This article concerns individualism, collective awareness and organized resistance in the creative industries. It applies the lens of John Kelly’s mobilization theory (1998), usually used in a trade union context, to “TV WRAP,” a successful non-unionized campaign facilitated through an online community in the UK television (TV) industry in 2005, and finds that Kelly’s prerequisites to mobilization were all present. It explores previously unpublished questionnaire data from a 2011 survey of over 1,000 UK film and TV workers, which suggests that such prerequisites to mobilization are still present in the TV workforce. Finally it examines recent and ongoing mobilization by video game workers as a modern comparison, updating the relevance of Kelly’s theory to explore and consider potential models for a new politics of resistance in the digital age.
This article reflects on the significance of an administrative boundary in producing distinctive forms of political assertion. It shows how acts of highlighting the ward boundaries of a marginal suburban ward in Mumbai illuminated an important scale of discriminatory spatial governance and also helped its residents organise and articulate a new politics of infrastructural need at a significant planning scale.
AbstractIn the U.S., and elsewhere, populism has been democracy’s way of shaking elites up. We can view populism in part as a revolt of the losers, or perceived losers, of globalization. Yet elites have often paid too little heed to the domestic distributive impact of high immigration and globalized trade. Immigration and globalization are also spurring forms of nativism and demagoguery that threaten both democratic deliberation and undermine progressive political coalitions. The challenge now is to find the most reasonable – or least unreasonable – responses to the new politics of resentment: ways that recognize that egalitarian liberalism and social democracy are national projects and preserve progressive political coalitions, while also acknowledging our interconnections, duties, and moral obligations to those beyond our borders.
Get Up, Stand Up? Theorizing Mobilization in Creative Work