Learning Visual Elements of Images for Discovery of Brand Posts

2020 ◽  
Vol 16 (2) ◽  
pp. 1-21
Author(s):  
Francesco Gelli ◽  
Tiberio Uricchio ◽  
Xiangnan He ◽  
Alberto Del Bimbo ◽  
Tat-Seng Chua
Keyword(s):  
Visual Elements

Visual Elements of "Semar Calligraphy" on Cirebon Glass Painting of Kusdono’s Work

2020 ◽  
Vol 1 ◽  
pp. 43-47
Author(s):  
Yayah Rukiah
Keyword(s):  
Qualitative Research ◽  
Research Methods ◽  
Geographical Location ◽  
Qualitative Research Methods ◽  
Visual Elements ◽  
Arabic Calligraphy ◽  
Main Figure ◽  
Descriptive Qualitative

This research is focused on the visual elements contained on Kusdono's Cirebon glass painting. The writer uses descriptive qualitative research methods to examine the visual elements, with the technique of collecting data from books and journals that relates to the research object. The purpose of this study is to examine and find the meaning of Cirebon glass paintings. The results of this research are Semar as the main figure in the clown who always do good, keep the truth and obey the tenet that closely related to Islam. Arabic calligraphy reinforces Semar's figure. On the Cirebon glass painting, there are many mega mendung ornaments and wadasan which are Cirebon batik motifs, as well as the colors used in the coastal colors due to the geographical location of Cirebon City near the beach.  

Customer Perception on Visual Elements of Packaging and Labeling Practices: In Case of the Packed Spring Water in Gondar, Ethiopia

2018 ◽  
Author(s):  
Aschalew Adane ◽  
Mebasilase Kassa ◽  
Koppala Venugopal
Keyword(s):  
Spring Water ◽  
Customer Perception ◽  
Visual Elements

The value of visual elements in web search

2010 ◽  
Author(s):  
Marilyn Ostergren ◽  
Seung-yon Yu ◽  
Efthimis N. Efthimiadis
Keyword(s):  
Web Search ◽  
Visual Elements

Graphical Representations of a Television Series: A Study with Deaf and Hearing Adolescents

2010 ◽  
Vol 13 (2) ◽  
pp. 765-776 ◽  
Author(s):  
Cristina Cambra ◽  
Aurora Leal ◽  
Núria Silvestre
Keyword(s):  
Graphical Representation ◽  
Background Knowledge ◽  
Hearing Impaired ◽  
Graphical Representations ◽  
Television Series ◽  
Linguistic Information ◽  
Visual Elements ◽  
The Way

The understanding of a television story can be very different depending on the age of the viewer, their background knowledge, the content of the programme and the way in which they combine the information gathered from linguistic, audio and visual elements. This study explores the different ways of interpreting an audiovisual document considering that, due to a hearing impaired, visual, audio and linguistic information could be perceived very differently to the way it is by hearing people. The study involved the participation of 20 deaf and 20 hearing adolescents, aged 12 to 19 years who, after watching a fragment of a television series, were asked to draw a picture of what had happened in the story. The results show that the graphical representation of the film is similar for both groups in terms of the number of scenes, but there is greater profusion, in the deaf group, of details about the context and characters, and there are differences in their interpretations of some of the sequences in the story.

scholarly journals Which visual elements make texts appear scientific?

2020 ◽  
Author(s):  
Oliver Hahn ◽  
Steffen Lemke ◽  
Athanasios Mazarakis ◽  
Isabella Peters
Keyword(s):  
Visual Elements

The Role of Myths in Japanese Calligraphy’s Interpretative Process

2021 ◽  
Vol 66 (4) ◽  
pp. 353-366
Author(s):  
Ioana-Ciliana Tudorică ◽  
Keyword(s):  
Zen Buddhism ◽  
Abstract Art ◽  
Visual Elements ◽  
Japanese Studies

The Role of Myths in Japanese Calligraphy’s Interpretative Process. This article illustrates the role of myths in the interpretative process of calligraphic works. Being considerably different from Western calligraphy, Japanese calligraphy (shodō) may seem at times visually similar to abstract art. However, calligraphic works – and shodō as art – are rich in meaning and abundant of myths. Focusing on both linguistic and visual elements of calligraphy, the article depicts how myths can be identified in a calligraphic work and how they provide a better understanding of the particularities of shodō. In order to illustrate how myths uncover new layers of meaning, the article incorporates an analysis of a calligraphic work created by Rodica Frențiu, underlining the process of accessing the transcendent meaning. Keywords: shodō, Japanese calligraphy, calligraphy, cultural semiotics, Japanese studies, kanji, myth, Zen, Buddhism.

Web Aesthetics and Usability

2012 ◽  
Vol 8 (1) ◽  
pp. 35-53 ◽  
Author(s):  
Constantinos K. Coursaris ◽  
Konstantinos Kripintris
Keyword(s):  
Web Design ◽  
Design Element ◽  
White Space ◽  
Interactive Technologies ◽  
Visual Elements ◽  
Life Challenges ◽  
Study Results ◽  
Perceived Usability ◽  
The Impact ◽  
The Relationship

Usability has been an essential component of the Web User Experience (UX) and a focal research topic. In recent years, the penetration of interactive technologies in all aspects of everyday life challenges the way UX is understood and designed. The past decade, Human-Computer Interaction (HCI) scholars have been continuously attempting to introduce and explore new and non-traditional factors in the UX arena, such as aesthetics, emotions, affect, and trust. This study contributes to the field by exploring the relationship between aesthetics and UX; specifically the impact of the classical design element of white space on the perceived attractiveness and perceived usability of an e-commerce website. A between-subject research design involves the manipulation a website’s white space. Three different versions were constructed using 25, 50 and 75% of the white space, respectively. Findings offer support for the relationship between aesthetics and the perceived usability of a website. The study results suggest that the usability of a website is impacted negatively when white space increases over 50%. Practitioners should consider that in the context of eCommerce Web design, reduction of content and shrinking of visual elements, in favor of white space, is likely to negatively impact the usability of a website.

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