Cross-Cultural Negotiations and International Commercial Agreements : учебное пособие, [электронное издание сетевого распространения] / Е.Л. Кабахидзе, Ю.О. Соловьева. – М.: «КДУ», «Добросвет», 2021. – 110 с.

Данное учебное пособие адресовано студентам, обучающимся по программам бакалавриата направления подготовки «Лингвистика», владеющим английским языком на уровне C1. Пособие направлено на развитие умений, необходимых для осуществления лингвокультурологической, переводческой, консультативно-коммуникативной и информационно-лингвистической деятельности на английском языке в сфере межкультурной коммуникации. Каждый тематический раздел пособия содержит комплекс коммуникативно-речевых, проблемных и поисковых заданий, а также подробный глоссарий терминов и выражений, входящих в лексико-семантические поля «договор» и «переговоры». Пособие также может представлять интерес для студентов юридических факультетов, факультетов бизнеса и менеджмента, которые изучают английский язык для специальных целей.

Martina L. Weisz, Jews and Muslims in Contemporary Spain: Redefining National Boundaries. Berlin: Walter de Gruyter, 2019. 189 pp.

This chapter studies Martina L. Weisz's Jews and Muslims in Contemporary Spain: Redefining National Boundaries (2019). This book aims to analyze “the place granted to Jews and Muslims in the construction of contemporary Spanish national identity, with a special focus on the transition from an exclusive, homogeneous sense of collective self toward a more pluralistic, open and tolerant one, in a European context.” This narrative of progress, however, is challenged by the excellent information provided in the book itself, which shows how these processes have been filled with contradictions and deep ambivalence, both historically and in the present, and how exclusionary nationalism has not been left behind. One of the book's richest contributions is its Jewish/Muslim comparative framework, which, as the author argues, is not usually undertaken. Ultimately, this book contains an abundance of useful information and insights for all those interested in Spain's relationship with its Muslim and Jewish minorities, the political and cultural negotiations of multiculturalism in Spain, and the way these relationships are affected by international events and diplomatic concerns.

Discourse on women and land tenure in Ghana: does a matrilineal land tenure system make a difference for women?

This chapter highlights that matriarchy and matrilineal social orientations are not inherent guarantees of women's access to land but can reinforce male dominance over land ownership, control, and access to land. It notes that social structures and norms are subject to change and, in this instance, colonialization and modernization have acted as the two key influencers in reshaping Asante matriarchy. The researchers argue that the continuous interplay of cultural negotiations within the traditional matriarchal regime have caused a drastic transformation in Asante land tenure system which have fuelled unequal access to land. In effect, a postcolonial Asante woman is no longer guaranteed land tenure security from her family or community and more likely to face the harsh realities of landlessness. The chapter does not assume equal access to land hitherto but notes that the inequality gap has been further widened by the weakening of 'female power' in the matriarchal social system.

Narratives of Border Crossings

How can we understand borders in terms of aesthetic practice? As borders are increasingly moving into the centre of cultural negotiations, the essays in this volume focus on anglophone fiction, film and TV series which employ border-crossing narratives and engage in narrative poetics of cultural encounters. Addressing the complex roles of borders in cultural representations, the articles analyse recent reconceptualisations of borders as processes and practices in border narratives. This book will appeal to anyone interested in cultural border studies as well as ethnic studies. With contributions by Pirjo Ahokas, Francesca de Lucia, Aikaterini Delikonstantinidou, Astrid M. Fellner, Dorothea Fischer-Hornung, Bettina Hofmann, Nadine M. Knight, Page Laws, Ludmilla Martanovschi, Janna Odabas, Silvia Schultermandl and Elke Sturm-Trigonakis.

Genres and Multilingual Contexts: The Translational Culture of Nineteenth-Century Calcutta

Nineteenth-century Calcutta has been widely researched to understand its role in the making of a ‘modern’ India. However, the ‘translational’ culture of this period has not received enough attention. The present article traces what it terms Calcutta’s ‘translational culture’ by examining a palimpsest of languages and genres through the mediating role of translation. Nineteenth-century was a time when several languages were competing for space in the making of modern Bengali prose. Most of the writers of the time were negotiating a plural and multilingual domain and experimenting withnew styles of prose and poetry writing. Two such examples can be seen in the works of Michael Madhusudan Dutt (1824 –1873), and Kaliprassana Singha (1841 -1870). These writers were instrumental in the making of new genres and were negotiating multiple languages and linguistic registers that included –Sanskrit, Bengali with its different elite and colloquial registers, English,and several European languages and literatures. In juxtaposing Dutt and Singha, the present article attempts to point towards a parallel history of the nineteenth-century Calcutta traced through moments of transactions, translations,and negotiations among languages, ideas,and world views. Languages and literary genres in this case become a testimony to the rich texture of social and cultural negotiations that went into the making of the modernist Bengali prose and indicative of its palimpsestic and translational nature.

Under the Tourist Gaze: Kathmandu in Popular Culture

This research explores the shifts and continuities of representing Kathmandu City in Western cinematic and musical creations since 1970s. My research concerns with the representations of Kathmandu in the popular culture intends to explore the imagination of Kathmandu as a touristic place and how they represent the city and produce images in the popular culture which expands far beyond the visual apprehension and enjoyment of a landscape. While doing so my research first explores the representations, practices and processes of identity formation and cultural negotiations that are brought about in the city by tourism and secondly, it analyses the content and the visual representations of the movies and songs relying primarily on the theoretical tools of Popular Culture and secondarily the image production of the landscape in terms of Tourist gaze.

Satire, Empire and Chromaticism in Dargomyzhsky’s Orchestral Fantasias

In 1863, Alexander Dargomyzhsky hatched plans for a gallery of humorous fantasias that would depict nationalities residing on the western border of the Russian Empire, including Baltic Germans, Poles, Ukrainians and Finns. On the one hand, this gallery of satirical portraits was an effective way of capturing the attention of domestic audiences, since the western borderlands were at the forefront of Russian popular attention in the wake of the Polish uprising. On the other hand, Dargomyzhsky repeatedly reiterated his intention that the fantasias should function as a means of achieving international recognition, and a year later he actually set off on a promotional tour across Europe. Together, the imperial implications of the three resulting fantasias, Dargomyzhsky’s attempts to market them abroad and the compositional inventiveness of the final fantasia, the Chukhon Fantasy, locate Dargomyzhsky’s orchestral oeuvre as a crucial node in the convoluted aesthetic and cultural negotiations of Russian nineteenth-century music.