A redescription and a synonym in the South Asian millipede genus Xenobolus Carl, 1919 (Spirobolida, Pachybolidae)

Zootaxa ◽  
2020 ◽  
Vol 4780 (1) ◽  
pp. 165-179
Author(s):  
PRADEEP M. SANKARAN ◽  
POTHALIL A. SEBASTIAN
Keyword(s):  
Natural History ◽  
Dna Barcoding ◽  
South Asian ◽  
Current Distribution ◽  
The South ◽  
History Of

The South Asian spiroboloid species Xenobolus carnifex (Fabricius, 1775) is redescribed and illustrated in detail. The genus Xenobolus Carl, 1919 is diagnosed and its relationship and subfamily placement within Pachybolidae Cook, 1897 are discussed. The species Xenobolus acuticonus Attems, 1936 is synonymised with X. carnifex based on morphological and DNA barcoding data. Information on the natural history of X. carnifex is provided and its current distribution is mapped. 

Troubling the Southern turn in feminisms

2020 ◽  
Vol 27 (4) ◽  
pp. 381-393
Author(s):  
Manisha Desai
Keyword(s):  
South Asian ◽  
Global South ◽  
Gender Justice ◽  
The South ◽  
Mutual Learning ◽  
The North ◽  
Gender Transformation ◽  
Feminist Theories ◽  
History Of ◽  
And Gender

In this article, I focus on the work of the South Asian Network for Gender Transformation (SANGAT) to show how it goes beyond the current turn to the Global South in much contemporary transnational feminisms. It does so in two ways. One, as evident in the name, it defines a regional imaginary, which is place-based and informed by the long history of interactions in the area beyond the colonial, postcolonial, and recent global forces, as well as in conversation with discourses and practices from the North. Second, its praxis connects activists across borders in a process of mutual learning that acknowledges power inequalities and draws upon local as well as transnational feminist theories and methodologies to enable sustainable collaborations for social and gender justice in the region. Thus, rather than reproducing the North/South binaries with its attendant erasures SANGAT seeks to go beyond them to develop place-based yet connected ‘solidarities of epistemologies’ and praxis.

scholarly journals The rediscovery of the Red-tailed Newtonia Newtonia fanovanae in south-eastern Madagascar with notes on the natural history of the genus Newtonia

1991 ◽  
Vol 1 (1) ◽  
pp. 33-45 ◽  
Author(s):  
Steven M. Goodman ◽  
Thomas S. Schulenberg
Keyword(s):  
Natural History ◽  
Sympatric Species ◽  
The Other ◽  
Single Specimen ◽  
The South ◽  
Humid Forest ◽  
Ecological Relationships ◽  
South Eastern ◽  
History Of ◽  
Morphological Differences

SummaryThe Red-tailed Newtonia Newtonia fanovanae, previously known from a single specimen from the eastern rainforest of central Madagascar, was rediscovered in October 1989 in the Marosohy Forest in the south-east of the island. In the study area, N. fanovanae occurs in the middle and upper section of the canopy of humid forest between 300 and 1,300 m. Ecological relationships with the other two sympatric Newtonia, amphichroa and brunneicauda, are discussed. The main morphological differences between fanovanae and the other two sympatric species are that the former has relatively long wings and short tarsi. The song of fanovanae is described and compared to other members of the genus. Our observations on the morphology, behaviour and vocalisations of N. fanovanae confirm its validity as a species.Le Newtonie à queue rouge Newtonia fanovanae jusqu'à presént uniquement connu d'un seul spécimen provenant de la partie orientale de la forêt tropicale du Madagascar central, fût redécouvert en octobre 1989 dans la forêt de Marosohy au sud-est de l'île. N. fanovanae fût rencontré dans les parties moyennes et supérieures du feuillage de la forêt humide entre 300 et 1,300 m d'altitude. Les relations écologiques avec les deux espèces sympatriques de Newtonia, amphichroa et brunneicauda sont discutées. Les différences morphologiques principales entre fanovanae et les deux espéces sympatriques sont que celle-ci a des ailes relativement longues et des tarses courts. Le chant de fanovanae est decrit et comparé avec celui d'autres membres du genre. Nos observations sur la morphologie, le comportement et les vocalizations de N. fanovanae confirment sa validité comme bonne espéce.

