Textual Memorial Temples: Writing Hagiographies for Mothers in Late Imperial China

NAN Nü ◽  
2021 ◽  
Vol 23 (2) ◽  
pp. 199-236
Author(s):  
Xu Ma

Abstract In Chinese culture, the honor of textual immortality was traditionally reserved for a select, extraordinary few. As Martin Huang points out, however, the Ming-Qing era witnessed a general “secularization” process in which eulogistic writings were increasingly dedicated to women who lived relatively “trivial” lives. Building on Huang’s insights, this paper examines another important evolution within this genre of secularized elegies dedicated to women: the simultaneous sacralizing of deceased mothers by filial sons writing their mothers’ lives as hagiography. As these authors energetically extolled their mothers’ religious piety and identified them with Bodhisattvas/deities, the hitherto lackluster biographies became saturated with supernatural occurrences and miraculous events. Transformed into cultural and emotional sites where ordinary women could be commemorated, immortalized, and apotheosized, these otherwise insignificant life stories evoked a kind of textual memorial temple. Such infusions of spirituality into the writing of Confucian mourning both signal and fuel the broader penetration of heterodox worship (Buddhism) into Confucian society. This practice also allows a glimpse into important gender dimensions in the religious syncretism and secularism of late imperial China.

2006 ◽  
Vol 6 (1) ◽  
pp. 59-79
Author(s):  
Michael Szonyi

Abstract Many scholars of late imperial China have argued that the imperial state's sanctioning of certain cults was an important factor in the standardization of Chinese culture. This paper is a case study of the Five Emperors, a local cult which was not only not sanctioned, but actively suppressed by state officials. In response, worshippers of thecult concealed their deities behind the Five Manifestations, a cult which was state sanctioned. But the cult retained distinctive rituals, iconography, and representations in local popular culture. The conflation of the Five Emperors with other trans-local cultures demonstrates that the standardization of Chinese culture was often only illusory, concealing enduring local distinctiveness.


2019 ◽  
Vol 10 ◽  
Author(s):  
Paolo Santangelo

The article analyses information on religious elements in the representation of senses in literary sources of late imperial China. The Introduction presents psychological and social functions of olfaction with reference to China. The second part deals with the concepts of *xiang*, especially in the meaning of incense, but also the supernatural and symbolic aromas and the pollutant load of its antonym *chou*. The third part offers a survey of other bodily sensations in relation to religion.


Author(s):  
Judith A. Berling ◽  
James Hayes ◽  
Robert E. Hegel ◽  
Leo Ou-fan Lee ◽  
Victor H. Mair ◽  
...  

T oung Pao ◽  
2019 ◽  
Vol 105 (1-2) ◽  
pp. 183-228 ◽  
Author(s):  
Meir Shahar

AbstractWritten documents from rural north China are rare. This essay examines the newly-discovered records of a Shanxi village association, which was dedicated to the cult of the Horse King. The manuscripts detail the activities, revenues, and expenditures of the Horse King temple association over a hundred-year period (from 1852 until 1956). The essay examines them from social, cultural, and religious perspectives. The manuscripts reveal the internal workings and communal values of a late imperial village association. They unravel the social and economic structure of the village and the centrality of theater in rural culture. Furthermore, the manuscripts bring to the fore a forgotten cult and its ecological background: the Horse King was among the most widely worshiped deities of late imperial China, his flourishing cult reflecting the significance of his protégés – horses, donkeys, and mules – in the agrarian economy.


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