scholarly journals Lever House, el rascacielos de cristal

2021 ◽  
Vol 11 (19) ◽  
Author(s):  
Ignacio Damián Montaldo
Keyword(s):  
New York ◽  

Este artículo asume a la arquitectura moderna como un tema nodal en la conformación de la disciplina, aún en permanente revisión y debate[1]. Se propone reflexionar sobre los materiales del proyecto, entendidos como los recursos específicos de un hacer, a partir de analizar y reflexionar sobre el edificio en torre para las Oficinas para la sede principal de la empresa de jabón, de origen británico, “Lever Brother Company”, conocido como “Lever House” proyectado y construido el estudio de arquitectura norteamericano SOM, durante 1951 y 1952, en la ciudad de New York, en el 390 de la Avenida Park Avenue. [1] Ana María Rigotti.

PEDIATRICS ◽  
1970 ◽  
Vol 45 (5) ◽  
pp. 898-898
Author(s):  
Howard A. Pearson

During recent years a number of monographs have been published. describing the biochemical, genetic, and clinical aspects of normal and abnormal hemoglobin synthesis. Although this book covers the same ground, its tone and emphasis reflect the authors' clinical base. It is primarily directed to clinicians, and so it is particularly readable and useful. After a brief survey of normal structure and synthesis, the authors concentrate on clinical and genetic aspects of abnormal hemoglobin syndromes. Most attention is devoted to sickle cell and Cooley's anemias.


Author(s):  
Jed Rasula

On 17 December 2016, I had the good fortune to see a video installation at the Park Avenue Armory in New York City. Written, directed, and produced by Julian Rosefeldt, largely in and around Berlin, Manifesto staged thirteen scenarios—simultaneously looped on massive screens in the cavernous armory—in which extracts from nearly seventy avant-garde manifestos were performed by Cate Blanchett, featured in thirteen strikingly different roles. Her virtuosity redeployed even the most emphatic manifesto rhetoric into monologues that seem spontaneously uttered in a series of vivid locales, ranging from a cemetery to a fertilizer factory, a film studio, a drab apartment block, a former Olympic village, a puppet workshop, a recycling facility, and more. Blanchett, in effect, perpetuates the spirit of Fernando Pessoa, as if she were embodying heteronyms, not playing roles. ...


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