Stowaway stories and mythological realism in Yuri Herrera’s Signs Preceding the End of the World and Mohsin Hamid’s Exit West

2021 ◽  
Vol 12 (1) ◽  
pp. 331-346
Author(s):  
Elizabeth Rodriguez Fielder

This article examines how contemporary authors writing about migration turn to fantastic, spectral and mythical elements when writing about passages of transit. I turn to narratives written by Yuri Herrera and Mohsin Hamid and explore how these authors use mythology and magic to resist telling a ‘true’ story, creating what I call a stowaway aesthetic that hides away other stories in its narrative. By stowing away information and misrepresentation through magic, these authors create impossible stories that attend to archival silences. They enact a resistance against the ways in which the state extracts and polices narrative in the process of asylum-seeking. I argue that in the moments in which authors eschew realism, they direct the reader’s attention to the unknowable aspects of migrant lives that constitute an absent presence in the process of migration.

2020 ◽  
pp. 3-12
Author(s):  
Yael Tamir

This chapter investigates the return of nationalism. It examines what provoked national feelings and national ideology and made them more relevant than ever. It also questions if nationalism is a dormant evil force waiting to pop out whenever there is a crisis, a force that must be repressed at all costs, or is it a constructive power, a worthwhile ideology that could and should be harnessed to make the world a better place. The chapter presents a case for nationalism, highlighting the ways it shaped public policy and made the years between the end of the world wars and the eruption of neoliberal globalism the best years for the least well-off members of the developed world. Some may say that these years were good ones because nationalism was repressed, allowing liberal democracy to flourish. The chapter argues, however, that many of the achievements of that period were dependent on an alliance between the nation and the state.


2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Antonio Panaino

This contribution offers a conspectus of the parallel treatment of some escha­tological subjects in the comparative framework of Mazdean and Christian sources. Although some impact of the Judeo-Chris­tian tradition on Iranian apocalypticism has been fittingly detected in previous studies, the author in­sists on evidence showing a sort of circular exchange between Chris­tians and Mazdeans, where, for in­stan­ce, chiliasm presents some Iranian (and not only Ba­by­lonian) resonances, while the well-known Zo­ro­as­trian doctrine of universal mercy and of the *apokatastasis* shows impressive correspondences with the Ori­genian doctrines. What distinguishes the Iranian framework is the fact that millenarianism, apocalypse and *apokatastasis* did not directly contrast, as it happened in the Christian milieu. These Christian doc­trines played a certain influence in Sasanian Iran, although their diffusion and acceptance was pro­bably slow and progressive, and became dominant among Zoroastrians only after the fall of the Sasanian period, when the Mazdean Church was no longer the pillar of the state and the social and legal order. The diffusion of the doctrine of universal mercy was a later acquisition, as shown from the evidence that earlier Mazdean doctrines did not assume a complete salvation for the wicked but prescribed a harsh and eternal punishment for them. Fur­ther­more, the author focuses on his own research on these sub­jects and summarises some results concerning a new and original presentation of the Mazdean concept of evil as a manifestation of suffering, comparable to a state of mental 'sickness.'


2019 ◽  
Vol 37 (1) ◽  
pp. 75-95
Author(s):  
Francesca Romana Berno

This paper deals with apocalypse, intended as a revelation or prediction related to the end of the world, in Seneca’s prose work. The descriptions and readings of this event appear to be quite different from each other. My analysis will follow two main directions. Firstly, I will show the human side of the question, focussing on the condition of the sage facing the universal ruin in the context of the macroscopic narrative structure of most passages, and on the differences between the Epicurean and the Stoic view on this point. Secondly, I will turn to the descriptions of the end of the world which we can find in the Naturales Quaestiones. I will argue that Seneca’s choice of flood or conflagration as representations for the apocalypse are not haphazard, but may be motivated by a subtle political narrative, and thus linked to the Stoic struggle for taking part in the governing of the state. In particular, the end of book three represents a flood which probably alludes to Tiber’s floods.


Author(s):  
David Cook ◽  
Nu'aym b. Hammad al-Marwazi

“The Book of Tribulations by Nu`aym b. Hammad al-Marwazi (d. 844) is the earliest Muslim apocalyptic work to come down to us. Its contents focus upon the cataclysmic events to happen before the end of the world, the wars against the Byzantines, and the Turks, and the Muslim civil wars. There is extensive material about the Mahdi (messianic figure), the Muslim Antichrist and the return of Jesus, as well as descriptions of Gog and Magog. Much of the material in Nu`aym today is utilized by Salafi-jihadi groups fighting in Syria and Iraq.


Moreana ◽  
2008 ◽  
Vol 45 (Number 173) (1) ◽  
pp. 167-174
Author(s):  
Peter Milward

In conjunction with the current “revisionism” of English history from a Catholic viewpoint, it is time to undertake a corresponding revision of the plays and personality of William Shakespeare. For this purpose it is not enough to rest content with the meagre historical record, but we have to go ahead in the light of recusant history with a reinterpretation of the plays, considering the extent to which they lend themselves to the Catholic viewpoint. This is not merely a matter of nostalgia for the mediaeval past, but it looks above all to the present sufferings of the “disinherited” English Catholics — in the light of the continued presence of Christ who is suffering, as Pascal famously noted, in his faithful even till the end of the world.


2017 ◽  
Vol 39 (2) ◽  
pp. 265-276 ◽  
Author(s):  
Kas Saghafi

In several late texts, Derrida meditated on Paul Celan's poem ‘Grosse, Glühende Wölbung’, in which the departure of the world is announced. Delving into the ‘origin’ and ‘history’ of the ‘conception’ of the world, this paper suggests that, for Derrida, the end of the world is determined by and from death—the death of the other. The death of the other marks, each and every time, the absolute end of the world.


2019 ◽  
Vol 41 (1) ◽  
pp. 40-50
Author(s):  
Claire Colebrook

There is something more catastrophic than the end of the world, especially when ‘world’ is understood as the horizon of meaning and expectation that has composed the West. If the Anthropocene is the geological period marking the point at which the earth as a living system has been altered by ‘anthropos,’ the Trumpocene marks the twenty-first-century recognition that the destruction of the planet has occurred by way of racial violence, slavery and annihilation. Rather than saving the world, recognizing the Trumpocene demands that we think about destroying the barbarism that has marked the earth.


Sign in / Sign up

Export Citation Format

Share Document