Looking Both Ways or in Multiple Directions: Doing/Teaching Theology in Context into the Twenty-First Century

2005 ◽  
Vol 18 (2) ◽  
pp. 123-140 ◽  
Author(s):  
Elaine Wainwright

Aotearoa New Zealand is uniquely connected, by both history and ocean, to Oceania and its many island nations, peoples and cultures. Doing theology at the beginning of the twenty-first century in such a location provides, therefore, a particular challenge. This article explores the multi-dimensional nature of this challenge and its foundation in the very process that shaped and shapes the biblical tradition and its ongoing interpretation.

2021 ◽  
Author(s):  
◽  
Susette Goldsmith

<p>The twenty-first century is imposing significant challenges on nature in general with the arrival of climate change, and on arboreal heritage in particular through pressures for building expansion. This thesis examines the notion of tree heritage in Aotearoa New Zealand at this current point in time and questions what it is, how it comes about, and what values, meanings and understandings and human and non-human forces are at its heart. While the acknowledgement of arboreal heritage can be regarded as the duty of all New Zealanders, its maintenance and protection are most often perceived to be the responsibility of local authorities and heritage practitioners. This study questions the validity of the evaluation methods currently employed in the tree heritage listing process, tree listing itself, and the efficacy of tree protection provisions. The thesis presents a multiple case study of discrete sites of arboreal heritage that are all associated with a single native tree species—karaka (Corynocarpus laevigatus). The focus of the case studies is not on the trees themselves, however, but on the ways in which the tree sites fill the heritage roles required of them entailing an examination of the complicated networks of trees, people, events, organisations, policies and politics situated within the case studies, and within arboreal heritage itself. Accordingly, the thesis adopts a critical theoretical perspective, informed by various interpretations of Actor Network Theory and Assemblage Theory, and takes a ‘counter-’approach to the authorised heritage discourse introducing a new notion of an ‘unauthorised arboreal heritage discourse’. The thesis introduces alternative examples of arboreal heritage to the contemporary heritage canon paving the way for other forms of heritage that may remain mired in the expectations of the twentieth century’s authorised heritage discourse. In doing so it elevates arboreal heritage as a valid part of physical heritage and a worthy topic for further critical heritage study. The research findings show that in contemporary Aotearoa New Zealand trees have been active in forging links between the past, the present and the future in new and powerful ways transcending the received evaluation methods and establishing a new rhetoric of arboreal indigeneity. Through the lens of tree registers, the research contributes to a better understanding of both natural heritage and heritage in general and, while firmly placed in the New Zealand context, provides a basis for critical heritage studies of related subjects elsewhere. 2 Little has been written about arboreal heritage in Aotearoa New Zealand. As the first academic study of the topic, the thesis fills gaps in academic and professional knowledge of the tree heritage process. It introduces interdisciplinary ideas, from both the sciences and the humanities, and draws attention to tree heritage as a significant historical, social, economic, cultural and environmental contributor to the well-being of New Zealanders. The case studies demonstrate that effective, contemporary stewardship requires a revised ‘tree sense’ that acknowledges that arboreal heritage is founded on complex and various values, meanings and understandings, and is manifest in many different forms. Drawing on the archival, documentary and empirical research undertaken, the thesis proposes a democratisation of arboreal heritage decision-making, and contributes a set of principles to facilitate the negotiation of arboreal heritage acknowledgement and protection by communities, local authorities and heritage practitioners.</p>


Author(s):  
Erin Mercer

The concept of authenticity has long been inextricable from identity in Aotearoa New Zealand, ever since Allen Curnow famously urged midtwentieth century artists to focus on the local and the specific in order to create an island nation clearly differentiated from Britain. Recent writers, however, particularly in works that have appeared since the turn of the century, are increasingly questioning just what 'authenticity' means in relation to identity. There is a marked contrast between the part-Maori, part-Pakeha protagonist in Keri Hulmes' 1984 novel the bone people, who explains that 'by blood, flesh, and inheritance, I am but an eighth Maori, by heart, spirit, and inclination, I feel all Maori', and the Fijian New Zealander in Toa Fraser's 1999 play No. 2, who insists that her Nanna is 'about as real Fijian as the Spice Girls'. Writers such as Fraser, Paula Morris and Eleanor Cattan represent identity not as inherent or authentic but as constructed and performed.


