Gandhi, ‘The Coloured Races’, and the Future of Satyagraha: The View from the African American Press

Social Change ◽  
2021 ◽  
pp. 004908572199157
Author(s):  
Vinay Lal

W. E. B. Du Bois, the editor of the Crisis, a journal of the ‘darker races’ that was the organ of the National Association for the Advancement of Colored People, was among the earliest African American intellectuals to take a strong interest in Gandhi. However, the African American press, represented by newspapers such as the Pittsburgh Courier and the Chicago Defender, was as a whole prolific in its representation of the Indian Independence movement. This article, after a detailed consideration of Du Bois’s advocacy of Gandhi’s ideas, analyses the worldview of the African American press and its outlook towards the movement in India. It is argued that a more ecumenical conception of the ‘Global South’ ought to be sensitive to African American history, and I suggest that African American newspapers played a critical role in shaping notions of the solidarity of coloured peoples, pivoting their arguments around the Indian Independence movement and particularly the satyagraha campaigns of Gandhi.

2018 ◽  
Vol 40 (3) ◽  
pp. 292-318 ◽  
Author(s):  
Laura Coyle

Before opening, the Smithsonian’s National Museum of African American History and Culture established a program to create digital collection records and surrogates, which play a critical role in collection care, collection accessibility, and enhancing the meaning of collections. The program is off to a good start because it supports the museum’s mission, the museum has established a dedicated “Digi Team,” the program has leadership buy-in and financial support, and other Smithsonian units have been generous with time and expertise. Also explored in this article are digitization program activities and results, the impact of digitization, and plans for the future.


2006 ◽  
Author(s):  
Adams Greenwood-Ericksen ◽  
Stephen M. Fiore ◽  
Rudy McDaniel ◽  
Sandro Scielzo ◽  
Janis A. Cannon-Bowers ◽  
...  

Author(s):  
Melani McAlister

In October 2017, hundreds of faculty, friends, and former students gathered at the National Museum of African American History and Culture (NMAAHC) to remember James Oliver “Jim” Horton. It was a fitting gathering place. As the museum’s director, Lonnie Bunch, commented, Jim’s legacy is everywhere at the museum, from the fact that several of his former doctoral students are now curators to the foundational commitment of the museum itself: that African American history is not a local branch of US history but integral to its core. Jim always insisted in his lectures and classes and on his many TV appearances and public engagements that “American history is African American history.” 


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