Content Area Literacy in Ensemble Music Education: The Before-During-After Instructional Framework

2017 ◽  
Vol 27 (3) ◽  
pp. 10-23
Author(s):  
Brian N. Weidner
Keyword(s):  
Music Education ◽  
English Language ◽  
Ensemble Methods ◽  
School Curriculum ◽  
Content Area Literacy ◽  
Music Educators ◽  
Content Area ◽  
Literacy Strategies ◽  
Instructional Framework ◽  
Service Music

Teacher licensure policies and state standards for English/language arts have made content area literacy a necessary component for most music teacher education programs. Unlike teachers in other areas of the school curriculum, music educators have not broadly integrated literacy into their instructional practices. The Before-During-After (B-D-A) instructional framework is commonly used in content area literacy and provides a powerful tool for promoting student critical thinking and metacognitive awareness. B-D-A is supported by content area literacy strategies that can be used across the curriculum, and music educators can use them to encourage student engagement with authentic music texts by focusing on the artistic processes of responding and connecting. Adoption of content area literacy and B-D-A into music ensemble methods coursework can aid preservice and in-service music teachers as they engage students in music learning, support cross-curricular collaboration and professional development, and promote overall student literacy.

Why Assessment?

2018 ◽  
pp. 2-16
Author(s):  
Brian P. Shaw
Keyword(s):  
Music Education ◽  
Standardized Testing ◽  
Student Performance ◽  
Classroom Assessment ◽  
Ensemble Methods ◽  
Zone Of Proximal Development ◽  
Music Educators ◽  
Growth Mindset ◽  
Proximal Development ◽  
Social Emotional

This chapter explains foundations underpinning assessment in ensembles. Music educators need information about what their students know and are able to do in order to do their best teaching. However, such information is hard to obtain using traditional ensemble methods. Individual classroom assessment yields more information about student performance than standardized testing or regular rehearsals. Concepts such as metacognition, the Zone of Proximal Development, self-efficacy, social-emotional learning, and growth mindset can be productively incorporated into the design and use of assessments. Assessment alters the curriculum as tested topics are emphasized, and runs the risk of reductionism. Still, classroom assessment has untapped power to transform ensemble music education.

Music Education Meets Critical Literacy: A Framework for Guiding Music Listening

2018 ◽  
Vol 105 (2) ◽  
pp. 43-50 ◽  
Author(s):  
Pamela Beach ◽  
Benjamin Bolden
Keyword(s):  
Music Education ◽  
Critical Literacy ◽  
Literacy Practices ◽  
Learning Experience ◽  
Lesson Plan ◽  
Music Educators ◽  
Music Listening ◽  
Literacy Strategies ◽  
Listening Experience ◽  
Critical Literacy Pedagogy

This article presents an approach to music listening that creates spaces for critical literacy, inviting music educators to consider critical literacy practices when listening and responding to music. We begin with a discussion of critical literacy pedagogy in the context of music education followed by a sample flexible lesson plan that uses critical literacy as a framework to guide a music-listening experience. We then outline research-based critical literacy strategies used to frame the design of the learning experience. Through critical literacy listening, students can learn to recognize explicit and implicit messages presented in musical selections and construct new understandings that allow them to enter into a dialogue with the musical text.

Preparing to Implement Evidence-Based Literacy Practices in the Co-taught Classroom

2020 ◽  
pp. 105345122094436
Author(s):  
Jade Wexler ◽  
Devin M. Kearns ◽  
Erin Hogan ◽  
Erin Clancy ◽  
Alexandra Shelton
Keyword(s):  
Middle School ◽  
Special Education ◽  
Literacy Instruction ◽  
Literacy Practices ◽  
Content Area Literacy ◽  
Fidelity Of Implementation ◽  
Content Area ◽  
Evidence Based ◽  
Instructional Framework ◽  
Content Area Instruction

It is essential that middle school content-area and special education co-teachers adopt evidence-based literacy practices that they can integrate into their content-area instruction to address the needs of all of the students in their classes. This article provides co-teachers with four planning tips to improve implementation of the practices they adopt. The planning tips are organized using the acronym FIRST: (a) monitor Fidelity of implementation of the adopted practices, (b) Integrate the practices into daily content-area instruction and across the year, (c) determine the Roles of each co-teacher when planning for and implementing instruction in the adopted practices, and (d) consider specific guidelines to Select Texts for each literacy-focused lesson. The planning tips are illustrated using examples related to the content-area literacy instruction (CALI) instructional framework, which is a set of evidence-based literacy practices and procedures designed to improve the literacy instruction middle school coteachers implement in their content-area classes.

