scholarly journals Mythological Names and dróttkvætt Formulae III: From Metric-Structural Type to Compositional System

2015 ◽  
Vol 2 (1) ◽  
pp. 7-33
Author(s):  
Frog
Keyword(s):  
Language Use ◽  
Semantic Category ◽  
Structural Type ◽  
Old Norse ◽  
Oral Poetry ◽  
The Third ◽  
General Preference ◽  
To Come ◽  
Compositional System

This article explores patterns of language use in oral poetry within a variety of semantic formula. Such a formula may vary its surface texture in relation to phonic demands of the metrical environment in which it is realised. This is the third part of a four-part series based on metrically entangled kennings in Old Norse dróttkvætt poetry as primary material. Old Norse kennings present a semantic formula of a particular type which is valuable as an example owing to the extremes of textural variation that it enables. The study concentrates on two-element kennings meaning ‘battle’. The first part in this series introduced the approach to kennings as semantic formulae and illustrated their formulaicity through evidence of the preferred lexical choices with which they were realised. The second part presented a case study illustrating that preferred word choices could extend beyond the kenning to additional elements in the line like rhyme words. The third case study presented here concentrates on the potential for a formula of this type to develop a general preference for elements of the kenning to come from one semantic category rather than another without such choices being metrically motivated per se.

scholarly journals Mythological Names and dróttkvætt Formulae II: Base-Word-Determinant Indexing

2014 ◽  
Vol 1 (2) ◽  
pp. 39-70
Author(s):  
Frog
Keyword(s):  
Semantic Category ◽  
Structural Type ◽  
Old Norse ◽  
Base Word ◽  
Illustrative Case ◽  
Semantic Categories ◽  
Lexical Items ◽  
The One ◽  
Illustrative Case Study

This article explores patterns of language use in oral poetry within a variety of semantic formula. Such a formula may vary its surface texture in relation to phonic demands of the metrical environment in which it is realised. This is the second part of a four-part series based on metrically entangled kennings in Old Norse dróttkvætt poetry as primary material. Old Norse kennings present a semantic formula of a particular type which is valuable as an example owing to the extremes of textural variation that it enables. The first part in this series introduced the approach to kennings as semantic formulae and included an illustrative case study on kennings meaning ‘battle’ realising the last three metrical positions of a dróttkvætt line. This demonstrated that lexical variation in realising these formulae varied according to functional equivalence across semantic categories. The present case study advances this discussion through the examination of the metrical entanglement of the lexicon in realising the semantic formula. On the one hand, it presents evidence of the associative indexing of lexical items realising a battle-kenning of this particular metric-structural type: certain kenning base-words exhibit a preferred semantic category of determinant. On the other hand, it also presents evidence of the associative indexing of lexical items that are used for realising the metrically required rhyme in a position in the line that is outside of the semantic formula: certain kenning base-words exhibit co-occurrence with a particular rhyme-word.

scholarly journals Mythological Names and dróttkvætt Formulae I: When is a Valkyrie Like a Spear?

2014 ◽  
Vol 1 (1) ◽  
pp. 100-139
Author(s):  
Frog
Keyword(s):  
Surface Texture ◽  
Language Use ◽  
Proper Names ◽  
Old Norse ◽  
Illustrative Case ◽  
Oral Poetry ◽  
Semantic Categories ◽  
First Case ◽  
Illustrative Case Study

This article explores patterns of language use in oral poetry within a variety of semantic formula. Such a formula may vary its surface texture in relation to phonic demands of the metrical environment in which it is realized. Metrically entangled kennings in Old Norse dróttkvætt poetry provide material for a series of case studies focusing on variation in realizing formulae of this type. Old Norse kennings present a semantic formula of a particular type which is valuable as an example owing to the extremes of textural variation that it enables. Focus will be on variation between two broad semantic categories in expressing the formula’s consistent unit of meaning that are otherwise unambiguously distinct: proper names for mythological beings and poetic terms for weapons and armour. This article introduces an approach to kennings as semantic formulae and includes an illustrative case study on kennings meaning ‘battle’ in the last three metrical positions of a dróttkvætt line. The case study is simultaneously used to demonstrate the degree of integration of mythological proper names in the poetic register. This article contains only the first case study of a series. It provides foundations for examining variation in the associative links exhibited by names of mythic beings as a category according to the metrical positions in which a battle-kenning is realized.

