Research “implication” in literary texts: philosophy of science and detective genre

2013 ◽  
pp. 98-107 ◽  
Author(s):  
Nadezhda Bugorskaya
Literator ◽  
2003 ◽  
Vol 24 (2) ◽  
pp. 83-104
Author(s):  
N. Kruger ◽  
H. Van Coller

Notes on Jaco Fouché’s novel Die ryk van die rawe Jaco Fouché’s debut novel Die ryk van die rawe (The domain of the ravens) has been widely acclaimed by critics. Their focus mainly fell on the intertextual relations of the novel with other literary texts, especially novels by Etienne Leroux. This article analyses Fouché’s novel against the backdrop of the (satirical) picaresque tradition and the detective genre. The article focuses on two aspects: Fouché’s indebtedness to (post)modern art forms, particularly comics, graphics, television and cinema; and the interpretation of neo-existentialist philosophy.


1990 ◽  
Vol 35 (3) ◽  
pp. 274-275
Author(s):  
William Bechtel

PsycCRITIQUES ◽  
2017 ◽  
Vol 62 (1) ◽  
Author(s):  
Janet R. Matthews

2020 ◽  
pp. 65-80
Author(s):  
Magdalena Strąk

The work aims to show a peculiar perspective of looking at photographs taken on the eve of the broadly understood disaster, which is specified in a slightly different way in each of the literary texts (Stefan Chwin’s autobiographical novel Krótka historia pewnego żartu [The brief history of a certain joke], a poem by Ryszard Kapuściński Na wystawie „Fotografia chłopów polskich do 1944 r.” [At an exhibition “The Polish peasants in photographs to 1944”] and Wisława Szymborska’s Fotografia z 11 września [Photograph from September 11]) – as death in a concentration camp, a general concept of the First World War or a terrorist attack. Upcoming tragic events – of which the photographed people are not yet aware – become for the subsequent recipient an inseparable element of reality contained in the frame. For the later observers, privileged with time perspective, the characters captured in the photograph are already victims of the catastrophe, which in reality was not yet recorded by the camera. It is a work about coexistence of the past and future in the field of photography.


CounterText ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 98-113
Author(s):  
Shaobo Xie

The paper celebrates the publication of Ranjan Ghosh and J. Hillis Miller's Thinking Literature across Continents as a significant event in the age of neoliberalism. It argues that, in spite of the different premises and the resulting interpretative procedures respectively championed by the two co-authors, both of them anchor their readings of literary texts in a concept of literature that is diametrically opposed to neoliberal rationality, and both impassionedly safeguard human values and experiences that resist the technologisation and marketisation of the humanities and aesthetic education. While Ghosh's readings of literature offer lightning flashes of thought from the outside of the Western tradition, signalling a new culture of reading as well as a new manner of appreciation of the other, Miller dedicatedly speaks and thinks against the hegemony of neoliberal reason, opening our eyes to the kind of change our teaching or reading of literature can trigger in the world, and the role aesthetic education should and can play at a time when the humanities are considered ‘a lost cause’.


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