National Network Television News Coverage of Contraception in the Era of the Affordable Care Act [227]

2015 ◽  
Vol 125 ◽  
pp. 74S
Author(s):  
Elizabeth Winston Patton ◽  
Michelle Moniz ◽  
Lauren S. Hughes ◽  
Laurie Buis ◽  
Joel Howell
Contraception ◽  
2017 ◽  
Vol 95 (1) ◽  
pp. 98-104 ◽  
Author(s):  
Elizabeth W. Patton ◽  
Michelle H. Moniz ◽  
Lauren S. Hughes ◽  
Lorraine Buis ◽  
Joel Howell

2017 ◽  
Vol 107 (5) ◽  
pp. 687-693 ◽  
Author(s):  
Sarah E. Gollust ◽  
Laura M. Baum ◽  
Jeff Niederdeppe ◽  
Colleen L. Barry ◽  
Erika Franklin Fowler

Author(s):  
Michael R. Greenberg ◽  
Peter M. Sandman ◽  
David B. Sachsman ◽  
Kandice L. Salomone

Author(s):  
Aniko Bodroghkozy

This book examines the role played by American network television in reconfiguring a new “common sense” about race relations during the civil rights revolution. Drawing on stories told both by television news coverage and prime time entertainment, it explores the relationship among the civil rights movement, television, audiences, and partisans on either side of the black empowerment struggle. In particular, it considers the recurring theme that America's racial story was one of color-blind equality grounded on a vision of “black and white together.” The book concludes that television had an ambivalent place in the civil rights revolution. More specifically, it argues that network television sought to represent a rapidly shifting consensus on what “blackness” and “whiteness” meant and how they now fit together. Network television premised equality on a largely white definition whereby African Americans were ready for equal time to the extent that their representations conformed to whitened standards of middle-class and professional respectability.


Author(s):  
Aniko Bodroghkozy

This book has explored how network television mobilized a certain type of image that, when appropriately paired with figures of whiteness, was presumed to make whites less anxious about social change. It has highlighted a common link in these representations of a dignified blackness intertwined with an accommodating and welcoming whiteness. It has considered a number of television shows, including East Side/West Side and Good Times, to emphasize the propensity of networks to tell narratives relating to “black and white together,” the “worthy black victim,” and the aspirational “civil rights subject.” This epilogue examines television news coverage of Barack Obama's historic election as president of the United States. It suggests that networks were returning to the familiar discourse about the civil rights movements during the 1960s as they packaged stories that celebrated black and white voters coming together to put a biracial black man into the White House, to make Americans feel good about their country and its race relations.


1992 ◽  
Vol 50 (1) ◽  
pp. 53-72 ◽  
Author(s):  
William J. Gonzenbach ◽  
M. David Arant ◽  
Robert L. Stevenson

2020 ◽  
Vol 41 (3) ◽  
pp. 349-367
Author(s):  
Masudul Biswas ◽  
Nam Young Kim

Using content analysis, this study examined the coverage on the repeal and replace efforts of the Affordable Care Act (ACA) in 2017 in three African American online newspapers—Afro.Com, AtlantaBlackStar.Com, and PhillyTrib.com. Top three news frames across the news coverage by these online newspapers reflected political contention and political maneuverings around the ACA and potential policy implications of the Republicans’ proposed bills to replace the ACA.


2020 ◽  
pp. 152747642098009
Author(s):  
Phoebe Bronstein

This article situates Nat King Cole’s NBC experience within those of Hazel Scott and Harry Belafonte, whose own programs bookended the first decade of television. While Scott was blacklisted and her Dumont show canceled, the brief primetime stints of Cole and Belafonte on national network television, reveal a shifting rhetoric surrounding the policing of blackness on TV that focused blame on the South. The South, then, became a convenient rhetorical device in the rejection of Black national television content. This article follows these two parallel yet interlocking threads, with the first section detailing the rise of national television in conversation with the South and the deflection of racism onto the region—an easy representational task amidst news coverage of the civil rights movement. The latter portion of the article follows a genealogy of Black hosted variety programs and Black televisual resistance from Scott to Cole and Belafonte.


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