From the history of the military past of composer and conductor Boris Galaev

Author(s):  
Felix S. Kireev

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).

2017 ◽  
Vol 8 (1) ◽  
pp. 27-40
Author(s):  
Hans-Christian von Herrmann

"In den Jahren nach dem Ersten Weltkrieg wurde im Jenaer Zeiss-Werk im Auftrag des Deutschen Museums in München das Projektionsplanetarium als immersives Modell des Universums entwickelt. In ihm hallte eine lange Geschichte von Himmelsgloben, Armillarsphären, Astrolabien und mechanischen Planetarien nach, die seit der Antike als astronomische Demonstrationsobjekte gedient hatten. Erstmals aber fand sich diese Aufgabe nun mit einer Simulation des raum-zeitlichen In-der-Welt-Seins des Menschen verbunden. In the years following the First World War, commissioned by the German Museum in Munich, the projection planetarium was developed as an immersive model of the universe at the Zeiss plant in Jena. In it, a long history of celestial globes, armillary spheres, astrolabes, and mechanical planetaria resonated, which had served as astronomical demonstration objects since ancient times. For the first time, however, this task was associated with a simulation of man’s spaciotemporal being-in-the-world. "


1960 ◽  
Vol 64 (599) ◽  
pp. 687-691
Author(s):  
J. A. Miller

Whenever a new and truly great idea is put forward for the first time it is usually received with scorn and derision by those whom it directly concerns. Such was the initial reception of the idea of refuelling aircraft in flight.Soon after the First World War air carnivals became very popular around the flying fields of the United States of America and it was in a search for new stunts that two intrepid fliers hit on the idea of transferring fuel by hose pipe from one aircraft to another. The two single-seater aeroplanes flew one above the other, the upper one carrying the extra fuel; in order to transfer it the pilot threw a length of hose overboard leaving it trailing behind him. The receiver aircraft then manoeuvred into position and the pilot caught the hose and put the nozzle into his reserve fuel tank. When a small quantity of fuel had been transferred, he pulled out the hose and threw it clear of his aircraft, leaving the donor aircraft to haul it in.


Author(s):  
Marina V. Moskaljuk ◽  
Lilia R. Stroy

The article is devoted to the art processes that took place in Siberia, Krasnoyarsk, during 1914–1920. The main methodology of scientific study on the creative component of the city during the First World War and Revolution is based on the principles of historicism, objectivity, a systematic approach and unique archival data that allowed reconstructing the history of the art life in the city during the First World War and learning about war prisoner artists who brought the traditions of European art into the Krasnoyarsk creative architectonics. For the first time ever, there was found information not used earlier in the analysis of art processes; the data found incorporated the names of professional masters and amateur artists from Germany, Austria, Hungary, Slovenia, who were in military captivity and worked as designers, organized art exhibitions, taught drawing and interacted with local art community. The authors conclude that the selected directions of the creative process formed the art life of the city during the First World War and Revolution, with the participation of foreign masters not only enriching the city culture, but also helping people survive in one of the most dramatic periods of world history


2020 ◽  
pp. 127-149
Author(s):  
Alexey Y. Timofeev

The anniversary of the First World War in Serbia has become an oc-casion for exacerbating public discussion and drawing attention to the rise of revisionism in NATO countries. Fear of a revision of the history of World War I infl uenced Serbian society and elites on the eve of the centenary. The concerned Serb elites responded with a wide range of events organized in Serbia and Republika Srpska. Within the framework of the commemorative events dedicated to the anniversary, monuments, installed and restored by the Serbian authorities and their foreign part-ners, have received special signifi cance. These were monuments to the Serbian patriot G. Princip, to the famous Iron Regiment, to the woman volunteer-soldier Milunka Savic. They are traditional fi gures of the Ser-bian memory of the First World War. At the same time, Serbian authori-ties did not succeed in their attempt to perpetuate in monumental forms the head of the Serbian military intelligence D. Dimitrievic-Apis, the leader of the Serbian nationalist organization Black Hand, which patron-ized the Mlada Bosna organization that prepared the assassination on Franz Ferdinand. The Russian-Serbian monuments of the First World War in Serbia presenting Nicholas II and the military brotherhood of the two peoples were of special signifi cance. All new monuments have become memorial sites and at the same time attractive points for vari-ous political forces expressing their sympathies and antipathies through symbolic gestures towards them.


2020 ◽  
Vol 7 (1 (25)) ◽  
pp. 38-44
Author(s):  
Vadim O. Zverev

For the first time in Russian historiography, the history of some sabotage operations, which was carried out at the beginning of the First World War in one of the spy-dangerous sections of the western borderland of Russia - in the Warsaw Governor General - is revealed. The author concludes that German intelligence failed to paralyze the daily railway supplies of weapons, ammunition, uniforms, food, etc. to the Russian armies to the theater of operations. Unprofessional sabotage agents (Russian citizens living in the Privislinsky Territory) were unsuitable for solving complex, responsible and dangerous sabotage tasks.


Author(s):  
Андрей Андреевич Кулюкин

В рамках статьи исследован вопрос развития военно-полицейских органов в России до 1917 г. Отмечено, что до формирования кадровых военно-полицейских частей уже с XVII в. законом предусматривались специальные воинские чины, на которых были возложены задачи по поддержанию правопорядка в армии на ранних этапах ее становления. Приведен пример полицейской службы Ингерманландского драгунского полка в годы Отечественной войны 1812 г., который стал прообразом кадровой военно-полицейской части. Рассмотрены организация службы, функции, полномочия, этапы формирования и законодательные акты, регламентирующие деятельность военно-полицейских частей. Раскрыта краткая история гвардейского жандармского полуэскадрона, приведены примеры выполнения военной полицией возложенных задач. Произведены обобщение, структурирование задач и функций, возложенных на военную полицию в годы Первой мировой войны. Сделан вывод, что создание в составе армии кадровых военно-полицейских частей стало одним из этапов и логическим продолжением генезиса военно-полицейских органов в России. Проведен сравнительный анализ деятельности военно-полицейских органов в различное время, при этом отмечено, что задачи и функции военной полиции с течением времени оставались в основном неизменными. Within the framework of the article, the issue of the military-police bodies development in Russia from 1815 to 1917 is investigated. It is noted that before the formation of cadre military-police units, already from the 17th century, the law provided for special military ranks, who were entrusted with the tasks of maintaining law and order in the army at the early stages of its formation. An example is given of the police service of the Ingermanland Dragoon Regiment during the Patriotic War of 1812, which became the prototype of the regular military-police unit. The organization of the service, functions, powers, stages of formation and legislative acts regulating the activities of military-police units are considered. A brief history of the Guards gendarme half-squadron is revealed, examples of the military police performing the assigned tasks are given. The generalization, structuring of the tasks and functions assigned to the military police during the First World War are made. It is concluded that the creation of personnel military-police units within the army was one of the stages and a logical continuation of the genesis of military-police bodies in Russia. A comparative analysis of the activities of military-police bodies at different times is carried out, while it is noted that the tasks and functions of the military police have remained largely unchanged over time.


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