scholarly journals The Postcolonial Writer in Performance: J. M. Coetzee’s Summertime

2013 ◽  
pp. 101
Author(s):  
Serena Guarracino
Keyword(s):  
Nobel Prize ◽  
Methodological Approach ◽  
Postcolonial Literature ◽  
Literary Work ◽  
The Third ◽  
To Come ◽  
The Many

This essay focuses on the elaboration of postcolonial literature as an event emerging from the interaction among the many and diverse agencies which allow the postcolonial work to come into being. This formulation both highlights the repetition of tropes in postcolonial literature and the variations to the tropes themselves, which can become ethically and politically relevant by creating an interruption in accepted notions of what a postcolonial work should sound like. Following this lead, the essay will outline a methodological approach which interprets the literary work as a performative act in the complex nexus of discourses constituting the postcolonial writer as a figure of the global collective imaginary, taking as case study J. M. Coetzee’s work with particular focus on his Nobel Prize lecture and the third instalment of his memoir series, Summertime (2009). His work, together with others, is taken as a symptom of how public lectures and statements, together with the literary work proper, have all become an expression of the writer’s own performativity as a writer; while these phenomena have an impact on literature as a whole, the essay focuses on the postcolonial writer figure as historically endowed with what Kobena Mercer has famously termed “the burden of representation.”

scholarly journals Working college students’ profile Case Study: Faculty of Engineering Sibiu, Romania

2017 ◽  
Vol 2 (1) ◽  
pp. 337-341
Author(s):  
Roxana Săvescu ◽  
Ana Maria Stoe ◽  
Mihaela Rotaru
Keyword(s):  
Research Topic ◽  
The Third ◽  
Industrial Companies ◽  
Stress Symptoms ◽  
Working Students ◽  
Increasing Demand ◽  
To Come ◽  
Time To Learn ◽  
Loss Of Appetite

Abstract Faculty of Engineering in Sibiu is facing an increasing demand from industrial companies to employ students not only by the time of graduation but even during university studies. The scope of the study was to provide an insight on working students’ profile and the problems they are confronting with. Forty working students from the third year of Faculty of Engineering Sibiu were interviewed with regard of the research topic. Results of the study reflect the fact that a majority of working students face difficulties in school, having low grades or failed exams. The exam session seems to be a hard period for working students, and many of them find difficulties in attending all lectures or finding time to learn. Having a job while studying impacts personal activities, as well. Stress symptoms like: loss of appetite or overeating, difficulties in focusing, difficulties in taking decisions or feelings of restless are mentioned by the majority of working students. The results of the study are useful for the management of the faculty to come up with some measures to increase working students’ lectures attendance. Student support programs for reducing the stress among the group of working students must be developed as well.

Transitioning Business for a Circular Economy

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Susan EVANS
Keyword(s):  
Professional Practice ◽  
Circular Economy ◽  
Radical Change ◽  
Virtual Space ◽  
Professional Experience ◽  
Operational Model ◽  
New Vision ◽  
To Come ◽  
Space Requirements

This case study explores the strategic business opportunities, for Lane Crawford, an iconic luxury department store, to transition in a circular economy towards sustainability. A new experimentation framework was developed and conducted among cross departmental employees, during a Design Lab, with intention to co-create novel Circular Economy business concepts towards a new vision: the later was a reframe of the old system based on the principles of sustainability; to move beyond a linear operational model towards a circular economy that can contribute to a regenerative society. This work draws on both academic and professional experience and was conducted through professional practice. It was found that innovative co-created concepts, output from the Design Lab, can create radical change in a circular economy that is holistically beneficial and financially viable; looking forward to extract greater value a)Internal organization requires remodeling to transform towards a circular economy; b)Requirement for more horizonal teams across departments vs solely vertical; c)New language and relationships are required to be able to transition towards a circular economy; d)Some form of physical and virtual space requirements, for cross-disciplinary teams to come together to co-create; e)Ability to iterate, learn and evolve requires agency across the business

