Escaping the Vicious Cycle: Symbolic Politics and History Disputes Between South Korea and Japan

2014 ◽  
Vol 38 (1) ◽  
pp. 31-60 ◽  
Author(s):  
Ji Young Kim
2015 ◽  
Vol 30 (1) ◽  
pp. 35-71
Author(s):  
Dostal Jorg Michael Dostal ◽  
Kim Hyun Jin ◽  
Ringstad Albin

On April 16, 2014, the South Korean ship MV Sewol sank, claiming the lives of 304 passengers. The accident appeared to observers to be a manmade disaster, since all the passengers could have been rescued if adequate safety measures and disaster management procedures had been in place. The Sewol sinking has subsequently turned into a focusing event in terms of safety policy debates in South Korea. On September 28, 1994, the Swedish ship MS Estonia sank, claiming the lives of 852 people. This earlier tragedy was also a focusing event in the context of Swedish debates about safety policies. In this article, South Korean and Swedish safety policies are analyzed from a historical-institutionalist perspective. While Swedish disaster prevention systems have generally performed well in a virtuous cycle, those of South Korea have performed poorly in a vicious cycle. The article highlights how South Korean policy makers might use Swedish policies, developed in response to the 1994 MS Estonia accident, to improve their safety policies. In addition, we suggest that long-term policies focusing on comprehensive social welfare and the pooling of risks are required to restore citizens' trust in government and to transform South Korea from a low safety into a high safety society.


2021 ◽  
pp. 175069802110243
Author(s):  
David Shim

This paper discusses the material rhetoric of the Statue of Peace built in front of the Japanese Embassy in Seoul, South Korea. Installed in 2011 to commemorate so-called “comfort women”—the former sex slaves forced to work in brothels during Korea’s occupation by the Empire of Japan—, several identical-looking copies of the statue have since spread throughout the country and beyond. While many observers have noted the symbolic politics of the sculpture, I argue for taking into account its material dimension too—with the aim of furthering our understanding of how commemorative practices are enabled by mnemonic installations. Building on the scholarship that has addressed the rhetoric of objects and places of remembrance, I ask how the statue acts on and engages with its viewers. Among others, site visits, observations, own experiences, interviews, and visual documentation serve as the basis of the discussion.


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