Using Behavior Setting Theory To Define Natural Settings

2002 ◽  
Vol 14 (3) ◽  
pp. 65-71 ◽  
Author(s):  
Caroline Monforte Tisot ◽  
S Kenneth Thurman
Author(s):  
David V. Perkins ◽  
Thomas F. Burns ◽  
Jonathan C. Perry ◽  
Kathleen P. Nielsen

2007 ◽  
Vol 35 (3) ◽  
pp. 399-416 ◽  
Author(s):  
Louis D. Brown ◽  
Matthew D. Shepherd ◽  
Scott A. Wituk ◽  
Greg Meissen

1991 ◽  
Vol 19 (1) ◽  
pp. 147-167 ◽  
Author(s):  
Douglas A. Luke ◽  
Julian Rappaport ◽  
Edward Seidman

1996 ◽  
Vol 12 (2) ◽  
pp. 124-131 ◽  
Author(s):  
Carlos Santoyo

The present paper deals with behavioral assessment of social interaction in natural settings. The design of observational systems that allow the identification of the direction, contents, quality and social agents involved in a social interchange is an aim of social interaction assessment and research. In the first part a description of a system of behavioral observation of social interaction is presented. This system permits the identification of the above mentioned aspects. Secondly a strategy for the behavioral assessment of social skills is described. This strategy is based on the consequences and effects of social interaction, and it is supported by three basic processes: social effectiveness, social responsiveness and reciprocity.


Author(s):  
Laurent Grégoire ◽  
Pierre Perruchet ◽  
Bénédicte Poulin-Charronnat

Grégoire, Perruchet, and Poulin-Charronnat (2013) claimed that the Musical Stroop task, which reveals the automaticity of note naming in musician experts, provides a new tool for studying the development of automatisms through extensive training in natural settings. Many of the criticisms presented in the four commentaries published in this issue appear to be based on a misunderstanding of our procedure, or questionable postulates. We maintain that the Musical Stroop Effect offers promising possibilities for further research on automaticity, with the main proviso that the current procedure makes it difficult to tease apart facilitation and interference.


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