2021 ◽  
Author(s):  
◽  
Susette Goldsmith

<p>The twenty-first century is imposing significant challenges on nature in general with the arrival of climate change, and on arboreal heritage in particular through pressures for building expansion. This thesis examines the notion of tree heritage in Aotearoa New Zealand at this current point in time and questions what it is, how it comes about, and what values, meanings and understandings and human and non-human forces are at its heart. While the acknowledgement of arboreal heritage can be regarded as the duty of all New Zealanders, its maintenance and protection are most often perceived to be the responsibility of local authorities and heritage practitioners. This study questions the validity of the evaluation methods currently employed in the tree heritage listing process, tree listing itself, and the efficacy of tree protection provisions. The thesis presents a multiple case study of discrete sites of arboreal heritage that are all associated with a single native tree species—karaka (Corynocarpus laevigatus). The focus of the case studies is not on the trees themselves, however, but on the ways in which the tree sites fill the heritage roles required of them entailing an examination of the complicated networks of trees, people, events, organisations, policies and politics situated within the case studies, and within arboreal heritage itself. Accordingly, the thesis adopts a critical theoretical perspective, informed by various interpretations of Actor Network Theory and Assemblage Theory, and takes a ‘counter-’approach to the authorised heritage discourse introducing a new notion of an ‘unauthorised arboreal heritage discourse’. The thesis introduces alternative examples of arboreal heritage to the contemporary heritage canon paving the way for other forms of heritage that may remain mired in the expectations of the twentieth century’s authorised heritage discourse. In doing so it elevates arboreal heritage as a valid part of physical heritage and a worthy topic for further critical heritage study. The research findings show that in contemporary Aotearoa New Zealand trees have been active in forging links between the past, the present and the future in new and powerful ways transcending the received evaluation methods and establishing a new rhetoric of arboreal indigeneity. Through the lens of tree registers, the research contributes to a better understanding of both natural heritage and heritage in general and, while firmly placed in the New Zealand context, provides a basis for critical heritage studies of related subjects elsewhere. 2 Little has been written about arboreal heritage in Aotearoa New Zealand. As the first academic study of the topic, the thesis fills gaps in academic and professional knowledge of the tree heritage process. It introduces interdisciplinary ideas, from both the sciences and the humanities, and draws attention to tree heritage as a significant historical, social, economic, cultural and environmental contributor to the well-being of New Zealanders. The case studies demonstrate that effective, contemporary stewardship requires a revised ‘tree sense’ that acknowledges that arboreal heritage is founded on complex and various values, meanings and understandings, and is manifest in many different forms. Drawing on the archival, documentary and empirical research undertaken, the thesis proposes a democratisation of arboreal heritage decision-making, and contributes a set of principles to facilitate the negotiation of arboreal heritage acknowledgement and protection by communities, local authorities and heritage practitioners.</p>


Author(s):  
M. Hall

Abstract. Aotearoa New Zealand has a unique earth building heritage. For centuries, Māori used earth for floors and as a binder for fibrous walling materials. When settlers arrived in the nineteenth century, they brought earth building techniques with them, and in the early days of colonisation, earth buildings were commonplace. Many still survive, but as processed timber became readily available, building in earth declined; by the middle of the twentieth century it had almost ceased. Following renewed interest after World War Two, earth building continued into the twenty-first century, albeit as a non-standard form of construction. Databases compiled by Heritage New Zealand, Miles Allen, and the author, supplemented by accounts from a variety of sources, provide a relatively detailed record of earth buildings from all over Aotearoa but no cohesive history has yet been written. This paper considers possible approaches to writing such a history. Methodologies employed in local and international architectural histories are analysed, and a number of structural hierarchies are identified: for instance, Ronald Rael organises his material firstly by technique and then chronology in Earth Architecture, while Ted Howard uses location and then chronology for his Australasian history, Mud and Man. Information from New Zealand sources is then applied to these frameworks to arrive at an appropriate structural hierarchy for a complete history of earth building in Aotearoa.


2015 ◽  
Vol 11 (2) ◽  
Author(s):  
Ross Garnaut

Frank Holmes was a New Zealand leader of what my recent book, Dog Days: Australia after the Boom, calls the independent centre of the polity. He saw great value in careful and transparent analysis of the public interest, separate from any vested or partisan political interest. The success of public policy in any democracy in these troubled times depends on the strength of a strong independent centre.


2021 ◽  
Vol 17 (3) ◽  
pp. 347-361
Author(s):  
Ian Williams

Abstract This article uses the work of brand theorists and New Zealand–based cultural critics to examine the circumstances that created the “Hobbit Law,” a New Zealand law aimed at busting local film industry unions. Branding logics created a struggle for authenticity around the importance of Middle-earth to New Zealand's national identity in the twenty-first century. This hybrid identity was then articulated as something that stood against labor actions by film industry workers, culminating in citizen marches against local labor. It closes by exploring ways that the importance of the brand as sense-making tool under neoliberalism might be reconfigured as something that might bridge the gap between media consumer and creative industry worker.


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