Television News and the Making of the Boston Busing Crisis

2017 ◽  
Vol 43 (2) ◽  
pp. 218-234
Author(s):  
Matthew Delmont

People outside of Boston came to know and care about the city’s “busing crisis” because television news featured the story regularly and this essay examines how television news framed this story for national audiences. This essay illuminates the production techniques of a medium that framed the “busing crisis” in Boston for millions of national viewers. First, I examine how the television coverage of Boston busing in the mid-1970s focused on reports, analysis, and predictions regarding antibusing protests and violence. This day-to-day focus on current and emergent scenes of crisis ignored the history of desegregation efforts since the 1960s, including those that received television coverage in earlier years, like the community-funded Operation Exodus program to bus black children to schools in other neighborhoods and the U.S. Department of Health, Education, and Welfare’s suspension of federal school aid to Boston for violating the 1964 Civil Rights Act. Second, I consider how television news framed the use of force in the Boston busing story. Much of the footage from Boston focused on confrontations between antibusing protestors and authorities from the Boston Police and other law enforcement. Third, I look at how television news offered viewers background reports on two of the places at the center of the busing story, South Boston and Charlestown. Finally, I analyze how local television news programs in other cities presented busing in Boston as a failed policy and regularly replayed the archived footage from Boston to underscore efforts to educate viewers on the importance of upholding the law and avoiding violence. Boston was neither the first nor the last city to witness violent resistance to school desegregation, but extensive television news coverage fixed Boston as the emblematic busing crisis and shaped popular conceptions of the history of busing for school desegregation.

Author(s):  
Aniko Bodroghkozy

This book has explored how network television mobilized a certain type of image that, when appropriately paired with figures of whiteness, was presumed to make whites less anxious about social change. It has highlighted a common link in these representations of a dignified blackness intertwined with an accommodating and welcoming whiteness. It has considered a number of television shows, including East Side/West Side and Good Times, to emphasize the propensity of networks to tell narratives relating to “black and white together,” the “worthy black victim,” and the aspirational “civil rights subject.” This epilogue examines television news coverage of Barack Obama's historic election as president of the United States. It suggests that networks were returning to the familiar discourse about the civil rights movements during the 1960s as they packaged stories that celebrated black and white voters coming together to put a biracial black man into the White House, to make Americans feel good about their country and its race relations.


Author(s):  
Aniko Bodroghkozy

This chapter examines whether television news was “the instrument of the revolution” during the civil rights era. It first considers early television news coverage of the civil rights story, focusing on the seminal news documentary series, See It Now (1957) and its strategy to privilege the white moderate. It then turns to television coverage of the James Meredith crisis at the University of Mississippi, along with network news' ambivalence with black activism and CBS Eyewitness coverage of the Albany Movement. The chapter asks whether television news amplified and publicized the goals, politics, and agendas of the civil rights movement, its activists, demonstrators, and spokespeople for the cause of voting rights, desegregation, and African American empowerment. It suggests that news reporting, whether print or television, is obviously not a neutral mirror reflecting reality.


Urban History ◽  
2016 ◽  
Vol 43 (4) ◽  
pp. 643-643
Author(s):  
MATT DELMONT

ABSTRACT‘Busing’, in which students were transported by school buses to achieve court-ordered or voluntary school desegregation, became one of the nation's most controversial civil rights issues in the decades after Brown vs. Board of Education (1954). Focusing on Florida Governor Claude Kirk and Pontiac housewife activist Irene McCabe, this essay examines how busing opponents turned the conventions of television news – its emphasis on newsworthy events and crisis; its selective use of historical context; and its nominal political neutrality – to their advantage, staging television friendly protests that positioned mothers and children as victims of activist judges and federal bureaucrats, and framed their support for segregated neighbourhoods and schools in the colour-blind rhetoric of homeowners’ rights. For politicians who aspired to the national stage, like Florida Governor Claude Kirk, busing offered a recognizable issue on which to take a stand. When Kirk protested court-ordered busing by suspending a local school board in Manatee County (Bradenton, Florida) and appointing himself school superintendent, he was not only appealing to Florida voters but also to television viewers in cities like Nashville, St Louis and Seattle, many of whom wrote to convey their support. When Vice-President Spiro Agnew complained that television network news ‘can elevate men from obscurity to national prominence within a week’, he was referring to Black Power author and activist Stokely Carmichael, but television news also propelled grassroots anti-busing activists like Irene McCabe to national prominence. McCabe, who staged a widely covered six-week march from Pontiac to Washington DC to protest busing, made frequent television appearances because networks deemed her newsworthy, not necessarily because newscasters agreed with her politics. Repeated television coverage turned relatively minor busing battles in Bradenton and Pontiac into national news and established Kirk and McCabe as icons of busing opposition in the early 1970s.


Troublemakers ◽  
2019 ◽  
pp. 1-10
Author(s):  
Kathryn Schumaker

The introductionexplains how and why student protest became common in the United States in the late 1960s and places these protests in the context of shifts in the history of education and in broader social movements, including the civil rights movement, the Chicano Movement, and black power activism. The introduction also situates students’ rights within the context of children’s rights more broadly, explaining the legal principles that justified age discrimination and excluded children and students from the basic protections of American constitutional law. The introduction identifies the two decades between the 1960s and 1980s as a constitutional moment that revolutionized the relationship of students to the state. It also connects students’ rights litigation to the issue of school desegregation and the legacy of Brown v. Board of Education.


