Mergers, Acquisitions, and the Marriage Metaphor: Time for a (Re)Look?

2021 ◽  
pp. 53-66
Author(s):  
Mats Persson ◽  
Magnus Frostenson
Keyword(s):  
2020 ◽  
Vol 44 (4) ◽  
pp. 594-609
Author(s):  
C L Crouch

The depiction of Yhwh’s marriage to Rebellious Israel and Treacherous Judah in Jeremiah 3 has resisted interpretation in terms that cohere with the text’s surroundings or our wider historical and theological understanding of the entities named by the text. Though commentators consistently identify the sisters as the northern and southern kingdoms, they are obliged to engage in interpretive gymnastics to explain the text’s preference for Israel, the northern kingdom. This article examines recent interpretations and their underlying assumptions, then reviews immediate and wider evidence for the entities called Israel and Judah, en route to a new proposal for their identification and significance in this passage. It proposes that the apparent incoherence of the allegory and its relationship with the surrounding material may be resolved by the recognition that Israel is meant to signify the community exiled to Babylonia, while Judah represents those left behind in the land.


2009 ◽  
Vol 7 (2) ◽  
pp. 179-216 ◽  
Author(s):  
Brad E. Kelle

Throughout the twentieth century, critical scholarship on the book of Hosea has focused overwhelmingly on the marriage metaphor in Hosea 1—3. Scholars often saw these chapters as establishing the primary interpretive issues for the message of the prophet and the book as a whole, although a lack of consensus concerning even the most basic exegetical issues remains. Newer studies have rightly pushed beyond this isolation of Hosea 1—3. This article surveys the major trends of the modern interpretation of these chapters, with particular attention to the second half of the twentieth century. From the early 1900s to the 1980s, critical works focused primarily on the biographical reconstruction of the prophet and his family life, as well as related historical and form-critical concerns. From the 1930s forward, such study was particularly concerned to read Hosea 1—3 against the background of a purported sexualized Baal cult in eighth-century Israel. Beginning in the 1980s, feminist-critical readings of Hosea 1—3 came to occupy a prominent position. In subsequent years, these concerns have been complemented by an emerging emphasis on metaphor theory, as well as newer kinds of literary, book-oriented, and socio-historical analyses. A follow-up article will treat recent scholarship on Hosea 4—14.


2010 ◽  
Vol 9 (2) ◽  
pp. 237-259 ◽  
Author(s):  
Tatjana Đurović ◽  
Nadežda Silaški

This paper looks at how the marriage metaphor structures the discourse concerning the relationship between political parties in Serbia. In January 2007, in the first general election to be held in Serbia since its union with Montenegro was dissolved in 2006, no party succeeded in gaining an absolute majority. Eventually, after more than three months of coalition talks, the main pro-reform parties agreed to form a government: the conservative and moderately nationalist right-leaning Democratic Party of Serbia (DSS), together with the pro-Western Democratic Party (DS). Compiling a small data collection from the leading Serbian dailies and political weeklies we have tried to track the metaphors through highly argumentative discourse in regard to the formation of political coalitions and their break-up. The main aim of this study is to show how the metaphors may be mapped and used as a vehicle of public discourse for achieving overt or covert political and ideological objectives on the complex political scene in contemporary Serbia. We will also argue that Serbian political discourse is highly gendered, as gender roles, manifested through the assignment of wife and husband roles to political parties, are clearly delineated according to the traditional male-female dichotomy, implying stereotypical traits and patriarchal values characteristic of Serbian culture.


Author(s):  
Stuart A. Irvine

This essay begins by examining structure and cohesion in Hosea. It then reviews major themes and ideas in the book, including the marriage metaphor, the parent–child image, and the themes of the Exodus, wilderness, and “knowledge of God.” The essay concludes with a look at three contested issues: redaction in Hosea, the book as a product of Persian Yehud, and the Baal cult as an object of the prophet’s criticism. Challenging common views that the book addresses religious apostasy or syncretism, it suggests that some of Hosea’s criticisms of the cult may be essentially denunciations of foreign alliances which were ratified by ritual measures.


1996 ◽  
Vol 4 (3) ◽  
pp. 288-310 ◽  
Author(s):  
A.R. PETE DIAMOND ◽  
Kathleen M. O'Connor

AbstractThis close reading of Jeremiah 2:1-4:2 uses critical theory on narrative, metaphor and reader response to investigate the gender symbolism in the text in order to assess its governing symbolic grammar, rhetorical function and reception. Jeremiah's metaphor of the broken marriage functions as a root metaphor that unifies and narratizes the disparate materials in these chapters. The variants between the MT and the LXX Vorlage appear as alternative performances of Jeremiah's metaphor. The majority of variants cluster around the female addressee as a means to ruin the latter's image and sharpen national application of the metaphor. Jeremiah re-encodes Hosea's version of the marriage metaphor to serve new circumstances and create a new configuration of readers. The essay concludes with a contemporary, feminist assessment of Jeremiah's gender symbolism in relation to violence against women.


2019 ◽  
Vol 68 (3) ◽  
pp. 412-431
Author(s):  
Wendy Raphael Roberts

The article provides the first modern analysis of one of the bestselling transatlantic evangelical poems of the eighteenth century, the Scottish minister Ralph Erskine’s Gospel Sonnets. The article argues that the importance of the marriage metaphor and rhyme in the poem provided a specific meaning to the form of the couplet in eighteenth-century transatlantic evangelicalism—a form often associated with an outdated understanding of a monolithic enlightenment. In the case of Erskine, it produced the Calvinist couplet. What the author terms “espousal poetics” designates the much larger presence and purpose of the marriage metaphor in the emerging revivalist community: to fuse the paradoxes of a sound Calvinist theology with poetics.


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