“Modernization” and Agrarian Development in India, 1912–52

2020 ◽  
Vol 79 (3) ◽  
pp. 633-658
Author(s):  
Prakash Kumar
Keyword(s):  
South Asian ◽  
Mutual Interaction ◽  
The South ◽  
American Intervention ◽  
History Of ◽  
Cultural Location ◽  
Agrarian Development

India's agrarian history has for the most part been cast within colonial and nationalist frameworks or in analyses of modernity and development in the South Asian historiography on both sides of the independence divide. This leaves plenty of space to discuss both the vast engagement of American actors with Indian elite formations and modifications to the agrarian projects contingent upon those interactions. A focus on the Americanist drive for agrarian modernization in India allows for exploring the distinct cultural location of modernization in a long-term perspective and its engagement with colonial “development.” A study of their mutual interaction gives insights into modernization's somewhat distinct itinerary on the subcontinent and provides specificity to the history of the otherwise spatially wider American intervention in global and inter-Asian contexts.

Presidential Address: Too Little and Too Much: Reflections on Muslims in the History of India

1995 ◽  
Vol 54 (4) ◽  
pp. 951-967 ◽  
Author(s):  
Barbara D. Metcalf
Keyword(s):  
South Asia ◽  
South Asian ◽  
Presidential Address ◽  
Southeast Asian ◽  
Religious Nationalism ◽  
British India ◽  
The South ◽  
Untimely Death ◽  
Muslim Minority ◽  
History Of

I want to begin this evening by recalling my immediate predecessor as AAS president from the South Asian field, Barbara Stoler Miller, whose untimely death in 1992 took from us a distinguished Sanskritist, a gifted teacher, and a generous colleague whose absence we mourn. In my address I continue themes taken up by Barbara Miller four years ago (Miller 1991) as well as by Stanley Tambiah, as president from the Southeast Asian field, the year before (Tambiah 1990). Then, as now, scholars across the disciplines—whether, like Barbara Miller, a scholar of classical texts; or like Stanley Tambiah, an anthropologist; or myself, a historian of British India—have struggled to understand the religious nationalism of South Asia, one of whose most tragic outcomes has been an accelerating violence against the Muslim minority.

scholarly journals Exhibiting Music

Ethnologies ◽  
2017 ◽  
Vol 37 (1) ◽  
pp. 153-173
Author(s):  
Ameera Nimjee
Keyword(s):  
Case Studies ◽  
South Asian ◽  
Critical Inquiry ◽  
The South ◽  
Royal Ontario Museum ◽  
History Of ◽  
And Performance ◽  
Visual Engagement ◽  
Future Project

Museums have long been thought of as “quiet” spaces, in which visitors walk slowly through galleries to look at material cultures in glass cases. Music and sound have begun to pervade the quiet spaces of museums in the forms of aural installations and performance-based programs. They are no longer galleries for solely visual engagement, but loud spaces in which visitors and audiences listen to recordings, experience live performances, and participate by themselves singing and playing in workshops, classes, installations, and impromptu demonstrations. This article explores three case studies in exhibiting music. The first is the exhibition Ragamala: Garland of Melodies, which was on display at the Royal Ontario Museum and sought to demonstrate the fluidity between the South Asian arts. The second is an investigation of some of the formal and informal performance-based programming at the Aga Khan Museum. The last case study focuses on a future project, in which collectors of Indian audio cultures will submit contributions to help construct a history of sound in India. Each case study is motivated by a series of central questions: what constitutes “exhibiting music”? What are the broader implications of and consequences for exhibiting music in each case? How does exhibiting music in a museum impact a visitor’s experience? What kinds of new stories are told in exhibiting music and sound? The three case studies respond to these questions and provoke issues and possibilities for further critical inquiry. They show that museums are dynamic spaces with incredible potential to inspire multi-experiential engagement.

Connective Afrasian Sea memories: Transregional imaginaries, memory politics, and complexities of national “belonging”

2018 ◽  
Vol 11 (3) ◽  
pp. 328-341 ◽  
Author(s):  
John Njenga Karugia
Keyword(s):  
Lived Experience ◽  
South Asian ◽  
State Level ◽  
South Asian Diaspora ◽  
The South ◽  
National Belonging ◽  
Memory Politics ◽  
Asian Diaspora ◽  
History Of ◽  
Memory Practices

This article focuses on memories of South Asian Kenyans and their claims to full citizenship as Kenyans through acknowledgment of their role in Kenya’s past. By focusing on memory claims and memory practices of the South Asian diaspora, it unravels complexities and tensions of scale (local, national, transregional, transnational). It adds new insights into complexities of national “belonging” in an entangled world by demonstrating how people operate as citizens within states and how memory politics are played out at nation-state level and how, simultaneously, the lived experience, affiliations, and shared memories of particular groups transcend the national scale or operate at a scale below it. This article’s seven sections focus on connected histories (a brief history of the Indian Ocean), connective memory research (explicating multi-sited methodology and using brief examples of Cape Malays and Siddis), and connective memory practice addressing memory practices in the South Asian diaspora in Kenya that consciously engage with entangled histories.

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