‘Doomed as cartoons forever’: Subjection and liberation in Sidney Lumet’s The Wiz
This article reconsiders the importance of Sidney Lumet’s film adaption of The Wiz, which was panned on release and deemed a commercial failure. Despite this, the film has always been cherished by the African American community. I examine why this is, by analysing the film's relationship to blaxploitation, its production and reception history, and some of the film’s scenes. Finally, I consider its legacy and its meaning for later generations.
1993 ◽
Vol 19
(4)
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pp. 461-477
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Keyword(s):
Keyword(s):
1991 ◽
Vol 81
(11)
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pp. 1415-1422
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1991 ◽
Vol 12
(2)
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pp. 149-167
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