scholarly journals To 'take their place among the productive members of society': Vocational rehabilitation of WWI wounded at Erskine

2017 ◽  
Vol 2 ◽  
pp. 5
Author(s):  
Jennifer Novotny

In 1916, the foundation of the Princess Louise Scottish Hospital for Limbless Sailors and Soldiers (still in existence today as Erskine), on the banks of the River Clyde in Scotland, was a direct response to the need for specialised medical facilities to deal with the unprecedented number of injured service personnel returning from the Great War. At the hospital, the West of Scotland medical and industrial communities came together to mend broken bodies with prosthetic technology, as well as physical and mental rehabilitation to prepare the limbless to re-enter the job market. This paper explores the establishment of manual therapy workshops at Erskine and how such programmes of vocational rehabilitation were culturally informed by the concerns and anxieties of both the military and civilian populations of the First World War-era.

2020 ◽  
pp. 136-153
Author(s):  
Elizaveta E. Polianskaia ◽  

This article deals with the problem of recruiting sisters of mercy by the Russian Red Cross Society (also RRCS, Red Cross) in 1908-1914s. In case of war, Red Cross had to send sisters of mercy to its own institutions and to medical institutions of the military Department. The war ministry was developing a mobilization plan, which included a plan for the deployment of medical facilities. The ministry sent this plan to the administration of the Red Cross. In accordance with the request of the ministry, the RRCS strengthened its efforts to attract new staff of sisters of mercy. This activity led to certain results. On the eve of the war, there was a number of sisters of mercy that were required to replenish the medical institutions of the Red Cross and the military Department. That means that according to the pre-war plan, in the matter of creating a cadre of sisters of mercy, the RRCS was ready for the war. However, the Great War took on a wide scale, a situation which the army, the industry, and the medical service were not prepared for. The Russian Red Cross Society was forced to quickly open new medical institutions and to urgently train new personnel. Sometimes the duties of nurses were performed by those who did not have the necessary education.


Balcanica ◽  
2015 ◽  
pp. 107-133
Author(s):  
Dimitrije Djordjevic

This paper discusses the occupation of Serbia during the First World War by Austro-Hungarian forces. The first partial occupation was short-lived as the Serbian army repelled the aggressors after the Battle of Kolubara in late 1914, but the second one lasted from fall 1915 until the end of the Great War. The Austro-Hungarian occupation zone in Serbia covered the largest share of Serbia?s territory and it was organised in the shape of the Military Governorate on the pattern of Austro-Hungarian occupation of part of Poland. The invaders did not reach a clear decision as to what to do with Serbian territory in post-war period and that gave rise to considerable frictions between Austro-Hungarian and German interests in the Balkans, then between Austrian and Hungarian interests and, finally, between military and civilian authorities within Military Governorate. Throughout the occupation Serbia was exposed to ruthless economic exploitation and her population suffered much both from devastation and from large-scale repression (including deportations, internments and denationalisation) on the part of the occupation regime.


HISTOREIN ◽  
2017 ◽  
Vol 16 (1-2) ◽  
pp. 120
Author(s):  
Emilia Salvanou

The paper aims to trace the historiographical construction of the Great War in the Greek national narrative. Its main argument is that although the First World War was more or less a shared experience among its participants, the way it was constructed as an event is aligned not to the experience as such, but to the national discourse that subsequently prevailed. In the Greek case, its historiographical construction took place in three main stages: the first during the interwar period, when the temporal framework of the event were set (the war decade of 1912–1922) and the interest was mainly in the military and political aspects. The second stage developed after the Second World War, when there was a turn towards testimonies and the field of refugee studies was shaped. It was during this stage that the memory of the refugees found its place in the national narrative. The third stage began in the last quarter of the twentieth century, when a split developed in the way the event is constructed in public and lay history and in the way it is constructed in academic historiography, where the limits of national historiographies are critiqued.


2017 ◽  
Vol 14 (3) ◽  
pp. 283-297 ◽  
Author(s):  
Taylor Downing

This article considers the making of the BBC2 series, The Great War, and examines issues around the treatment and presentation of the First World War on television, the reception of the series in 1964 and its impact on the making of television history over the last fifty years. The Great War combined archive film with interviews from front-line soldiers, nurses and war workers, giving a totally new feel to the depiction of history on television. Many aspects of The Great War were controversial and raised intense debate at the time and have continued to do so ever since.


Author(s):  
Felix S. Kireev

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).


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