Barack Obama’s Dreams from My Father, the Economies of Respectable Black Manhood and Leadership, and the Politics of Collaboratively Gendered Black Male Feminist Autobiography

Author(s):  
Ronda C. Henry Anthony
2020 ◽  
Vol 28 (2) ◽  
pp. 183-205
Author(s):  
Adebayo Oluwayomi

This essay argues against the proposal that Tommy J. Curry’s The Man-Not: Race, Class, Genre, and the Dilemmas of Black Manhood be read as a work of intersectionality. It argues that such a proposal amounts to a misjudgment of the overarching philosophical significance of the text. As Curry insists, intersectionality is inapplicable to the dilemmas of Black manhood because it does not consider the suffering, sexual discrimination, and death of Black males. Thus, this essay concludes that a more accurate reading of the text should be as a prolegomenon to a new schema focused on the complex systems of Black male victimization in the United States—“The Theory of Phallicism.”


2019 ◽  
Vol 50 (7) ◽  
pp. 632-650 ◽  
Author(s):  
Keven James Rudrow

This essay uses Tupac Shakur’s Me Against the World as a case study examining how Black male artists use hip-hop music for articulating the racialized vulnerability organizing their manhood. By thinking about how Shakur understands his Black maleness through his social relationality to the world around him, Shakur’s album creates resistive space for defining Black maleness despite how Black masculinity is often defined and imposed on Black men. Shakur’s album maps a relational network for understanding a brand of Black manhood obscured by dominant discourses about Black men and their masculinity. Specifically, Shakur’s album frames Black maleness through poverty and how it orients Black men, his perpetual susceptibility to harm and death, and suicide ideation as a response to his despair. Connecting Black maleness and vulnerability, Shakur’s album offers insight about being Black and male in a patriarchal White supremacist society.


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