Two. Science in the Popular Novel: JaneWebb Loudon’s The Mummy!

2020 ◽  
pp. 60-95
Keyword(s):  
Metahumaniora ◽  
2018 ◽  
Vol 8 (1) ◽  
pp. 100
Author(s):  
Muhamad Adji

AbstrakPenelitian ini bertujuan untuk memperoleh gambaran tentang sikap kebangsaananak muda Indonesia pada tiga novel populer yaitu Ali Topan Anak Jalanan karya TeguhEsha, Lupus: Makhluk Manis dalam Bis karya Hilman Hariwijaya, dan Balada Si Roy karya GolaGong. Alasan pemilihan objek penelitian di atas adalah karena ketiga novel tersebut memilikitingkat popularitas yang tinggi pada tiap zamannya sehingga membuat tokoh utamanyamenjadi representasi anak muda Indonesia pada zamannya masing-masing. Pertanyaanpertanyaanyang memandu tulisan ini adalah 1) Bagaimana keindonesiaan digambarkanpada ketiga novel tersebut dan 2) Bagaimana sikap kebangsaan direpresentasikan tokohanak muda pada ketiga novel tersebut. Dari hasil kajian didapatkan simpulan bahwasikap kebangsaan yang ditampilkan pada ketiga novel tersebut memiliki tingkatan yangberbeda-beda. Novel Ali Topan Anak Jalanan menunjukkan sikap kebangsaan dengan lebihkritis. Hegemoni orde Baru pada masa itu belum berhasil karena novel populer masihmenampilkan tokoh anak muda yang kritis dan cenderung memberontak terhadap nilainilaiideologi Orde Baru. Periode ’80-an menampilkan novel populer dengan tokoh anakmuda yang memiliki sikap kebangsaan yang terbelah. Pertama, anak muda yang dapatmenerima realitas yang dikontruksi Orde Baru, dengan menjalani sistem tersebut danmemposisikan dirinya sebagai bagian dari sistem tersebut. Hal itu direpresentasikan olehtokoh Lupus dalam novel Lupus: Makhluk Manis dalam Bis. Kedua, anak muda yang tidakdapat menerima realitas yang dikonstruksi Orde Baru, dengan cara keluar dari bagiansistem tersebut. Hal itu direpresentasikan oleh tokoh Roy dalam Balada Si Roy.Kata kunci: kebangsaan, anak muda, novel populer, Orde BaruAbstractThis study aims to obtain a picture of Indonesian nationalism in the three popularnovels that were Ali Topan Anak Jalanan by Teguh Esha, Lupus: Makhluk Manis dalam Bisby Hilman Hariwijaya, dan Balada Si Roy by Gola Gong. The reason for choosing the object ofresearch above is that all three novels are recognized to have high levels of popularity in eachera so that made the main characters became a representation of Indonesian youth at that time.The questions that guide the writing are 1) How Indonesianness described in the third novel?2) How does nationalism represented by youth in these three novels. From the study results isobtained the conclusion that nationalism is displayed on the third novel has a level different.Ali Topan Anak Jalanan show a nationalism more critically. The New Order’s hegemony atthat time has not been successful because the novel still showing a critical youth and tends torevolt against the ideological values of the New Order. The ‘80s period featured a popular novelwith a youth character who had a split nationalism. First, the youth who can accept the realitythat the New Order has constructed, with the system and position itself as part of the system.It was represented by the Lupus’s character in the Lupus: Makhluk Manis dalam Bis. Second,the youth who can not accept the facts constructed by the New Order, by going out from thatpart of the system. It was represented by Roy’s character in the Balada Si Roy.Keywords: nationalism, youth, popular novel, New Order


Think India ◽  
2019 ◽  
Vol 22 (6) ◽  
pp. 2569-2572
Author(s):  
K. STALIN ◽  
S. S. Jansi Rani

Alex Haley, a famous biographer, novelist and a family genealogist of an American writer. His most popular novel Roots is published in the year 1976. Roots: The Saga of An American  Family, has 688 page fictional description of the genealogy of his family beginning with a kidnapped his ancestors of village Gambia. Roots covering seven generations, the story did not stop here. Alex Haley went two centuries back to find the trace of Kunta Kinte’s roots existence. Haley did claim that his actual ancestor was identified as Kunta Kinte as per the Griot, the story teller.


Author(s):  
R. W. Maslen

This chapter concerns the work of writers who proclaim their commitment to a readership of commoners: craftspeople, tradesfolk, domestic servants, and others below the rank of the gentry. In doing so, the chapter reveals the voracious appetite of the marketplace of print for copy. It draws attention to the competing interests of printers and considers the question of how to make a living by writing under these circumstances. Writers experimented with different methods of turning the copy they produced into a steady income, but many failed. However, the attempt led to the extraordinary variety of prose pamphlets (short, inexpensive books) printed in the 1580s and 1590s.


Author(s):  
Monica F Cohen

Abstract This story traces the many adventures of a title, from Edward Jenkins’s 1870 novel, Ginx’s Baby, through colonial resistance to imperial copyright law in Canada, to the photograph of a distressed baby that Charles Darwin featured in The Expression of Emotions in Man and Animals and that the art photographer Oscar Rejlander reproduced as popular cartes de visites. The reiterative use of the title across genres and oceans conjures an image of Victorian popular culture as an unregulated bazaar affording the surprising emergence of unintended creators. Copyright history, frame analysis, and name theory help explain how the title of a popular novel could lend itself to so many unrelated creative objects.


Author(s):  
Sarah Bilston

Sensation writer Mary Elizabeth Braddon makes plenty of jokes at the expense of the suburbanites reading her novels, poking fun at the interests they shared, the ambitions they nursed. Yet the suburbs function narratively in her works as places of movement, opportunity, and change. Braddon deploys the plot arc of the suburban popular novel (first discussed in chapter 3) to lift worthy heroines out of the lives into which they were born. Striving heroines begin in dusty, down-at-heel Camberwell; if they work hard, and are lucky, they are rewarded with the pleasures of upper-middle-class Richmond.


1967 ◽  
Vol III (4) ◽  
pp. 411-416
Author(s):  
BRUCE TOLLEY
Keyword(s):  

Author(s):  
David Wilson

This chapter explores the enduring myths about the phenomenon of serial murder generally and serial killers in particular, in Britain between 1960 to the present. The Chapter argues that many of these myths have been created and continue to be perpetuated by the print and broadcast media. It is suggested that this process was ignited by American popular culture about serial murder, to the extent that many British students engaged on university courses do so because they want to emulate the heroine of the popular novel The Silence of the Lambs and become the fictional character, Clarice Starling. This observation is used to explore other myths about offender profiling, the role of the profiler in police investigations and the idea that this involves entering the mind of the serial killer by the profiler. Based on his own applied work with serial murderers and on police investigations and after their conviction, the chapter reveals the realities of the phenomenon of serial murder, serial killers and the limits of offender profiling. The chapter uses a number of situations encountered during police investigations and with serial killers to illustrate its arguments. It concludes that we need to harness, rather than dismiss, student interests in this territory in more productive ways. It adopts a structural/victim perspective about serial murder, as opposed to a relentless focus on what might motivate the serial killer to kill. The chapter suggests how this might be done both within the academy and, more broadly in public policy.


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