Chapter Six. The Intrusion Of East Asian Imagery In Thirteenth-Century Armenia : Political And Cultural Exchange Along The Silk Road

2018 ◽  
Vol 15 (3) ◽  
pp. 298-308 ◽  
Author(s):  
E. Yu. Endoltseva

The article studies the Alan-Abkhazian cultural contacts by analyzing architectural decorations of these peoples. Actuality of the study is determined by considering the architectural decorations as a cultural marker of Abkhazians and Alans in the period of the 8th—10th centuries. This point of consideration is primarily important for studying the material culture of the ethnic groups living in close proximity to the route of the Silk Road, which is regarded as a powerful catalyst for cultural exchange between the numerous tribes and peoples each having its own unique and diverse artistic skills. The article compares a number of artifacts: some fragments of the altar barrier from Anacopia (Republic of Abkhazia, New Athos) and some fragments of the altar barrier from the Ilyichevskoe Hillfort (Krasnodar Region, Otradnensky District). This allows the author to state that there existed common ornamental schemes in the monumental art of those peoples in the period preceding the 13th—14th centuries. The article analyzes the patterns and zoomorphic images of “animals in a heraldic pose” from the church on Mount Lashkendar (Republic of Abkhazia, Tkuarchalsky District), and a dog from the Alan tomb of the Kyafarskoe Hillfort (Karachay-Cherkess Republic, Zelenchuksky District), providing additional arguments for the animals’ identifi cation. The author explores the system of images of the Alan tomb to determine the semantics of the dog’s image in the Christian church’s decoration and comes to the conclusion that the symbolism of the dog’s image originates from pre-Christian beliefs (namely, those Zoroastrian). The article emphasizes the fruitfulness of studying the Alan-Abkhazian contacts using the example of architectural decoration: it makes possible to identify some images and specify their dates. The author offers a variant of identifi cation of the relief from Mount Lashkendar; defi nes the place of this unique monument in the course of formation of the original artistic culture of the Abkhazian Kingdom; notes the heterogeneous infl uences on this process, coming both from the territories of different regions of the Byzantine Empire (Constantinople, Cappadocia, etc.) and from Transcaucasia (Armenia, Georgia). The Alan-Abkhazian layer of cultural contacts is highlighted.


2021 ◽  
Author(s):  
Zhongyuan Wang ◽  
Hailiang Yang ◽  
Yujie Zhai ◽  
Shanshan Song ◽  
Lian Zhou ◽  
...  

Abstract The Xinjiang region is a crossroad between the West and East on the Silk Road, where many exquisite hair textile relics in the Bronze Age were unearthed, therefore, it attracts the attention of scholars around the world. However, the limitation of information acquisition ability is still the main bottleneck to recognize the scientific value of ancient hair textile relics. In this study, paleoproteomics method was proposed to analyse the hair textile relics from Xiaohe and Shanpula cemetery in the Xinjiang region. To establish the databases of biomarkers and morphological features, five modern hair samples from representative animals (grey fox, raccoon dog, American mink, cape hare, and lamb) were selected and examined. Through searching the databases, the ancient hair textile samples from Xiaohe and Shanpula cemetery were all identified as wool. Ultimately, this work demonstrated the evidences supporting the existence of prosperous sheep husbandry, wool manufacture and cultural exchange along the Silk Road in the Bronze Age. The paleoproteomics, in combination with other methods, obtained more reliable and profound information from hair textile relics than ever before, and it goes without saying that they have bright prospects of being widely used in hair textile archaeology.


2021 ◽  
Vol 11 (1-2) ◽  
pp. 1-4

The cases of Italy and China make for an interesting comparison because they represent quite different governance approaches to the pandemic. These differences may be instructive for the in-depth comprehension of the nature and the impact of government approaches to resolving crises. The two regions notably do share common histories in the spread of pandemics. The first cases of COVID-19 in Asia and Europe were registered in China in December 2019, and in Italy in January 2020, respectively. The origins and initial epidemiological dynamics of the pandemic, though, are still unclear and are the subject of scientific discussion (Dou et al. 2021; Nadeau et al. 2021). In the thirteenth century, the spread of “the plague” (Yersinia Pestis) is assumed to have spread from the Asiatic steppes to Venice, at that time a powerful city-state with intensive transcontinental commercial activity into Asia through the Silk Road (Frankopan 2016). It is interesting to note that the socioenvironmental and ecological dynamics of the origins and initial spread of COVID are still unknown. As stated in the Editorial of this issue, this fact reads as an argument to pay ample attention to the interferences with the sociopolitical and legal, socioeconomic and financial, and sociocultural and welfare dimensions.


Author(s):  
Zhao Feng

Silk production was invented in China, where the development of its technology did not stop, having been stimulated especially by cultural exchange along the Silk Road. There were four steps of the development of silk technology on the Silk Road. All of the information is based on archaeological and scientific research rather than derived from historical or linguistic sources. The first development was of the ancient system during the Han dynasty in China (second century BCE–second century CE) consisting of sericulture in northern China, hand silk reeling, Chinese dyes, multiheddle patterning loom, and warp-faced pattern structure. This was succeeded by the Central Asian system in early middle period (second–seventh centuries CE): no-killing sericulture, silk spun from cocoons, Western dyes, the development of the picking-up patterning loom, and weft-faced pattern structure. The third step was the classical system in southern China (seventh–twelfth centuries CE) with the development of sericulture in southern China, treadle-controlled silk reeling, new Chinese dyes, the real drawloom, and both warp and weft pattern structure. Last comes the traditional system in Europe (thirteenth–sixteenth centuries CE), with sericulture and silk reeling in Europe, European dyes, and the development of the drawloom to the Jacquard loom, allowing new weaves and patterns.


2020 ◽  
Vol 03 (03) ◽  
pp. 2050012
Author(s):  
Dennis M. Kratz

Western artists, philosophers and politicians have inevitably viewed China and its actions through a distorting lens – often seeking to confirm assumptions rather than to gain new understanding. This paper examines Western and specifically American responses to three manifestations of the Silk Road: the historical Silk Road that enabled the transport of goods, people and ideas from China through Central Asia as far as Europe; the “Silk Road of the Western Imagination;” and the modern transformation of the Silk Road into China’s Belt and Road Initiative. It explores reasons for the American idealized fascination for the first two and hostility toward the BRI. The tendency to interpret history and China from a “heroic” perspective serves as an obstacle to fostering a modern era of cultural exchange and cooperation that both Americans and Chinese believe the Silk Road symbolizes.


Sign in / Sign up

Export Citation Format

Share Document