Editorial

2018 ◽  
Vol 6 (1) ◽  
pp. 1-2
Author(s):  
Ibrahim Sirkeci
Keyword(s):  
Qualitative Study ◽  
Cultural Dimensions ◽  
Mobile Marketing ◽  
Negative Attitudes ◽  
The Third ◽  
Cross Border ◽  
Local Characteristics ◽  
Critical Account

Transnational Marketing Journal is dedicated to disseminate scholarship on cross-border phenomena in marketing by acknowledging the importance of local and global or in other words, underlining the transnational practices marked by national and local characteristics in a fluid fashion spreading over more than one national territory. The first article by Paulette Schuster looks into “falafel” and “shwarma” in Mexico and discusses the perception of Israeli food in Mexico. The second article is a case study illustrating a critical account of cultural dimensions formulated by Schwarz using the value surveys data. The third article in the issue is a qualitative study of the negative attitudes of millennials torwards mobile marketing. 

“Swell, swell, my joys”: Ben Jonson, Quotation, and A Help to Memory and Discourse

2017 ◽  
Vol 24 (2) ◽  
pp. 187-204
Author(s):  
Charles Cathcart
Keyword(s):  
Ben Jonson ◽  
Advanced Head ◽  
Knock Out ◽  
The Third ◽  
Biblical Commentary

Sejanus His Fall has always been a succès d'estime rather than a popular triumph. Neverthless, there was an odd and pervasive valency for the speech that opens the play's fifth act, a speech that starts, “Swell, swell, my joys,” and which includes the boast, “I feel my advancèd head/Knock out a star in heav'n.” The soliloquy has an afterlife in printed miscellanies; it was blended with lines from Volpone's first speech; the phrase “knock out a star in heav'n” was turned to by preachers warning of the sin of pride; John Trapp's use of the speech for his biblical commentary was plundered by John Price, Citizen, for the polemic of 1654, Tyrants and Protectors Set Forth in their Colours; and in the year between the Jonson Folio of 1616 and the playwright's journey to Scotland, William Drummond of Hawthornden borrowed directly from the speech for his verse tribute to King James. For all Jonson's punctilious itemising of his tragedy's classical sources, his lines were themselves shaped by a contemporary model: John Marston's Antonio and Mellida. What are we undertaking when we examine an intertextual journey such as this? Is it a case study in Jonson's influence? Is it a meditation upon the fortunes of a single textual item? Alternatively, is it a study of appropriation? The resting place for this essay is the speech's appearance in the third and final edition of Leonard Becket's publication, A Help to Memory and Discourse (1630), an appearance seemingly unique within the Becket canon and one that suggests that Jonson's verse gained an afterlife as a poem.

Somethin’ about Scandinavia: Danish Shorts on the Post-war International Scene

2018 ◽  
Author(s):  
C. Claire Thomson
Keyword(s):  
United Nations ◽  
International Collaboration ◽  
Marshall Plan ◽  
The Third ◽  
Animated Film ◽  
International Audience ◽  
Post War ◽  
Nordic Cooperation

Building on the picture of post-war Anglo-Danish documentary collaboration established in the previous chapter, this chapter examines three cases of international collaboration in which Dansk Kulturfilm and Ministeriernes Filmudvalg were involved in the late 1940s and 1950s. They Guide You Across (Ingolf Boisen, 1949) was commissioned to showcase Scandinavian cooperation in the realm of aviation (SAS) and was adopted by the newly-established United Nations Film Board. The complexities of this film’s production, funding and distribution are illustrative of the activities of the UN Film Board in its first years of operation. The second case study considers Alle mine Skibe (All My Ships, Theodor Christensen, 1951) as an example of a film commissioned and funded under the auspices of the Marshall Plan. This US initiative sponsored informational films across Europe, emphasising national solutions to post-war reconstruction. The third case study, Bent Barfod’s animated film Noget om Norden (Somethin’ about Scandinavia, 1956) explains Nordic cooperation for an international audience, but ironically exposed some gaps in inter-Nordic collaboration in the realm of film.

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