Paschal Politics: Deploying the Temple's Destruction against Fourth-Century Judaizers

2008 ◽  
Vol 62 (3) ◽  
pp. 233-260 ◽  
Author(s):  
Christine Shepardson
Keyword(s):  
Fourth Century ◽  
Jerusalem Temple ◽  
John Chrysostom ◽  
Political Boundaries ◽  
The Temple

AbstractThe fourth-century Syriac writings of Aphrahat and Ephrem, and Greek homilies by the Syrian John Chrysostom, warn Christian congregants against joining Jewish festival celebrations such as Passover. In light of the respected age of Judaism's scriptures and traditions, not all of these authors' church attendees were easily convinced by supersessionist claims about Judaism's invalidity. These authors surpass earlier Christian claims that the Temple's destruction revealed God's rejection of the Jews, by arguing that Jewish scripture requires ritual sacrifices that were confined to the Jerusalem Temple. us without the Temple sacrifices, fourth-century Jewish festivals, these authors claimed, defied God's biblical commands, a declaration with sharp implications for Judaizing Christians. Demonstrating the nuances of this argument, which crossed eastern linguistic and political boundaries, contributes to complex discussions regarding these texts' audiences, highlights distinctive elements that their contexts shared, and reveals an unrecognized role that the Temple's destruction played in fourth-century anti-Judaizing discourse.

scholarly journals The Meaning of «Oil Flowing onto Aaron’s Beard» (Psalm 132/133) in Traditional Jewish and Christian Exegesis

2020 ◽  
pp. 21-34
Author(s):  
Ириней Пиковский
Keyword(s):  
Holy Spirit ◽  
Jerusalem Temple ◽  
Masoretic Text ◽  
Clement Of Alexandria ◽  
Starting Point ◽  
John Chrysostom ◽  
The Holy Spirit ◽  
Songs Of Ascents ◽  
The Temple

Псалом 132 по Синодальному тексту (133 - по нумерации масоретского текста), является одной из пятнадцати «песней восхождения», входящих в состав Псалтири (Пс. 119-133). Данный псалом интересен литургической привязкой к ритуалу Иерусалимского храма, с которым его связывает упоминание о елее, сходящем на бороду Аарона (Пс. 132, 2). Автор использует метафору елея для усиления оттенка радости собратьев по вере, собравшихся в храм для совместной молитвы (ст. 1). Целью настоящего исследования является обзор методов интерпретации образа елея, сходящего на бороду Аарона в ранней еврейской и греческой языковых традициях толкования Священного Писания. Для этих целей проводится анализ метафоры елея в источниках иудейской экзегезы (Сифрей Бамидбар, Сифра, Талмуд, Мидраш Танхума) и христианской экзегезы (Климент Александрийский, Ориген, Афанасий Александрийский, Василий Кесарийский, Иоанн Златоуст, Феодорит Кирский). Далее на основе историко-филологического метода определяется место «елея» в содержании псалма по современным экзегетическим исследованиям. В результате было выявлено, что в источниках иудейской экзегезы значительное внимание уделяется поиску исторической основы помазания священства благовонным елеем в контексте обрядов Иерусалимского храма. Источники христианской экзегезы тяготеют к мессианской интерпретации гимна, в которой помазание Аарона миром толкуется как прообраз помазания Христа и верующих в Него Святым Духом. Итак, образ елея мог рассматриваться в древних религиозных традициях как отправная точка для актуальных на то время рассуждений о роли Аарона или Христа, а также об этических требованиях к кандидатам на помазание. Psalm 133 according the numeration of the Masoretic text, or 132 according the numeration of the Septuagint, is one of the fifteen «songs of ascents» (Psalms 119-133 - hereinafter numbering according to the Synodal text) that are part of the Book of Psalms. Рsalm 132 is interesting for its liturgical attachment to the ritual of the Jerusalem Temple, with which it is associated with the mention of «precious oil on the head, running down on the beard, on the beard of Aaron» (Ps. 132, 2 ESV). The author uses the «oil» metaphor to enhance the shade of joy of fellow believers gathered in the temple for prayer (v. 1). The purpose of this study is to review methods for interpreting the image of «oil falling on Aaron’s beard» in the early Jewish and Greek exegetical traditions. For these purposes, an analysis of the «oil» metaphor is carried out in the sources of the Jewish exegesis (Sifra Bamidbar, Talmud, Midrash Tanhuma) and the Christian exegesis (Clement of Alexandria, Origen, Athanasius of Alexandria, Basil of Caesarea, John Chrysostom, Theodore of Cyrus). Further, on the basis of the historical-philological method, the place of «oil» in the content of the psalm according to modern exegetical studies is determined. As a result, it was revealed that in the sources of Jewish exegesis was considerable attention to the search for the historical basis of the anointing of the priesthood with «incense oil» in the context of the rites of the Jerusalem temple. Sources of Christian exegesis lean toward a messianic interpretation of the hymn, in which the anointing of Aaron was interpreted as a prototype of the anointing of Christ and those who believe in Him with the Holy Spirit. Thus, the image of the «oil» could be considered as a starting point for discussions about the role of Aaron or Christ, as well as the ethical requirements for anointing candidates.

