Racially Writing the Republic: Racists, Race Rebels, and Transformations of American Identity, and: A Faithful Account of the Race: African American Historical Writing in Nineteenth-Century America (review)

2011 ◽  
Vol 31 (3) ◽  
pp. 501-505
Author(s):  
Robert S. Levine
Keyword(s):  
Nineteenth Century ◽  
African American ◽  
American Identity ◽  
Historical Writing ◽  
Nineteenth Century America ◽  
The Republic

Teaching National Identity and Alterity

2018 ◽  
Vol 10 (1) ◽  
pp. 106-126
Author(s):  
Bahar Gürsel
Keyword(s):  
United States ◽  
Nineteenth Century ◽  
Twentieth Century ◽  
National Identity ◽  
Primary Schools ◽  
The United States ◽  
American Identity ◽  
The Other ◽  
Nineteenth Century America ◽  
Race Ethnicity

The swift and profound transformations in technology and industry that the United States began to experience in the late 1800s manifested themselves in school textbooks, which presented different patterns of race, ethnicity, and otherness. They also displayed concepts like national identity, exceptionalism, and the superiority of Euro-American civilization. This article aims to demonstrate, via an analysis of two textbooks, how world geography was taught to children in primary schools in nineteenth century America. It shows that the development of American identity coincided with the emergence of the realm of the “other,” that is, with the intensification of racial attitudes and prejudices, some of which were to persist well into the twentieth century.

The Early Life and Career of the "Black Patti": The Odyssey of an African American Singer in the Late Nineteenth Century

2000 ◽  
Vol 53 (3) ◽  
pp. 543-596 ◽  
Author(s):  
John Graziano
Keyword(s):  
Nineteenth Century ◽  
African American ◽  
Rhode Island ◽  
Early Life ◽  
Mixed Race ◽  
The United States ◽  
Early Career ◽  
Late Nineteenth Century ◽  
Nineteenth Century America ◽  
The Caribbean

The early career of the African American singer Matilda Sissieretta Jones (1868-1933), known as the "Black Patti," was unique in nineteenth-century America. Reviewers gave high praise to her singing, and she attracted large mixed-race audiences to her concerts across the country. Her fame was such that, during the early 1890s, she appeared as the star of several companies in which she was the only black performer. This article documents her early life in Portsmouth, Virginia, and Providence, Rhode Island; her two tours, in 1888 and 1890, to the Caribbean and South America; and her varied concert appearances in the United States and Europe up to the formation of the Black Patti Troubadours in the fall of 1896.

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