The Experimental Imagination

This book is about experimental imagination in the British Enlightenment. It tells the story of how literariness came to be distinguished from its epistemological sibling, science, as a source of truth about the natural and social worlds. Early scientists used metaphor to define the phenomena they studied. They likewise used metaphor to imagine themselves into their roles as experimentalists. Late seventeenth- and early eighteenth-century British literature includes countless references to early science to make the case for the epistemological superiority of literary knowledge, whose truths challenge the dominant account of the scientific revolution as the sine qua non epistemological innovation of the long eighteenth century. The Experimental Imagination considers traditional scientific writings alongside poems, plays, and prose works by canonical and non-canonical authors to argue that ideas about science facilitated new forms of evidence and authority. The noisy satiric rancor and quiet concern that science generated among science advocates, dramatists, essayists, and poets reveal a doubled epistemological trajectory: experimental observation utilizes imaginative speculation and imaginative fancy enables new forms of understanding. Early scientific practice requires yet often obscures that imaginative impulse, which literary knowledge embraces as a way of understanding the world at large. Reciprocally, the period’s theory of aesthetics arises from the observational protocols of science, ultimately laying claim to literature as epistemologically superior. Early science finds its intellectual and conceptual footing in the metaphoric thinking available through literary knowledge, and literary writers wield science as a trope for the importance and unique insights of literary knowledge.