Writing the Jews out of History: Pseudo-Hegesippus, Classical Historiography, and the Codification of Christian Anti-Judaism in Late Antiquity

2021 ◽  
Vol 90 (2) ◽  
pp. 265-285
Author(s):  
Carson Bay
Keyword(s):  
Late Antiquity ◽  
Historical Context ◽  
Fourth Century ◽  
Jerusalem Temple ◽  
Greco Roman ◽  
John Chrysostom ◽  
History Of ◽  
Classical Culture ◽  
Anti Jewish ◽  
Latin Work

AbstractScholarly narratives of the development of Christian anti-Jewish thinking in antiquity routinely cite a number of standard, well-known authors: from Irenaeus, Tertullian, and Justin Martyr in earlier centuries to Eusebius, John Chrysostom, Ambrose, Jerome, and Augustine in the fourth and early fifth centuries. The anonymous author known as Pseudo-Hegesippus, to whom is attributed a late fourth-century Latin work called On the Destruction of Jerusalem (De Excidio Hierosolymitano), rarely appears in such discussions. This has largely to do with the fact that this text and its author are effectively unknown entities within contemporary scholarship in this area (scholars familiar with Pseudo-Hegesippus tend to be specialists in medieval Latin texts and manuscripts). But “Pseudo-Hegesippus” represents a critical contribution to the mosaic of Christian anti-Jewish discourse in late antiquity. De Excidio's generic identity as a Christian piece of classical historiography makes it a unique form of ancient anti-Jewish propaganda. This genre, tied to De Excidio's probable context of writing—the wake of the emperor Julian's abortive attempt to rebuild the Jerusalem Temple, resurrect a robust Judaism, and remove Christians from public engagement with classical culture—renders De Excidio an important Christian artifact of both anti-Judaism and pro-classicism at the same time. This article situates Pseudo-Hegesippus in a lineage of Christian anti-Jewish historical thinking, argues that De Excidio codifies that discourse in a significant and singular way, frames this contribution in terms of its apparent socio-historical context, and cites De Excidio's later influence and reception as testaments to its rightful place in the history of Christian anti-Judaism, a place that modern scholarship has yet to afford it. As a piece of classical historiography that mirrors not Christian historians—like Eusebius and others—but the historians of the broader “pagan” Greco-Roman world—like Herodotus, Thucydides, Xenophon, Sallust, Livy, and Tacitus—De Excidio leverages a cultural communicative medium particularly well equipped to undergird and fuel the Christian historiographical imagination and its anti-Jewish projections.

