Wanted Dead or Alive

Pneuma ◽  
2014 ◽  
Vol 36 (3) ◽  
pp. 407-416
Author(s):  
Cheryl Sanders

This essay explores the relationship between black theology and renewal theology and assesses the ongoing relevance of black theology to the mission and future of the black churches. Recent writings by Eddie Glaude, Raphael Warnock, James Cone, and Peter Paris are considered in conversation with the works of Brian Bantam, J. Kameron Carter, and Willie Jennings, whose imaginative attention to Christology, pneumatology, and ecclesiology provokes thoughtful engagement of issues of race, gender, power, and privilege in the context of renewal and the global impact of Pentecostalism more than a century after the Azusa Street Revival led by William J. Seymour.

2013 ◽  
Vol 14 ◽  
Author(s):  
Emily Regan Wills

Fandoms can constitute discourse communities, where fans make claims about issues of real-world political importance, such as the relationship between gender, power, and autonomy, and where other fans engage with and evaluate those claims. In fan works and fan analyses of Dana Scully in the television show The X-Files, fans pose claims both in discussion spaces and in the creation of fan fiction, and these fannish evaluations and discussions of these fictions analyze those claims.


2021 ◽  
Vol 4 (1) ◽  
pp. 335-346
Author(s):  
Luca Soudant

Abstract This article reflects on an ongoing artistic research practice that deals with sound, gender, power, spatiality, and human–nonhuman entanglement. Sparked by a sound design for a less crunchy “lady-friendly” crisp, the research inquires the relationship between gender and sound at human–nonhuman encounter through making and thinking. Drawing on queer theory, sound studies, and posthumanism, it aims to transcend essentialist, vision-focused, and anthropocentric conceptualisations of gender and, as an insight gained from working with low-frequency sound waves, it reflects on sound as material-philosophically demonstrating human–nonhuman interconnectedness. The latter, as this article proposes, may encourage us to horizontalise hierarchies between the human and nonhuman. Finally, this text situates sonic thinking as a mode of trans*formative thinking: a process-oriented philosophy that aims to embrace the messy, queer ways of human–nonhuman relationality, which characterises a vibrant space from which this artistic research will further develop.


2004 ◽  
Vol 73 (4) ◽  
pp. 792-827 ◽  
Author(s):  
Edward J. Gitre

Surveying the short history of pentecostalism in 1925, Frank Bartelman—a consummate “insider historian”—reckoned that although the Azusa Street revival had become “full grown” in Los Angeles, California, it was “rocked in the cradle of little Wales.” In pentecostal historiography much ink has been spilled connecting the causal dots of precedence. From whence did the movement come? Los Angeles? India? Topeka, Kansas? Historians of pentecostalism are cognizant of the 1904–05 Welsh revival; they readily acknowledged that it in some way influenced the Apostolic Faith Mission in Los Angeles. My goal here is not necessarily to argue one way or another but rather to resurrect from the dustbin of history a significant event that deserves its own due. This is a story, argues historian Rhodri Hayward, that “has been largely forgotten.”


1992 ◽  
Vol 16 (4) ◽  
pp. 439-447 ◽  
Author(s):  
Lynda M. Sagrestano

A review is presented of empirical research on the effects of gender and power on the use of influence strategies in interpersonal relationships. Several variables are considered, including gender, power, status, relationship of agent to target, and the goal of the influence attempt. Although gender appears to account for some of the findings, power and status are more critical variables in choice of power strategies. Because gender is inextricably linked to power and status, the relationship of gender to influence strategy usage can only be understood in terms of its relationship to power and status.


2008 ◽  
Vol 16 (2) ◽  
pp. 51-68
Author(s):  
Kevin L. Spawn

AbstractAfter an overview of his compositional technique in the temple dedication narrative (2 Chronicles 5-7), the Chr's theology of worship in chapter 5 is examined. The Chr's emphasis on the sacred song, God's glorious presence and related themes are traced in this essay. The relevance of this message is explored for: the Chr's community during the reconstruction period, the task of biblical theology and the renewal tradition as it embarks upon another century after the Azusa Street Revival.


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