Wagner and German Jewish Composers in the Nineteenth Century

2013 ◽  
pp. 28-42
Author(s):  
Michael Haas
Author(s):  
Julia Riegel

This chapter discusses the treatment of the Jewish identity of various composers by the Yiddish folklorist and music critic, Menachem Kipnis. It describes Kipnis as a small, energetic man with a soft but beautiful singing voice and considered one of the most popular Jewish folklorists of interwar Poland. It also looks into Kipnis' book World-Famous Jewish Musicians, a collection of biographies of nineteenth-century composers with a Jewish background. The chapter examines the contradictions and idiosyncrasies of World-Famous Jewish Musicians compared with Kipnis's other works. It seeks to understand the balance Kipnis struck between praise for Jewish composers and quasi-nationalist emphasis on their Jewishness on the one hand, and his work as a folklorist in Poland, collecting songs from traditional, Yiddish-speaking Jews on the other.


2020 ◽  
Vol 5 (3) ◽  
pp. 308-342
Author(s):  
Paul Michael Kurtz

Hellenic language and culture occupy a deeply ambivalent place in the mapping of Jewish history. If the entanglement of the Jewish and the Greek became especially conflicted for modern Jews in philhellenic Europe, nowhere was it more vexed than in the German-speaking lands of the long nineteenth century. Amidst the modern redefinition of what it meant to be Jewish as well as doubts about the genuine Jewishness of Hellenistic Judaism, how did scholars identify Jewish authorship behind ambiguous, fragmented, and interpolated texts – all the more with much of the Hebraic allegedly deprived by the Hellenic? This article not only argues for the contingency of diagnostic features deployed to define the Jewish amidst the Greek but also maintains the embeddedness of those features in nineteenth-century Germany. It scrutinizes the criteria deployed to establish Jewish texts and authors of the Hellenistic period: the claims and qualities assumedly suggestive of Judaism. First, the inquiry investigates which characteristics German Jewish scholars expected to see in Greek-speaking Jewish writers of antiquity, interrogating their procedures and their verdicts. Second, it examines how these expectations of antiquity corresponded to those scholars’ own modern world. The analysis centers on Jacob Bernays (1824–1881) and Jacob Freudenthal (1839–1907), two savants who helped establish the modern study of Hellenistic Judaism. Each overturned centuries of learned consensus by establishing an ancient author – Pseudo-Phocylides and Eupolemus, respectively – as Jewish, rather than Christian or pagan. This article ultimately reveals the subtle entanglements as well as the mutually conditioning forces not only of antiquity and modernity but also of the personal and academic, manifest both in the philological analysis of ancient texts and in the larger historiography of antique Judaism in the Graecophone world.


transversal ◽  
2016 ◽  
Vol 14 (1) ◽  
pp. 35-44
Author(s):  
Nils Roemer

AbstractThis article investigates the ongoing interaction between the Jewish sacred past and its modern interpreters. Jewish thinkers from the eighteenth century reclaimed these ideals instead of dismissing them. Sacred traditions and modern secular thought existed in their mutual constitutive interdependence and not in opposition. When the optimism in historical progress and faith in reason unraveled in the fin de siècle, it engendered a new critical response by Jewish historians and philosophers of the twentieth century. These critical voices emerged within the fault lines of nineteenth and early twentieth century Jewish anti-historicist responses. What separated twentieth-century Jewish thinkers such as Martin Buber, Franz Rosenzweig, and Gershom Scholem from their nineteenth-century forerunners was not their embrace of religion but their critical stance toward reason and their crumbling faith in historical progress.


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