The triumph of Christ over Julian: prodigies, miracles and providence

2018 ◽  
Author(s):  
Robert G. Ingram
Keyword(s):  
Natural Philosophy ◽  
Fourth Century ◽  
Human History ◽  
Public Discussion ◽  
Jerusalem Temple ◽  
The Temple

This chapter is about God’s providential management of his creation. The chapter examines the origins of Warburton’s Julian (1751). Warburton’s study of the fourth-century failed rebuild the Temple was part of a sustained attempt to demonstrate his orthodox bona fides in the wake of his Divine Legation of Moses. This chapter opens with an examination of the Weekly Miscellany’s attack on Warburton during the late 1730s for having insufficiently criticized Middleton in the Divine Legation of Moses. Afterwards, Warburton’s orthodox episcopal allies advised him publicly to distance himself from Conyers Middleton, which led to the unraveling of their friendship. The chapter turns next to anatomize Julian’s arguments. It concludes by illuminating how Warburton distinguished between miracles (like the destruction of the Jerusalem Temple rebuilding project in 363 AD) and prodigies (like the London and Lisbon earthquakes of the 1750s), while seeing both as tools of God’s providential management of his creation. Warburton contributed to a public discussion of providence for reasons that were also deeply personal. In that discussion, he employed Newtonian natural philosophy to interpret both natural and human history. In Warburton’s hands, it was employed for orthodox ends, but in sometimes deeply idiosyncratic ways.

The Meaning of «Ointment upon the Head, that Ran Down upon the Beard, even Aaron’s Beard» (Psalms 132-133) in Traditional Jewish and Christian Exegesis. Part I

2020 ◽  
pp. 17-40
Author(s):  
Ириней Пиковский
Keyword(s):  
Holy Spirit ◽  
Jerusalem Temple ◽  
Masoretic Text ◽  
Clement Of Alexandria ◽  
Starting Point ◽  
John Chrysostom ◽  
The Holy Spirit ◽  
Songs Of Ascents ◽  
The Temple

Псалом 132 по Синодальному тексту (133 - по нумерации масоретского текста), является одной из пятнадцати «песней восхождения», входящих в состав Псалтири (Пс. 119- 133). Данный псалом интересен литургической привязкой к ритуалу Иерусалимского храма, с которым его связывает упоминание о елее, сходящем на бороду Аарона (Пс. 132, 2). Автор использует метафору елея для усиления оттенка радости собратьев по вере, собравшихся в храм для совместной молитвы (ст. 1). Целью настоящего исследования является обзор методов интерпретации образа елея, сходящего на бороду Аарона в ранней еврейской и греческой языковых традициях толкования Св. Писания. Для этих целей в первой части статьи проводится анализ метафоры елея в источниках иудейской экзегезы (Сифрей Бамидбар, Сифра, Талмуд, Мидраш Танхума) и христианской экзегезы (Климент Александрийский, Ориген, Афанасий Александрийский, Василий Кесарийский, Иоанн Златоуст, Феодорит Кирский). Далее, во второй части статьи, на основе историко-филологического метода определяется место «елея» в содержании псалма по современным экзегетическим исследованиям. В результате было выявлено, что в источниках иудейской экзегезы значительное внимание уделяется поиску исторической основы помазания священства благовонным елеем в контексте обрядов Иерусалимского храма. Источники христианской экзегезы тяготеют к мессианской интерпретации гимна, в которой помазание Аарона миром толкуется как прообраз помазания Христа и верующих в Него Святым Духом. Итак, образ елея мог рассматриваться в древних религиозных традициях как отправная точка для актуальных на то время рассуждений о роли Аарона или Христа, а также об этических требованиях к кандидатам на помазание. Psalm 133 according the numeration of the Masoretic text, or 132 according the numeration of the Septuagint, is one of the fifteen «songs of ascents» (Psalms 119-133 - hereinafter numbering according to the Synodal text) that are part of the Book of Psalms. Рsalm 132 is interesting for its liturgical attachment to the ritual of the Jerusalem Temple, with which it is associated with the mention of «precious oil on the head, running down on the beard, on the beard of Aaron» (Ps. 132, 2 ESV). The author uses the «oil» metaphor to enhance the shade of joy of fellow believers gathered in the temple for prayer (v. 1). The purpose of this study is to review methods for interpreting the image of «oil falling on Aaron’s beard» in the early Jewish and Greek exegetical traditions. For these purposes, an analysis of the «oil» metaphor is carried out in the sources of the Jewish exegesis (Sifra Bamidbar, Talmud, Midrash Tanhuma) and the Christian exegesis (Clement of Alexandria, Origen, Athanasius of Alexandria, Basil of Caesarea, John Chrysostom, Theodore of Cyrus). Further, on the basis of the historical-philological method, the place of «oil» in the content of the psalm according to modern exegetical studies is determined. As a result, it was revealed that in the sources of Jewish exegesis was considerable attention to the search for the historical basis of the anointing of the priesthood with «incense oil» in the context of the rites of the Jerusalem temple. Sources of Christian exegesis lean toward a messianic interpretation of the hymn, in which the anointing of Aaron was interpreted as a prototype of the anointing of Christ and those who believe in Him with the Holy Spirit. Thus, the image of the «oil» could be considered as a starting point for discussions about the role of Aaron or Christ, as well as the ethical requirements for anointing candidates.

