Bildungsroman Hermeneutics in the Post–Civil Rights Era

2018 ◽  
Vol 90 (1) ◽  
pp. 141-170
Author(s):  
Long Le-Khac

AbstractThis essay defines the problem of bildungsroman hermeneutics for literary criticism and social policy in the post–civil rights era. Examining critical responses to Sandra Cisneros’s The House on Mango Street, it argues that the traditional bildungsroman exerts a powerful hold on interpretations of minority mobility. Bildungsroman hermeneutics understands social relations as organized around individual development. This model undermines the collective politics many critics sense in Cisneros’s text and obscures her revisions of the genre. Furthermore, bildungsroman hermeneutics intersects with neoconservative arguments that helped to roll back civil rights reforms and stymie government interventions. To address the inequalities enduring after civil rights we must circumvent an individual-centered template that has shaped plots of narrative and social change. Part of a broader effort to decenter the bildungsroman (including the work of Maxine Hong Kingston and Gloria Naylor), Cisneros’s text can help us do so, if we can learn to read it otherwise.

2021 ◽  
Vol 10 (1) ◽  
Author(s):  
Afifah Indriani ◽  
Delvi Wahyuni

This thesis is an analysis of a novel written by Nic Stone entitled Dear Martin (2017). It explores the issue of institutional racism in the post-civil rights era. The concept of systemic racism by Joe R.Feagin is employed to analyze this novel. This analysis focuses on four issues of systemic racism as seen through several African-American characters. This analysis also depends on the narrator to determine which parts of the novel are used as the data. The result of the study shows that African-American characters experience four forms of institutional racism which are The White Racial Frame and Its Embedded Racist Ideology, Alienated Social Relations, Racial Hierarchy with Divergent Group Interest, and Related Racial Domination: Discrimination in Many Aspects. In conclusion, in this post-civil rights movement era, African-Americans still face institutional racism.


Author(s):  
J.C. Blokhuis ◽  
Randall Curren

Judicialization is the term most commonly used to describe the supervening authority of the courts in virtually every sphere of public life in liberal democratic states. In the United States, where judicialization is most advanced, political and administrative decisions by agencies and officials at every level of government are subject to constitutional scrutiny, and thus to the oversight and substituted decision-making authority of unelected members of the federal judiciary. The judicialization of American education is associated with the judicial review of administrative decisions by public school officials in lawsuits filed in the federal courts by or on behalf of students alleging due process and other Constitutional rights violations. So defined, the judicialization of American education has been facilitated by a number of legal and social developments in the Civil Rights Era, including the ascription of limited Constitutional rights to minors in public schools, the expansion of government agency liability, and the ensuing proliferation of lawsuits under Section 1983. Judicialization has been criticized for subjecting routine administrative decisions to complex and costly procedural regimentation, for distorting social relations by subjecting them to legal oversight, and for flooding the courts with frivolous lawsuits. The causes and outcomes of the judicialization of American education present a complex and mixed picture, however. The U.S. Office of Economic Opportunity’s Legal Services Program has played a central role in judicialization by providing legal resources to confront racial injustice in the punishment of students and in school funding.


Author(s):  
Courtney R. Baker

This chapter discusses the visual culture of 1970s Black America, focusing especially on popular culture artifacts such as film, television, and comics, to make sense of the idea of movement in the postsegregationist United States. It attends to the representation of black people in various locations—from the inner city to the suburbs to a historical memory of the plantation slavery, the middle passage, and an African motherland—in visual forms, including Afrocentrist iconography, photography, and fine art. By attending to popular images, an important if not fuller picture of Black visual politics during the post-civil rights era becomes apparent.


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