Italy's blues. Folk music and popular song from the nineteenth century to the 1990s

2001 ◽  
Vol 21 (1) ◽  
pp. 348-371 ◽  
Author(s):  
Alessandro Carrera
2020 ◽  
pp. 41-62
Author(s):  
Rohan McWilliam

Chapter 3 explores the world of elite leisure in both its high and low forms to uncover how the aristocracy continued to shape the West End in the first half of the nineteenth century. This chapter is devoted to nightlife and is intended to show that one purpose of pleasure districts was to construct the idea of the night-time economy. The chapter explores the world of gentlemens’ clubs and other locations of masculine pleasure before moving into an examination of opera, ballet, and gambling; both sources of aristocratic networks. The second half of the chapter then looks at the world of low life in the Covent Garden and Maiden Lane areas; territory of the ‘flash’ and the bohemians. Affluent gentlemen explored what they saw as the ‘underworld’. Here was a world of disreputable bars and spaces for popular song. There is a detailed analysis of venues such as the Cider Cellars which shaped the development of popular music and culture with its bawdy ballads.


Popular Music ◽  
1984 ◽  
Vol 4 ◽  
pp. 5-24 ◽  
Author(s):  
Vic Gammon

Recent research shows that the English folksong collectors, who were active before the First World War, systematically selected what they took down from rural working-class singers, basing their selection on what they considered to be worth preserving from such singers' repertories. Their work, then, can only give us a biased and highly mediated impression of popular singing traditions (see Harker 1972 and 1982; Gammon 1980). The purpose of this article is to see if it is possible to go beyond the work of the collectors, to try to grasp something of the wholeness of popular nineteenth-century singing traditions, and also to situate those traditions socially.


1997 ◽  
Vol 15 (4) ◽  
pp. 459 ◽  
Author(s):  
Paul Charosh

1996 ◽  
Vol 14 (1) ◽  
pp. 111
Author(s):  
Paul Charosh ◽  
Jon W. Finson

1977 ◽  
Vol 22 (2) ◽  
pp. 226-240
Author(s):  
Maurice Milne

The effectiveness of the strike weapon in early-nineteenth-century England depended in some measure upon the response of public opinion. Obviously the state of trade and the relative cohesion and determination of masters and men were more significant factors, but the attitude of non-participants could not be discounted. The readiness of civil and military authorities to intervene, the reaction of the general public to requests for contributions to relief funds, the willingness of politicians to contemplate changes in the laws concerning combination: all these were influenced by the state of public opinion. It would be an oversimplification to regard “public opinion” and “newspaper opinion” as synonymous. The platform, the pulpit, the placard and the popular song were other means of public expression, not that they necessarily provided a complete or reliable guide to the public mind. Nevertheless the newspaper, particularly in the nineteenth century, was in an advantageous position to influence the response of the public to current controversies.


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