Near-Death and Other Transpersonal Experiences Occurring During Catastrophic Events

2016 ◽  
Vol 34 (5) ◽  
pp. 486-492 ◽  
Author(s):  
Madelaine Lawrence
Keyword(s):  
New York ◽  
World War I ◽  
Vietnam War ◽  
Catastrophic Events ◽  
Body Experience ◽  
Loved One ◽  
Out Of Body Experience ◽  
Transpersonal Experiences ◽  
Death Experience ◽  
Seriously Ill Patients

The purpose of this article is to describe examples of near-death and other transpersonal experiences occurring during catastrophic events like floods, wars, bombings, and death camps. To date, researchers have limited their investigations of these transpersonal events to those occurring to seriously ill patients in hospitals, those dying from terminal illnesses, or to individuals experiencing a period of grief after the death of a loved one. Missing is awareness by first responders and emergency healthcare professionals about these transpersonal experiences and what to say to the individuals who have them. Some responders experience not only deaths of the victims they assist, but also deaths of their colleagues. Information about these transpersonal experiences can also be of comfort to them. The examples in this article include a near-death experience during the Vietnam War, an out-of-body experience after a bomb explosion during the Iraq War, a near-death visit to a woman imprisoned at Auschwitz, and two after-death communications, one from a person killed in Auschwitz and another from a soldier during World War I. Also included are interviews with two New York City policemen who were September 11, 2001 responders. It is hoped the information will provide knowledge of these experiences to those who care for those near death, or dying, or grieving because of catastrophic events, and encourage researchers to further investigate these experiences during disasters.

Transpersonal Experiences in Childhood: An Exploratory Empirical Study of Selected Adult Groups

1992 ◽  
Vol 75 (3_suppl) ◽  
pp. 1135-1153 ◽  
Author(s):  
Harry T. Hunt ◽  
Sheryl Shearing-Johns ◽  
Arlene Gervais ◽  
Fred Travis
Keyword(s):  
Cognitive Skills ◽  
Mystical Experience ◽  
Childhood And Adolescence ◽  
Spatial Skills ◽  
Body Experience ◽  
Transpersonal Experience ◽  
Visual Spatial ◽  
Out Of Body Experience ◽  
Transpersonal Experiences ◽  
Meditative Practice

A questionnaire was developed to assess adult recall for a range of transpersonal experiences throughout childhood and adolescence (mystical experience, out-of-body experience, lucid dreams, archetypal dreams, ESP), as well as nightmares and night terrors as indicators of more conflicted, negative states. In two exploratory studies this questionnaire was administered to subjects with high estimated levels of early transpersonal experiences and practising meditators, with respective undergraduate controls. A cognitive skills/precocity model of early transpersonal experience was contrasted with a vulnerability of self model by comparisons of these groups on questionnaire categories, imaginative absorption, neuroticism, and visual-spatial skills, with some support found for both models depending on experience type, age of estimated recall, and adult meditative practice.

John Steinbeck

2022 ◽  
Keyword(s):  
New York ◽  
World War Ii ◽  
World War I ◽  
Vietnam War ◽  
San Francisco ◽  
Public Support ◽  
John Steinbeck ◽  
World War ◽  
Grapes Of Wrath ◽  
The Government

John Steinbeck’s life was framed by global conflict. Born on 27 February 1902, in Salinas, California, he was twelve years old when World War I began and sixteen when Germany and the Allies signed an armistice bringing to cessation the “War to End All Wars.” Unfortunately, World War II began in 1939. Echoes of the rise of Adolf Hitler and threats of war occur throughout his early works, as in the journals accompanying The Grapes of Wrath (1939), in which he writes of the angst of his times, fearing the inevitably approaching conflict. When World War II came, he became involved in the wartime efforts, working as a correspondent for the New York Herald Tribune and experiencing the London Blitz, with sixty-six of his eighty-five dispatches gathered in Once There Was a War (1958). Recognizing Steinbeck’s expertise as a writer and desiring to enlist public support, the government commissioned him to write Bombs Away (1942), an account of a bomber team and its specially equipped plane. Hence, he observed American airmen as they trained and went into battle, flying on forays with them. Similarly, during the Vietnam War Newsday hired him as a war correspondent, and again he went to the front and into battle with the enlisted men, with his accounts collected in Letters to Alicia (1965). On the home front, the San Francisco News commissioned him to report on Dust Bowl migrants working as harvesters in California. Incensed by what he witnessed—the specter of starvation, babies and children dying, and malnutrition taking a toll on the very humanity of the migrants—he wrote The Harvest Gypsies (1936), background for The Grapes of Wrath. An early ecologist, Steinbeck loved the land, depicting the earth as a living, sensate character in The Grapes of Wrath—an elegiac mourning over its the desecration. Later, his nonfiction America and Americans (1966) decried pollution and the felling of redwood trees. Looking into the future with some hope but much trepidation, this work also addressed ethnic and racial prejudices, questionable politics, ageism and sexism, loss of ethical moorings. Believing his country to be infested with a deadly immorality, he warned Americans to root out this cancerous growth in order to survive. His last work of fiction, The Winter of Our Discontent (1961), carried these same concerns, with protagonist Ethan Allen Hawley portrayed as an Every American, who must rise above his failings. John Steinbeck died 20 December 1968, of congestive heart failure.

International Opera in Nineteenth-century New York

2020 ◽  
pp. 244-269
Author(s):  
Karen Ahlquist
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
New York City ◽  
World War I ◽  
Buenos Aires ◽  
Considerable Extent ◽  
World War ◽  
Metropolitan Opera ◽  
The City

This chapter charts how canonic repertories evolved in very different forms in New York City during the nineteenth century. The unstable succession of entrepreneurial touring troupes that visited the city adapted both repertory and individual pieces to the audience’s taste, from which there emerged a major theater, the Metropolitan Opera, offering a mix of German, Italian, and French works. The stable repertory in place there by 1910 resembles to a considerable extent that performed in the same theater today. Indeed, all of the twenty-five operas most often performed between 1883 and 2015 at the Metropolitan Opera were written before World War I. The repertory may seem haphazard in its diversity, but that very condition proved to be its strength in the long term. This chapter is paired with Benjamin Walton’s “Canons of real and imagined opera: Buenos Aires and Montevideo, 1810–1860.”

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