The European Network and National Identity: Italian Journalism in the Early Eighteenth Century from Il Giornale de’ letterati d’Italia to Il Gran giornale d’Europa

2019 ◽  
pp. 347-363
2010 ◽  
Vol 37 (3) ◽  
pp. 275-294 ◽  
Author(s):  
Charles Halperin

AbstractThis article is a commentary on some of the conclusions of Serhii Plokhy's The Origin of the Slavic Nations. Premodern Identities in Russia, Ukraine and Belarus. Plokhy addressed ethnocultural (national) identities and national identity projects from the tenth to the early eighteenth century. This essay is concerned with Kievan Rus', the Mongol impact on the East Slavs, and Muscovite history from the fourteenth to the sixteenth century. It offers alternative interpretations both of the historical background which Plokhy outlines for the evolution of East Slavic peoples and of Plokhy's interpretations of various historical, political, religious and literary texts. The chronology of the translatio of the myth of the Rus' Land from Kievan Rus' to Moscow is still a matter of contention. In synthesizing the views of such historians as Edward Keenan and Donald Ostrowski, Plokhy has attributed too much influence to the Mongols on Russian institutional and cultural history. Plokhy has failed to be consistent in his application of Keenan's criticism of sources and Keenan's concept of sixteenth-century Muscovite society and culture. Finally, Plokhy somewhat oversimplifies the cultural heterogeneity of Ivan the Terrible and Ivan the Terrible's Muscovy. These criticisms are a tribute to Plokhy's challenging but inspiring monograph.


Author(s):  
Daniel R. Melamed

If there is a fundamental musical subject of Johann Sebastian Bach’s Mass in B Minor, a compositional problem the work explores, it is the tension between two styles cultivated in church music of Bach’s time. One style was modern and drew on up-to-date music such as the instrumental concerto and the opera aria. The other was old-fashioned and fundamentally vocal, borrowing and adapting the style of Giovanni Pierluigi da Palestrina, his sixteenth-century contemporaries, and his seventeenth-century imitators. The movements that make up Bach’s Mass can be read as exploring the entire spectrum of possibilities offered by these two styles (the modern and the antique), ranging from movements purely in one or the other to a dazzling variety of ways of combining the two. The work illustrates a fundamental opposition in early-eighteenth-century sacred music that Bach confronts and explores in the Mass.


Author(s):  
Huaping Lu-Adler

This chapter discusses certain exegetical challenges posed by Kant’s logic corpus, which comprises the Logic compiled by Jäsche, Kant’s notes on logic, transcripts of his logic lectures, and remarks about logic in his own publications. It argues for a “history of philosophical problems” method by which to reconstruct a Kantian theory of logic that is maximally coherent, philosophically interesting, and historically significant. To ensure a principled application of this method, the chapter considers Kant’s conception of history against the background of the controversy between eclecticism and systematic philosophy that shaped the German philosophical discourse during the early eighteenth century. It thereby looks for an angle to make educated decisions about how to select materials from each of the periods considered in the book and builds a historical narrative that can best inform our understanding of Kant’s theory of logic.


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