Individualizing Literacy Instruction in Co-Taught Classrooms Through a Station Teaching Model

2020 ◽  
pp. 105345122094437
Author(s):  
Cheryl Lyon ◽  
Erin K. Hogan ◽  
Devin M. Kearns
Keyword(s):  
Reading Comprehension ◽  
Literacy Instruction ◽  
Student Support ◽  
Content Area Literacy ◽  
Individualized Instruction ◽  
Content Area ◽  
Teaching Model ◽  
Typically Developing ◽  
Instructional Framework ◽  
Class Instruction

The Project CALI (Content Area Literacy Instruction) instructional framework is designed to enhance reading comprehension for all students, those with disabilities as well as their typically developing peers, in inclusive co-taught middle school content-area classrooms. For students with and at-risk for disabilities, even well-designed, research-based, and whole-class instruction often leads to inadequate improvement in reading comprehension and thus learning of content material. In CALI, teachers use student data to determine which students need more support and targeted, individualized instruction, and by contrast, which students may benefit from opportunities to extend their learning with more challenging texts and student-managed work. This article provides guidance for designing and implementing customizable lessons using station-teaching to individualize instruction. The Project CALI student support model is the final instructional piece of the CALI instructional framework.

New legislation in Brazilian music education: Studying the law and its implementation

2016 ◽  
Vol 35 (1) ◽  
pp. 79-92
Author(s):  
Dwight Manning ◽  
Marilia Kamil
Keyword(s):  
Public Schools ◽  
Music Education ◽  
Music Teachers ◽  
School Curriculum ◽  
Music Educators ◽  
Educational History ◽  
National School ◽  
The Status ◽  
Private And Public ◽  
Research Findings

In 2008, Brazilian legislators approved a law that added music on a mandatory basis to the basic national school curriculum. Despite the possibilities afforded by this legislation, music educators affirm that many questions remain due to its ambiguity. Given the 2012 deadline for the implementation of this law, there is a need to understand how it was enacted across diverse settings. This study considers the implementation from the perspective of music teachers. Thus, in this interview study, we seek to understand the status of music education throughout the country according to the perspectives of music educators from private and public schools. Such perspectives are situated within reviews of educational history, legislation, policy, and research. Findings point toward the need to (a) address a shortage of music teachers; (b) better define the preparation of professional music educators; and (c) identify pedagogies which are likely to have the greatest impact in implementing this new law.

scholarly journals Fostering Literacy Practices in Secondary Science and Mathematics Courses: Pre-service Teachers’ Pedagogical Content Knowledge

2014 ◽  
Vol 16 (1) ◽  
pp. 91 ◽  
Author(s):  
Anne Murray Orr ◽  
Jennifer Mitton Kukner ◽  
D.J. Timmons
Keyword(s):  
High School Students ◽  
Literacy Practices ◽  
Content Area Literacy ◽  
Content Area ◽  
School Students ◽  
Pedagogical Content ◽  
Literacy Strategies ◽  
Content Area Teachers ◽  
And Mathematics ◽  
Mathematics And Science

A significant number of high school students struggle to read textbooks and other course materials and to write successfully in content area courses such as mathematics and science (Kane, 2011). This paper investigates how pre-service teacher education can provide a strong literacy foundation for content area teachers. A pilot study, undertaken as part of an ongoing longitudinal study, examines how secondary pre-service teachers plan to infuse their teaching of secondary mathematics and science with literacy practices.  This paper inquires into the perspectives of six mathematics and science pre-service teachers who were interviewed after completing a course in content area literacy. Pre-service teachers emphasized their growing awareness of how literacy strategies can enhance student learning in their specific subject areas.

Introduction

2021 ◽  
pp. 1-16
Author(s):  
Matthew L. Garrett ◽  
Joshua Palkki
Keyword(s):  
Music Education ◽  
Teacher Educators ◽  
Music Teachers ◽  
Music Educators ◽  
Music Teacher ◽  
School Music ◽  
And Gender ◽  
Service Music

The Introduction emphasizes the idea that music educators teach people through the art of music. The authors acknowledge their positionality in the LGBTQ and music education communities. They seek to elevate the voices of trans and gender-expansive (TGE) persons so that TGE stories may educate and inform pre-service music teachers, professional music teachers, and music teacher-educators. Two principal goals of the book are established: (a) celebrate and honor TGE persons in their own voices, and (b) create a resource with and for music teacher colleagues. The authors introduce their TGE collaborators and school music teacher collaborators working with TGE students. A book outline is provided.

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