Book reviews: Chong Wang, Critical Discourse Analysis of Chinese Advertisement: Case Studies of Household Appliance Advertisements from 1981 to 1996

2021 ◽  
Vol 32 (4) ◽  
pp. 505-506
Author(s):  
Ke Li ◽  
Youping Jing
2020 ◽  
Vol 23 (5) ◽  
pp. 787-802
Author(s):  
Earvin Charles Cabalquinto ◽  
Guy Wood-Bradley

This article investigates how commercial and government-based sectors in the Philippines deploy emotive mechanisms to promote the importance of connectivity services in addressing the affective and transnational needs of overseas Filipinos. By combining a walkthrough method with critical discourse analysis, the study compares and contrasts the interface, operating model and mode of governance of three selected case studies in the Philippines: Western Union, LBC Express Inc. and BaLinkBayan. The findings reveal that the emotionalising techniques of connectivity services construct what we call ‘platformed migrant subjectivity’. This conception articulates migrants as economic subjects and valued clientele within the commercial infrastructures and operations of an online platform. In sum, this article takes a nuanced approach to examine how commercial and government institutions utilise online platforms in mobilising emotional, transnational and digital transactions, which may redefine a migrant’s subjectivity, mobility and citizenship in a digital era.


2019 ◽  
Vol 33 (2) ◽  
pp. 67-73
Author(s):  
Donald Wetherick

Ansdell’s ‘Winds of Change’ paper articulated a distinction in UK music therapy between established ‘consensus’ practice drawing on psychotherapeutic principles and developing or previously hidden ‘community music therapy’ practices based on ecological or social-psychological principles. Writing that addresses different theoretical positions in music therapy (meta-theory) exists from European and American perspectives but far less from a UK perspective. This article considers the view that UK music therapy writing in general has continued along one or other of these paths and that there has been relatively little exchange between them; indeed, that UK music therapists tend to ‘talk past each other’. To explore the matter systematically, this article takes a critical discourse analysis approach to analysing three recent music therapy book reviews. Critical discourse analysis was chosen to identify underlying assumptions (‘ideologies’) that shape thinking and practice, as revealed by language use. Book reviews were identified as texts where reviewers typically engage with authors from different perspectives and in doing so offer potentially rich material for such analysis. The analysis identifies ways in which UK music therapy writing shows signs of stress across a divide between ecological and psychodynamic approaches, with reviewers going to some lengths to reconnect these different positions and so unify a discourse within which ‘fault-lines’ are present. It is suggested that, in the United Kingdom at least, ecological and psychodynamic music therapy writing are becoming more separated as discourses, with a lack of integrated meta-theoretical discussion or examples of shared practice. This inhibits coherent development of the discipline and the effective training of future practitioners. A case is made for greater integration in music therapy writing through both developments in meta-theory and by practitioners sharing examples of cross-theoretical practice.


Imbizo ◽  
2017 ◽  
Vol 7 (1) ◽  
pp. 15-39
Author(s):  
Godknows Chera ◽  
Urther Rwafa

 This article explores the manifestations of power and resistance in films using Django Unchained (2012), directed by Quentin Tarantino, and 12 Years a Slave (2013), directed by Steve McQueen, as case studies. The research findings suggest that films are texts and terrains that are used to address class structures politically, socially, economically and culturally. Dominant classes use film to produce and reproduce ideologies of power and resistance. The films under scrutiny reflect an aspect of control, whereby conservative superior classes exercise the power to mistreat those who are viewed as ‘second-class citizens’. The argument of this article is that film images are mirrors of the ‘real’ world, where ideological domination is either achieved or resisted. The article deploys eclectic theories like semiotics, Marxism, critical discourse analysis, language interpretation and thematic analysis to analyse the selected films. It is hoped that the approach of these theories will help to investigate the manifestations of power and resistance in films 


2019 ◽  
Vol 29 (4) ◽  
pp. 494-513
Author(s):  
Shahar Shapira ◽  
Leeat Granek

Most of the literature on autism and gender is rooted in a medical deficiency model. This study aimed to critically examine the discursive position of mainstream clinicians-researchers and to explore how their position affects, and may be affected by, autistic transgender individuals. We analyzed nine psychiatric case studies depicting autistic transgender individuals, and five texts written by transgender Aspie (i.e. having Asperger’s syndrome) individuals in online blogs and forums. The critical discourse analysis revealed that within the case studies’ cisgenderist-ableist lens, co-occurring autism and transgender were considered co-morbidities. Aspie transgender individuals reported difficulties in receiving social recognition of their gender. We discussed their ambivalence toward the cisgenderist-ableist discourse in light of recent cultural negotiations over the normativity of transgenderism and autism which start broadening the intelligibility of neuroqueer positions.


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