‘Out of a reverie, and as if giving unconscious expression to a deep internal feeling’

Author(s):  
Sorcha Nic Lochlainn

This chapter discusses the songs which were performed to accompany the labour of clothmaking in Gaelic-speaking areas of Ireland and Scotland. Clothmaking was predominantly women’s work, and these songs provide us with an insight into the preoccupations of song-poets whose compositions are unlikely to have been preserved elsewhere in the tradition. There are deep underlying similarities between the Irish and Scottish clothmaking corpora which have not been discussed in any detail to date; there are also indications that the liminal context of clothmaking songs demonstrates a degree of overlap with other elements of Gaelic tradition, particularly in the contexts of matchmaking and fertility and in the reassertion of physical boundaries seen, for example, in traditional May Day celebrations.

Sociology ◽  
1998 ◽  
Vol 32 (4) ◽  
pp. 869-873 ◽  
Author(s):  
HARRIET BRADLEY
Keyword(s):  

1988 ◽  
Vol 33 (10) ◽  
pp. 921-922
Author(s):  
No authorship indicated
Keyword(s):  

1989 ◽  
Vol 34 (9) ◽  
pp. 832-833
Author(s):  
Marianne LaFrance
Keyword(s):  

Waterlines ◽  
1982 ◽  
Vol 1 (1) ◽  
pp. 20-21
Author(s):  
Barbara Rogers
Keyword(s):  

2015 ◽  
Vol 1 (2) ◽  
pp. 135-143 ◽  
Author(s):  
Laura Isabel Serna

This short essay sketches the career of Anita Uada Maris Boggs, cofounder of the Bureau of Commercial Education, a charitable organization that from the 1910s through the 1930s circulated a library of sponsored films. I argue that Boggs's absence from film historiography has been doubly determined: first by the relative invisibility of educational film, and second by ideologies of gender that obscured women's work in the film industry, broadly construed, behind that of their male collaborators.


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