scholarly journals Re-locating media production

2017 ◽  
Vol 21 (1) ◽  
pp. 3-11
Author(s):  
Helen Morgan Parmett ◽  
Scott Rodgers
Keyword(s):  
Media Culture ◽  
Media Production ◽  
Media Convergence ◽  
Special Issue ◽  
Participatory Media ◽  
Left Behind ◽  
The Past ◽  
Contemporary Media ◽  
Media Practices

It was arguably easier in the past to pin down media production in medium- or content-specific locales, such as the studio, the newsroom or the set. Contemporary processes of media convergence have dramatically opened up the ‘what’ and ‘where’ of media production to include all manner of quotidian practices and ephemeral places. This special issue, however, pushes back against the idea that contemporary landscapes of media production have been flattened. Each of the articles collected here accounts for significant transformations in media practices near to those that we would conventionally associate with media production, yet which are also potentially left behind in the rush to describe, theorize, celebrate and critique trends such as ‘produsage’, ‘prosumption’ and participatory media culture. Taken together, the articles in this special issue provide new insights into the locations and relocations of contemporary media production across new and under-researched liminal and peripheral geographies, and around new and unexpected objects.

Transgression in contemporary media culture

2020 ◽  
pp. 136787792096810
Author(s):  
Joke Hermes ◽  
Annette Hill
Keyword(s):  
Case Studies ◽  
Media Ecology ◽  
Media Culture ◽  
Political Satire ◽  
Special Issue ◽  
The Media ◽  
Rule Breaking ◽  
Contemporary Media ◽  
Film Piracy ◽  
Key Terms

This is the introduction to a special issue on media and transgression, one of early cultural studies’ key terms. It inquires into the uses of transgression as a critical concept to query contemporary media culture which is discussed in six case studies: on political satire, Mukbang, cult drama, the policing of film piracy, media scandals, and online trolls. Transgression points to the energy that fuels the media ecology – from content and content production to audience practices and the policing of content ownership. It is the (conscious) overstepping of moral and legal boundaries, that challenges written and unwritten rules. The frisson of rule breaking and the reward of rule re-establishment (whether by powerful parties or everyday gossip) are transgression’s bookends. Together they support the cyclical rhythm of media culture that maintains not just our interest as viewers but our interests and connectedness as citizens, whether in celebration, outrage or condemnation.

Productive leisure in post-Fordist fandom

2020 ◽  
Vol 8 (1) ◽  
pp. 47-63 ◽  
Author(s):  
Aleena Chia
Keyword(s):  
Value Creation ◽  
Media Production ◽  
Cultural Changes ◽  
Media Companies ◽  
Production And Consumption ◽  
Contemporary Media ◽  
Fan Practices ◽  
Play Production ◽  
Scholarly Discourse ◽  
Media Practices

For over a decade, scholars have considered how digital play has converged with the work of media production. From esports and volunteer moderation to play-testing, the circuits of game production are accelerated by players’ passionate engagements as fans and hobbyists, which are intertwined with their professional ambitions to join the industry. It is now taken for granted in scholarly discourse that work and play, production and consumption, and professional and amateur identities are blurring. Researchers propose hybrid terms such as ‘prosumption’ or ‘playbour’ to capture the variation, complexity and contradictions in media participation and value creation across diverse fan practices. This analysis proposes that these post-Fordist neologisms oversimplify techno-cultural changes and legitimate ambiguities in fans’ relationships with media companies and their imperatives for productivism in platform capitalism and its gig economies. In contrast, hobbies have always been a mediating category of productive leisure that can be traced back to industrialization’s cleavage of labour from recreation. This article argues that charting how this liminal category of hobbies has been institutionalized in contemporary media practices provides an analytical lens to interrogate post-Fordist obligations of productivity and neo-liberal expectations of entrepreneurialism.

scholarly journals Editorial

2021 ◽  
Vol 8 (1) ◽  
Author(s):  
Maja Klausen ◽  
Anette Grønning ◽  
Carsten Stage
Keyword(s):  
Social Media ◽  
Health Professionals ◽  
Public Awareness ◽  
Self Care ◽  
Learning Technologies ◽  
Media Culture ◽  
Digital Learning ◽  
Special Issue ◽  
Care Processes ◽  
Contemporary Media

This special issue, entitled “Health, Media and Participation”, consists of seven articles that explore some of the different ways that media participation and health participation intertwine in contemporary media culture. In these seven articles, participation in health and media is addressed in the analysis of a variety of practices: Patients that use media to become participants in co-decision and self-care processes, patients and citizens being more or less able to use media to engage in (patient) communities, patients communicating with (and affecting) institutions and authorities in new mediated ways, health professionals using social media to create public awareness about politically urgent issues and health professionals co-designing digital learning technologies. The contributions are in this way united by taking an interest in the democratic potentials and dilemmas of participating in health through media participation. The issue also includes one open section article by Vaia Doudaki and Nico Carpentier. The special issue is edited by Maja Klausen, Anette Grønning and Carsten Stage.

