminal cases, criticisms of corporate crime settlement approaches, and international approaches and cooperation in corporate crime cases. It also explains how corporate or entity-based criminal liability is limited and unavailable for many types of crimes in most countries.

2021 ◽  
pp. 202-219
Author(s):  
Michael Elliot ◽  
Felix Lüth

Michael Elliot and Felix Lüth examine the development of corporate criminal liability. Reaching back to its historical roots in the United States, they discuss how the Foreign Corrupt Practices Act was internationalized through organizations like the OECD and FATF and in a more diluted fashion through the UN, giving corruption its current character as a public-sector problem committed by corrupt individuals rather than by institutions as a whole.


2011 ◽  
Vol 23 (4) ◽  
pp. 186-191 ◽  
Author(s):  
Malini Ratnasingam ◽  
Lee Ellis

Background. Nearly all of the research on sex differences in mass media utilization has been based on samples from the United States and a few other Western countries. Aim. The present study examines sex differences in mass media utilization in four Asian countries (Japan, Malaysia, South Korea, and Singapore). Methods. College students self-reported the frequency with which they accessed the following five mass media outlets: television dramas, televised news and documentaries, music, newspapers and magazines, and the Internet. Results. Two significant sex differences were found when participants from the four countries were considered as a whole: Women watched television dramas more than did men; and in Japan, female students listened to music more than did their male counterparts. Limitations. A wider array of mass media outlets could have been explored. Conclusions. Findings were largely consistent with results from studies conducted elsewhere in the world, particularly regarding sex differences in television drama viewing. A neurohormonal evolutionary explanation is offered for the basic findings.


2020 ◽  
Vol 2 (4) ◽  
pp. 32-54
Author(s):  
Silvia Spitta

Sandra Ramos (b. 1969) is one of the few artists to reflect critically on both sides of the Cuban di-lemma, fully embodying the etymological origins of the word in ancient Greek: di-, meaning twice, and lemma, denoting a form of argument involving a choice between equally unfavorable alternatives. Throughout her works she shines a light on the dilemmas faced by Cubans whether in Cuba or the United States, underlining the bad personal and political choices people face in both countries. During the hard 1990s, while still in Havana, the artist focused on the traumatic one-way journey into exile by thousands, as well as the experience of profound abandonment experienced by those who were left behind on the island. Today she lives in Miami and operates a studio there as well as one in Havana. Her initial disorientation in the USA has morphed into an acerbic representation and critique of the current administration and a deep concern with the environmental collapse we face. A buffoonlike Trumpito has joined el Bobo de Abela and Liborio in her gallery of comic characters derived from the rich Cuban graphic arts tradition where she was formed. While Cuba is now represented as a rotten cake with menacing flies hovering over it ready to pounce, a bombastic Trumpito marches across the world stage, trampling everything underfoot, a dollar sign for a face.


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