Naming Our Own and Claiming Black Womanhood: The Spelman College Protest of 1976

2021 ◽  
Vol 10 (1) ◽  
pp. 43-63
Author(s):  
Richard D. Benson
Meridians ◽  
2017 ◽  
Vol 15 (2) ◽  
pp. 389-411
Author(s):  
Takkara Brunson
Keyword(s):  

2017 ◽  
Vol 46 (1) ◽  
pp. 103-136 ◽  
Author(s):  
Aditi Pai ◽  
Gene McGinnis ◽  
Dana Bryant ◽  
Megan Cole ◽  
Jennifer Kovacs ◽  
...  

This case study reports the instructional development, impact, and lessons learned regarding the use of Facebook as an educational tool within a large enrollment Biology class at Spelman College (Atlanta, GA). We describe the use of this social networking site to (a) engage students in active scientific discussions, (b) build community within the student body in class, and (c) promote communication between students and instructors. To achieve this, we created a Facebook Group page that students were required to join and use to complete the main assignment of this class, which was to read, discuss, and write about a science news article in the popular media. Overall, we find that Facebook, due to its popularity with students and its informal nature, is very effective in engaging them.


2020 ◽  
Vol 8 (1) ◽  
Author(s):  
Alix Pierre

The paper examines how the Spelman College Museum of Fine Art, the only one in the country dedicated to the work of African descended women artists, is used as a pedagogical tool in the interdisciplinary African Diaspora and the World course to help students further explore the depiction and visualization of diasporan aesthetics during their matriculation. From a visual culture perspective, this is a critical examination of the process of looking among non-art major college goers. The emphasis of the analysis is on the perceiver or the “educand” as Paulo Freire puts it, and ways she is trained to visually represent Africa and its diasporas. The article discusses how the subjects, first year students at a black liberal arts women’s college, are taught to construct meaning from and respond to imagery made by women artists from the diaspora. At the heart of the study is the response of the perceivers, through an Audio Narrative assignment, to artefacts that communicate an African and Afro-descended iconography. 


2007 ◽  
Vol 175-176-177 (1) ◽  
pp. 738
Author(s):  
Anne Adams
Keyword(s):  

Author(s):  
Alisha Gaines

Chapter Three considers the political, racial, and social crises plaguing the late 1960s by reading Soul Sister, Grace Halsell’s 1969 memoir. A freelance journalist and a White House staff writer for the Lyndon B. Johnson administration, Halsell was also a protégé of John Howard Griffin, who famously passed for black in 1959. While previous scholarship on Griffin has wrestled with his place as an enduring icon of racial empathy, this chapter details Griffin’s previously unknown mentorship of Halsell. Bolstered by extensive archival research, this chapter demonstrates how Halsell prepared for her performance of black womanhood by relying exclusively on Griffin’s instruction without any advice from black women. The chapter also situates Halsell’s blackness within important discussions around the contentious relationship between racial equality and 2nd wave feminism. Ultimately, Halsell’s six-months as a black woman in Harlem and Mississippi during the burgeoning black power movement ironically reveals grotesque assumptions about black sexuality, authenticity, and class.


2021 ◽  
pp. 137-146
Author(s):  
Meina Yates-Richard
Keyword(s):  

Sign in / Sign up

Export Citation Format

Share Document