American TV Series Revivals: Introduction

2017 ◽  
Vol 19 (4) ◽  
pp. 299-309 ◽  
Author(s):  
Kathleen Loock
Keyword(s):  
Historical Context ◽  
Special Issue ◽  
Network Television ◽  
The Past ◽  
Textual Practices ◽  
Contemporary Media ◽  
Streaming Service ◽  
Online Streaming ◽  
Distinct Approach

This special issue examines contemporary American TV series revivals with a focus on production and reception contexts as well as the industrial, cultural, and textual practices involved. Each essay is concerned with a different case study and brings a distinct approach to the analysis of the trend on American network television and the online streaming service Netflix. Together, they analyze how revivals rely on past TV experiences to circulate new products through the crowded contemporary media landscape, and how they seek to negotiate the televisual heritage of original series, feelings of generational belonging, as well as notions of the past, present, and future in meaningful ways. This introduction to the special issue provides the definitions, broader historical context, and theoretical framework of televisual repetition and innovation for understanding contemporary TV series revivals.

EDITORIAL: Migration and competitiveness: Japan and the United States

2013 ◽  
Vol 10 (2) ◽  
pp. 115-124
Author(s):  
Philip L. Martin
Keyword(s):  
United States ◽  
The United States ◽  
Variable Cost ◽  
Fixed Cost ◽  
Special Issue ◽  
Science And Engineering ◽  
The Past ◽  
Past Half Century ◽  
Key Sectors ◽  
Past Half

Japan and the United States, the world’s largest economies for most of the past half century, have very different immigration policies. Japan is the G7 economy most closed to immigrants, while the United States is the large economy most open to immigrants. Both Japan and the United States are debating how immigrants are and can con-tribute to the competitiveness of their economies in the 21st centuries. The papers in this special issue review the employment of and impacts of immigrants in some of the key sectors of the Japanese and US economies, including agriculture, health care, science and engineering, and construction and manufacturing. For example, in Japanese agriculture migrant trainees are a fixed cost to farmers during the three years they are in Japan, while US farmers who hire mostly unauthorized migrants hire and lay off workers as needed, making labour a variable cost.

Five Years and Count(er)ing: Memoir after Memoir

CounterText ◽  
2020 ◽  
Vol 6 (1) ◽  
pp. 26-32
Author(s):  
Norbert Bugeja
Keyword(s):  
Guest Editor ◽  
Arab Countries ◽  
National Museum ◽  
Terror Attack ◽  
Special Issue ◽  
The Past ◽  
Personal Perspectives ◽  
The Moment ◽  
Ongoing Project

In this retrospective piece, the Guest Editor of the first number of CounterText (a special issue titled Postcolonial Springs) looks back at the past five years from various scholarly and personal perspectives. He places particular focus on an event that took place mid-way between the 2011 uprisings across a number of Arab countries and the moment of writing: the March 2015 terror attack on the Bardo National Museum in Tunis, which killed twenty-two people and had a profound effect on Tunisian popular consciousness and that of the post-2011 Arab nations. In this context, the author argues for a renewed perspective on memoir as at once a memorial practice and a political gesture in writing, one that exceeds concerns of genre and form to encompass an ongoing project of political re-cognition following events that continue to remap the agenda for the region. The piece makes a brief final pitch for Europe's need to re-cognise, within those modes of ‘articulacy-in-difficulty’ active on its southern borders, specific answers to its own present quandaries.

Reframing the Sciences of the Long Eighteenth Century

2020 ◽  
Vol 50 (1-2) ◽  
pp. 58-66
Author(s):  
Giuliano Pancaldi
Keyword(s):  
Eighteenth Century ◽  
History Of Science ◽  
Science Policy ◽  
Special Issue ◽  
Half Century ◽  
The Past ◽  
Past Half Century ◽  
History Of ◽  
Long Eighteenth Century ◽  
Past Half

Here I survey a sample of the essays and reviews on the sciences of the long eighteenth century published in this journal since it was founded in 1969. The connecting thread is some historiographic reflections on the role that disciplines—in both the sciences we study and the fields we practice—have played in the development of the history of science over the past half century. I argue that, as far as disciplines are concerned, we now find ourselves a bit closer to a situation described in our studies of the long eighteenth century than we were fifty years ago. This should both favor our understanding of that period and, hopefully, make the historical studies that explore it more relevant to present-day developments and science policy. This essay is part of a special issue entitled “Looking Backward, Looking Forward: HSNS at 50,” edited by Erika Lorraine Milam.

Candy and Drugs for Dinner

2019 ◽  
pp. 572-588
Author(s):  
Sean Guynes
Keyword(s):  
Comic Book ◽  
Gender Politics ◽  
Media Production ◽  
Comics Studies ◽  
Contemporary Media ◽  
The Aesthetic

This chapter links the seemingly disparate but deeply interconnected discourses and practices of contemporary media production, genre, aesthetics, and comics. It offers these arguments through a case study of the popular fantasy comic book Rat Queens and in the process demonstrates the critical utility to comics studies of reading genre, aesthetics, and industry together. The chapter reads Rat Queens through Sianne Ngai’s conception of the zany, cute, and interesting, showing how each of these categories is part of the aesthetic logic of the series, while also showing how each performs or critiques the series’ (superficial) investment in gender politics and the fantasy genre.

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