THE TEMPLE IN 2 MACCABEES – DYNAMICS AND EPISODES

2017 ◽  
Vol 24 (1) ◽  
pp. 352-365 ◽  
Author(s):  
Pierre J Jordaan
Keyword(s):  
Minor Importance ◽  
Jerusalem Temple ◽  
Negative View ◽  
The Relationship ◽  
The Temple

Scholars differ among each other about the importance of the Jerusalem temple in 2 Maccabees. Some see the temple as of minor importance while others are of the opinion that the temple takes centre stage in this book. This article concurs with the second view. However, it goes further by also exploring crucial temple dynamics. These temple dynamics are determined by certain pre-set criteria and centre mainly on the relationship between God and the nation. The result is that three different temple episodes can be distinguished. The positive/negative view of each temple episode is determined by this relationship between the nation and God. This opens a new way of exploring 2 Maccabees.

INTERNAL CONTROLS IN THE TALMUD: THE JERUSALEM TEMPLE

2003 ◽  
Vol 30 (1) ◽  
pp. 73-93 ◽  
Author(s):  
Robert Fonfeder ◽  
Mark P. Holtzman ◽  
Eugene Maccarrone
Keyword(s):  
Internal Controls ◽  
Court System ◽  
Sound System ◽  
Jerusalem Temple ◽  
Extensive System ◽  
Priestly Class ◽  
The Temple

We examine the Hebrew Talmud's account of internal controls in the ancient Jerusalem Temple (c.823 B.C.E. to 70 C.E.) This far-reaching enterprise involved an extensive system of sacrificial offerings, management of three annual pilgrimages, a court system and maintenance of a priestly class. We outline the annual process of collecting half-shekel and other donations, withdrawals from the Temple treasury and the sale of libations. The Talmud describes numerous internal controls: donations were segregated according to their specific purposes and donation chests were shaped with small openings to prevent theft. When making withdrawals from the Temple treasury, the priest-treasurer was required to wear specific clothing to prevent misappropriation of assets. The Treasury chamber itself had seven seals, requiring the presence of seven different individuals, including the king, in order to open it. The process of selling libations and meal offerings required purchasing and then redeeming different tickets, which were specifically marked to prevent fraud. In explaining the reasoning for this tight system of internal controls, the Talmud reveals that an individual “shall be guiltless before G-D and before Israel” [Numbers 32: 22], so that a sound system of internal controls prevents both theft and any suspicion of theft, thus establishing the fiscal credibility of the Temple institution in the eyes of its congregants. Such an approach indicates that accounting did not represent a profane, secular vocation at odds with the Temple's mission. To the contrary, a system of accountability formed integral steps in the Temple's ritual processes.

