Eighteenth (duodevicesimus) or Twenty-Second (duoetvicesimus)? Twenty-Second but duovicesimus (Gel. 5.4.1-5 and Non. s.v. duodevicesimo p. 100M)

Mnemosyne ◽  
2008 ◽  
Vol 61 (3) ◽  
pp. 436-450 ◽  
Author(s):  
Gerald Verbrugghe

AbstractManuscripts of two relatively late authors of classical Latin, Aulus Gellius and Nonius Marcellus, have garbled the word duovicesimus, a word that fell out of use after the first century BC. Modern scholars have had difficulty in restoring the true form of the word to the ancient manuscripts and then in assessing the effect of that restoration on the histories written by three authors of the second and first centuries BC, who are cited as having used that word: Fabius Pictor, Cato the Elder, and Varro. Once the valid form of the word is restored and its meaning realized, the following conclusions are possible. Fabius Pictor had his own peculiar chronology of the period between the Gallic sack of Rome and the first plebeian consul. Cato the Elder marked the beginning of the siege of Sarguntum as the sixth violation of a treaty by the Carthaginians. It is highly likely that Varro had Ancus Marcius die in the twenty-second year of his reign.

2020 ◽  
Vol 5 (1) ◽  
pp. 7-25 ◽  
Author(s):  
Guillermo Severiche

This article proposes a comparison between Francis Lee’s God’s Own Country (UK, 2017) and Peter Sheridan’s Borstal Boy (Ireland, 2000) to examine the role that masculinities and sexual desire play in the construction, (re)configuration and (re)affirmation of nation-ness. These films depict bodies and their sensations as being able to break down and re-shape a strict and embodied notion of nationhood strongly tied by patriarchal norms. However, they also rely on rigid representations of masculinities and do not attempt to dissolve nation-ness as a corporeal entity, but to re-shape it and re-install it as a valid form of existence. Notions by Elaine Scarry’s The Body in Pain and Jasbir Puar’s Terrorist Assemblages provide the theoretical approach to observe possible changes and continuities regarding the domestication of male bodies in twenty-first-century Irish and British cinema.


2012 ◽  
Vol 3 (2) ◽  
Author(s):  
Anatoliy Gruzd ◽  
DeNel Rehberg Sedo

The rise of social networking sites and initiatives such as the One Book, One Twitter book club (#1b1t) make it much easier for readers to share reading experiences on a scale and in a fashion that would not previously have been possible. This paper examines people’s changing reading practices in the age of online social networking. In particular, it aims to describe and explain online conversations around a book called American Gods, the first book of the Twitter book club. Using the automated text analysis and social network discovery software called Netlytic, this study pinpoints a particular time in history that opens new conclusions about the spread of knowledge, education, culture, and ideology. An analysis of the more than 14,000 “tweets” about American Gods provides insight into this world-wide reading group phenomenon, which is now in its second year.


2007 ◽  
Vol 38 (6) ◽  
pp. 80
Author(s):  
MARY ELLEN SCHNEIDER
Keyword(s):  

1994 ◽  
Vol 30 (2) ◽  
pp. 283-292 ◽  
Author(s):  
Catherine S. Tamis-LeMonda ◽  
Marc H. Bornstein
Keyword(s):  

2001 ◽  
Author(s):  
Heather Lau ◽  
Nazan Aksan ◽  
Hill H. Goldsmith
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document