scholarly journals From Q to ‘Secret’ Mark: a Composition History of the Earliest Narrative Theology. By Hugh M. Humphrey

2009 ◽  
Vol 50 (1) ◽  
pp. 156-156
Author(s):  
Patrick Madigan
Geology ◽  
2005 ◽  
Vol 33 (5) ◽  
pp. 421 ◽  
Author(s):  
Arthur Goldstein ◽  
Bruce Selleck ◽  
John W. Valley

2019 ◽  
Vol 70 (2) ◽  
pp. 511-522
Author(s):  
Adam K Harger

Abstract Jeremiah 52 is valued among scholars for the insight it provides into the composition history of the larger book and its relationship to 2 Kings. Beyond the text-critical clues it provides, however, little is said about the relationship of Jeremiah 52 to the rest of the book. The chapter has been added to Jeremiah from its original position in 2 Kings 24–5 (or a common source), but it has been edited in the process. What follows is an exploration of a possible motivation for the addition of Jeremiah 52 to the larger book. Using the characters of Jehoiachin and Zedekiah as representatives of those who did and did not listen to the exhortation of the prophet, the editor uses the material of Jeremiah 52 to indicate that any future for the nation of Israel was located in—and would come out of—Babylon.


Author(s):  
E. A. Lygina ◽  
A. M. Nikishin ◽  
T. Yu. Tveritinova ◽  
M. A. Ustinova ◽  
M. Yu. Nikitin ◽  
...  

The article considers features of boundary Cretaceous–Eocene deposits in Belogorskiy district of Central Crimea. Structures interpreted as paleoseismic dislocations are described, their age, features of composition, history of formation are specified, magnitude and intensity of paleoearthquake are estimated. Steeply dipping fractures in Cretaceous rocks are regular and associated with dip and strike of the main regional structures. Their formation was caused by a transverse stretching during the main uplift of the structures at the beginning of the Eocene coinciding with the main phase of folding in Northern Turkey.


2017 ◽  
Vol 47 (supplement) ◽  
pp. 432-449 ◽  
Author(s):  
Gail McConnell

This article considers the composition history of Seamus Heaney's poem ‘Strange Fruit’, published in North (1975), by analysing manuscript drafts held at Emory University. Tracing the Christological and pre-Christian symbolism of earlier drafts of the poem, and the significance of photography for P.V. Glob's The Bog People (1969) and Heaney's imagination, it considers the figure of the blind double in Heaney's work.


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