THE FAT FILM(11 minutes, color, 16 mm., 1978). Made by Muffy Meyer, Aviva Slesin, Nancy Schreiber, and Kathleen Doughtery. Distributed by Phoenix Films, 470 Park Avenue South, New York, New York 10016. Purchase, $200; rental, $25

1979 ◽  
Vol 30 (6) ◽  
pp. 419-a-420
Author(s):  
Jack Neher
Keyword(s):  
New York ◽  
Park Avenue

Clinical Disorders of Hemoglobin Structure and Synthesis, by Thomas F. Necheles, M.D., Ph.D., Donald M. Allen, M.D., and Harvey E. Finkel, M.D., F.A.C.P., with a foreword by Sydney S. Gellis, M.D. New York: Appleton-Century-Crofts, Education Division, Meredith Corporation (440 Park Avenue South, New York, New York 10016), 1969, 220 pp., $10.00

PEDIATRICS ◽  
1970 ◽  
Vol 45 (5) ◽  
pp. 898-898
Author(s):  
Howard A. Pearson
Keyword(s):  
New York ◽  
Sickle Cell ◽  
Normal Structure ◽  
Clinical Aspects ◽  
Hemoglobin Synthesis ◽  
Park Avenue ◽  
Clinical Disorders ◽  
Abnormal Hemoglobin ◽  
Biochemical Genetic ◽  
Book Covers

During recent years a number of monographs have been published. describing the biochemical, genetic, and clinical aspects of normal and abnormal hemoglobin synthesis. Although this book covers the same ground, its tone and emphasis reflect the authors' clinical base. It is primarily directed to clinicians, and so it is particularly readable and useful. After a brief survey of normal structure and synthesis, the authors concentrate on clinical and genetic aspects of abnormal hemoglobin syndromes. Most attention is devoted to sickle cell and Cooley's anemias.

Afterword

2020 ◽  
pp. 398-402
Author(s):  
Jed Rasula
Keyword(s):  
New York ◽  
New York City ◽  
York City ◽  
Video Installation ◽  
Fernando Pessoa ◽  
Avant Garde ◽  
Good Fortune ◽  
Park Avenue ◽  
Olympic Village ◽  
As If

On 17 December 2016, I had the good fortune to see a video installation at the Park Avenue Armory in New York City. Written, directed, and produced by Julian Rosefeldt, largely in and around Berlin, Manifesto staged thirteen scenarios—simultaneously looped on massive screens in the cavernous armory—in which extracts from nearly seventy avant-garde manifestos were performed by Cate Blanchett, featured in thirteen strikingly different roles. Her virtuosity redeployed even the most emphatic manifesto rhetoric into monologues that seem spontaneously uttered in a series of vivid locales, ranging from a cemetery to a fertilizer factory, a film studio, a drab apartment block, a former Olympic village, a puppet workshop, a recycling facility, and more. Blanchett, in effect, perpetuates the spirit of Fernando Pessoa, as if she were embodying heteronyms, not playing roles. ...

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