2020 ◽  
Vol 117 (36) ◽  
pp. 22009-22014
Author(s):  
Eunji Kim ◽  
Michael E. Shepherd ◽  
Joshua D. Clinton

Can “urban-centric” local television news coverage of the COVID-19 pandemic affect the behavior of rural residents with lived experiences so different from their “local” news coverage? Leveraging quasi-random geographic variation in media markets for 771 matched rural counties, we show that rural residents are more likely to practice social distancing if they live in a media market that is more impacted by COVID-19. Individual-level survey responses from residents of these counties confirm county-level behavioral differences and help attribute the differences we identify to differences in local television news coverage—self-reported differences only exist among respondents who prefer watching local news, and there are no differences in media usage or consumption across media markets. Although important for showing the ability of local television news to affect behavior despite urban–rural differences, the media-related effects we identify are at most half the size of the differences related to partisan differences.


Author(s):  
Aniko Bodroghkozy

This chapter examines television news' reporting of the Selma campaign for voting rights that led directly to the passage of the 1965 Voting Rights Act. Television cameras present on the Edmund Pettus Bridge on Sunday March 7, 1965, were able to capture the beating, gassing, and brutalizing suffered by voting rights demonstrators as they attempted to march to Montgomery. The uproar generated by that footage generated more support, volunteers, and moral clout for the civil rights movement. This chapter considers how one news program, The CBS Evening News with Walter Cronkite, presented the Selma campaign as an ongoing nightly news story, with particular emphasis on its coverage of the campaign's three martyrs: Jimmie Lee Jackson, Rev. James Reeb, and Viola Liuzzo. It also discusses the response of white Selmians in the “glaring light of television” and the commentary in the African American press regarding the television coverage of the campaign.


Author(s):  
Rebecca Tuuri

When women were denied a major speaking role at the 1963 March on Washington, Dorothy Height, head of the National Council of Negro Women (NCNW), organized her own women's conference for the very next day. Defying the march's male organizers, Height helped harness the womanpower waiting in the wings. Height’s careful tactics and quiet determination come to the fore in this first history of the NCNW, the largest black women's organization in the United States at the height of the civil rights, Black Power, and feminist movements of the 1960s and 1970s. Offering a sweeping view of the NCNW's behind-the-scenes efforts to fight racism, poverty, and sexism in the late twentieth century, Rebecca Tuuri examines how the group teamed with U.S. presidents, foundations, and grassroots activists alike to implement a number of important domestic development and international aid projects. Drawing on original interviews, extensive organizational records, and other rich sources, Tuuri’s work narrates the achievements of a set of seemingly moderate, elite activists who were able to use their personal, financial, and social connections to push for change as they facilitated grassroots, cooperative, and radical activism.


Author(s):  
Robin Marie Averbeck

In this intellectual history of the fraught relationship between race and poverty in the 1960s, Robin Marie Averbeck offers a sustained critique of the fundamental assumptions that structured liberal thought and action in postwar America. Focusing on the figures associated with “Great Society liberalism” like Daniel Patrick Moynihan, David Riesman, and Arthur Schlesinger Jr., Averbeck argues that these thinkers helped construct policies that never truly attempted a serious attack on the sources of racial inequality and injustice. In Averbeck’s telling, the Great Society’s most notable achievements--the Civil Rights Act and the Voting Rights Act--came only after unrelenting and unprecedented organizing by black Americans made changing the inequitable status quo politically necessary. And even so, the discourse about poverty created by liberals had inherently conservative qualities. As Liberalism Is Not Enough reveals, liberalism’s historical relationship with capitalism shaped both the initial content of liberal scholarship on poverty and its ultimate usefulness to a resurgent conservative movement.


2019 ◽  
Vol 67 (5) ◽  
pp. 945-967 ◽  
Author(s):  
John Narayan

The history of the US Black Power movement and its constituent groups such as the Black Panther Party has recently gone through a process of historical reappraisal, which challenges the characterization of Black Power as the violent, misogynist and negative counterpart to the Civil Rights movement. Indeed, scholars have furthered interest in the global aspects of the movement, highlighting how Black Power was adopted in contexts as diverse as India, Israel and Polynesia. This article highlights that Britain also possessed its own distinctive form of Black Power movement, which whilst inspired and informed by its US counterpart, was also rooted in anti-colonial politics, New Commonwealth immigration and the onset of decolonization. Existing sociological narratives usually locate the prominence and visibility of British Black Power and its activism, which lasted through the 1960s to the early 1970s, within the broad history of UK race relations and the movement from anti-racism to multiculturalism. However, this characterization neglects how such Black activism conjoined explanations of domestic racism with issues of imperialism and global inequality. Through recovering this history, the article seeks to bring to the fore a forgotten part of British history and also examines how the history of British Black Power offers valuable lessons about how the politics of anti-racism and anti-imperialism should be united in the 21st century.


Author(s):  
Aniko Bodroghkozy

This book examines the role played by American network television in reconfiguring a new “common sense” about race relations during the civil rights revolution. Drawing on stories told both by television news coverage and prime time entertainment, it explores the relationship among the civil rights movement, television, audiences, and partisans on either side of the black empowerment struggle. In particular, it considers the recurring theme that America's racial story was one of color-blind equality grounded on a vision of “black and white together.” The book concludes that television had an ambivalent place in the civil rights revolution. More specifically, it argues that network television sought to represent a rapidly shifting consensus on what “blackness” and “whiteness” meant and how they now fit together. Network television premised equality on a largely white definition whereby African Americans were ready for equal time to the extent that their representations conformed to whitened standards of middle-class and professional respectability.


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