Art, Craft, and Theology in Fourth-Century Christian Authors

2020 ◽  
Author(s):  
Morwenna Ludlow
Keyword(s):  
Fourth Century ◽  
Detailed Examination ◽  
Fine Art ◽  
Active Response ◽  
Gregory Of Nyssa ◽  
Starting Point ◽  
Shared Practice ◽  
John Chrysostom ◽  
Literary Techniques ◽  
Applied Arts

Ancient authors commonly compared writing with painting. The sculpting of the soul was a common philosophical theme. This book takes its starting-point from such figures to recover a sense of ancient authorship as craft. The ancient concept of craft (ars, technē) spans ‘high’ or ‘fine’ art and practical or applied arts. It unites the beautiful and the useful. It includes both skills or practices (like medicine and music) and productive arts like painting, sculpting, and the composition of texts. By using craft as a guiding concept for understanding fourth-century Christian authorship, this book recovers a sense of them engaged in a shared practice which is both beautiful and theologically useful, which shapes souls but which is also engaged in the production of texts. It focuses on Greek writers, especially the Cappadocians (Basil of Caesarea, Gregory of Nazianzus, and Gregory of Nyssa) and John Chrysostom, all of whom were trained in rhetoric. Through a detailed examination of their use of two particular literary techniques—ekphrasis and prosōpopoeia—it shows how they adapt and experiment with them, in order to make theological arguments and in order to evoke an active response from their readership.

Influence on Early Christian Worship

2020 ◽  
pp. 377-391
Author(s):  
Paul F. Bradshaw
Keyword(s):  
Early Christianity ◽  
Fourth Century ◽  
Early Christian ◽  
Hebrew Scriptures ◽  
Christian Worship ◽  
The Temple ◽  
Ritual Practices

This chapter traces the various ways in which the cultic language and imagery of the Hebrew Scriptures influenced and shaped the liturgical thought and ritual practices of early Christianity, from the first to the fourth century ce. At first, this was primarily through the metaphorical or spiritual application of such concepts as priesthood and sacrifice, but eventually there are indications of the beginnings of the adoption of a more literal correspondence between some elements of the Temple cult and aspects of Christian worship. Both corporate and individual practices of prayer are covered, including the use of the canonical psalms, as well as the appropriation of traditional ritual gestures and the emergence of Christian holy days out of biblical festivals.

Jewish Identity and the Intercommunal Links between Diaspora Jewish Communities in the Second Temple Period

2021 ◽  
pp. 1-23
Author(s):  
Jonathan R. Trotter
Keyword(s):  
Jewish Identity ◽  
Second Temple ◽  
Asia Minor ◽  
Jewish Communities ◽  
Second Temple Period ◽  
Jerusalem Temple ◽  
Shared Identity ◽  
The City ◽  
The Temple

Abstract Many diaspora communities identify not only with a distant homeland but also with others distant from the homeland. How exactly do these intercommunal connections take place and contribute toward a shared identity? What specific aspects of diasporan identity are created or strengthened? What practices are involved? This study will begin to answer these questions through investigating two practices which were widespread among diaspora Jewish communities during the last two centuries of the Second Temple period (1st cent. B.C.E.–1st cent. C.E.). First, we will show how sending offerings and making pilgrimages to the Jerusalem temple from these communities enabled regular intercommunal contact. Then, we will suggest some ways in which these voluntary practices reinforced a cohesive Jewish identity and the importance of the homeland, especially the city of Jerusalem and the temple, for many diaspora Jews, whether they lived in Alexandria, Rome, Asia Minor, or Babylonia.

Mark: Criticism or Rejection?

2019 ◽  
pp. 96-126
Author(s):  
Eyal Regev
Keyword(s):  
Jerusalem Temple ◽  
Negative View ◽  
Alternative Approach ◽  
Cleansing Of The Temple ◽  
The Temple

This chapter focuses on Mark's criticism of the Temple. The Temple plays an important role in Mark 11–15. It is central in Jesus's cleansing of the Temple, the reference to the “abomination of desolation,” the purported prediction of the destruction of the Temple in Mark 13, and several additional passages—all of which leads interpreters of Mark to conclude that Mark holds a completely negative view of the Temple. Important commentators think that Mark introduces Jesus as a new Temple that substitutes for the old one. Others argue that Jesus's mission in Mark is “anti-Temple”—that the Temple “stands condemned of corruption by trade and politics,” leading to Jesus's “disqualification” of it since “the Kingdom has been dissociated from the Jerusalem Temple.” The chapter then looks at an alternative approach which views Mark as less critical of the Temple.

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