From the Archives to Living Tradition

Numen ◽  
2020 ◽  
Vol 67 (2-3) ◽  
pp. 308-312
Author(s):  
Greg Johnson

Abstract This article is a brief response to Jennifer Graber’s The Gods of Indian Country and Pamela Klassen’s The Story of Radio Mind. The author responds to both texts with attention to questions of method and theory at the intersection of Indigenous studies and religious studies. This response includes comparative reflections from the author’s research contexts concerned with religion and law in contemporary Hawai`i and on Mauna Kea in particular.

2021 ◽  
Vol 50 (1) ◽  
pp. 26-33
Author(s):  
Jacob Barrett

“The Experiment” presents scholars of religion with an opportunity to draw upon their training to reflect upon a contemporary issue. Editorial assistant Jacob Barrett engages with a recent edited volume from Routledge titled Leading Works in Law and Religion that, while focusing on the identity of the subfield of law and religion within the discipline of legal studies in the United Kingdom and Ireland, provides many sites for comparison with the religion and law subfield of religious studies in the United States context. Drawing upon the model set by the volume, Barrett imagines what a volume titled Leading Works in Religion and Law could look like and what the subfield of religion and law stands to gain from engaging in a project like the one done by its law and religion counterpart.


Author(s):  
Chelsey Schafer

The Mount Royal Undergraduate Humanities Review (MRUHR) is an online, student-run, annual journal of undergraduate research in the Humanities. The MRUHR invites submissions from Mount Royal University students of essays or other kinds of intellectual work appropriate for an online journal that are relevant to the subjects taught by the Mount Royal Department of Humanities (History, Philosophy, Women’s Studies, Religious Studies, Indigenous Studies, Canadian Studies, or Art History).


2020 ◽  
Vol 119 (4) ◽  
pp. 685-699
Author(s):  
Audra Simpson

This article offers a brief history of “sovereignty,” unmooring it from Western governance and the right to kill, in order to trace the life of the term within the field of Native (Indigenous) politics and Studies. Within this field, the practice of “critique” is central, examining conditions of dispossession and exploitation within other disciplines that refuse or devalue knowledge about Indigenous peoples. Historically, “critique” has been vital to Native and Indigenous Studies, which emerged from the liberatory and resistant politics of the late sixties and seventies across North America, as well as from decolonization movements and the specificities (and sovereignties) of Indian country. A developing field at that moment, Native and Indigenous Studies saw that the needs of Indigenous communities were tied directly to forms of resistance and redress but as well to the terrains of knowledge within contemporary academic institutions. As such, disciplinary formation and the critique, if not dismantling of dispossessing disciplines, became key sites for liberation, along with lands and waters.


Numen ◽  
2020 ◽  
Vol 67 (2-3) ◽  
pp. 303-307
Author(s):  
Tiffany Hale

Abstract This essay considers Jennifer Graber’s The Gods of Indian Country and Pamela Klassen’s The Story of Radio Mind together in considering new developments in the field of Native American and Indigenous studies. Hale examines how these books discuss the role of religion in shaping settler colonialism in North America in the nineteenth and early twentieth centuries. She concludes that both works raise pressing methodological questions about how historians of religion can center the lives of Native American people in their work.


Author(s):  
Kenny Reilly ◽  
Cameron Mitchell

The Mount Royal Undergraduate Humanities Review (MRUHR) is an online, student-run, annual journal of undergraduate research in the Humanities. The MRUHR invites submissions from Mount Royal University students of essays or other kinds of intellectual work appropriate for an online journal that are relevant to the subjects taught by the Mount Royal Department of Humanities (History, Philosophy, Women’s Studies, Religious Studies, Indigenous Studies, Canadian Studies, or Art History).


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