Alfonso de Castro on Vernacular Bible Translation and Christian Education

2020 ◽  
Vol 7 (1) ◽  
pp. 61-84
Author(s):  
Dries De Crom
Keyword(s):  
Christian Education ◽  
Liberal Arts ◽  
Biblical Interpretation ◽  
Traditional Education ◽  
Council Of Trent ◽  
Spanish Colonial ◽  
Bible Translation ◽  
The Right

AbstractAlfonso de Castro (1495–1558) is known as a staunch opponent of vernacular Bible translation, who intervened on the matter at the Council of Trent. This article offers a fresh appreciation of Castro’s polemics against vernacular bibles, in light of a less well-known treatise in which Castro defends the right of the indigenous Spanish colonial population to be educated in the liberal arts and theology. It is argued that at the root of Castro’s misgivings about Bible translation is a concern for preserving traditional education as a necessary prerequisite for biblical interpretation.

Culture and the Spanish Civil War - A Fascist View: 1936-1939

1965 ◽  
Vol 7 (4) ◽  
pp. 557-577 ◽  
Author(s):  
Kessel Schwartz
Keyword(s):  
Civil War ◽  
Spanish Civil War ◽  
Status Quo ◽  
Scientific Investigation ◽  
Intellectual Freedom ◽  
Council Of Trent ◽  
Spanish Inquisition ◽  
Counter Reformation ◽  
Foreign Ideas ◽  
The Church

Almost from the inception of the Spanish Inquisition which sought to stifle scientific investigation and philosophical speculation while rejecting foreign ideologies, contrary currents existed in Spain. The liberal humanistic movement headed by Erasmus preached intellectual freedom and a defense of interior religión. This ideology never disappeared in Spain in spite of the formation of the Company of Jesus by Ignacio de Loyola and the efforts of Spanish theologians who promoted the Counter Reformation at the Council of Trent. Under Felipe II foreign ideas were forbidden as heretical and interpretations independent of the Church were stifled. Nevertheless, criticism of the status quo continued. Reginaldo González Montano wrote the first attack on the Inquisition, Sanctae Inquisitioms Hispanicae in 1567.

The Council of Trent Revisited

2002 ◽  
Vol 55 (1) ◽  
pp. 1-37 ◽  
Author(s):  
Craig A. Monson
Keyword(s):  
The Other ◽  
Council Of Trent ◽  
Local Authorities ◽  
Other Hand ◽  
Wide Range ◽  
Official Status

Abstract Reexamination of a wide range of documents surrounding the twenty-second, twenty-fourth, and twenty-fifth sessions of the Council of Trent reveals that delegates strived officially to say as little as possible about music: only that secular or impure elements should be eliminated and that specific issues should be settled locally, by individual bishops and provincial synods. But, beginning with Gustave Reese, several scholars have misleadingly strung together a preliminary canon, stressing textual intelligibility, which was never approved in the general congregations, and the few lines that actually supplanted it, concerned only with the elimination of lasciviousness. On the other hand, a largely unrecognized or misunderstood attack on church polyphony did occur at the less familiar twenty-fifth session, when Gabriele Paleotti may have attempted to suppress elaborate music in female monasteries. Although this attempt was rejected in the general congregations, its restrictions were subsequently revived by local authorities such as Paleotti and Carlo Borromeo in their own dioceses. In the Council's immediate aftermath, reformers such as Paleotti and Borromeo once again focused on the issue of intelligibility, affording it a quasi-official status that seems to have quickly become widely accepted as “iuxta formam concilii.”

“Esto perpetua!”: “Two Cities” of Paolo Sarpi

2021 ◽  
pp. 31
Author(s):  
Alexey Yastrebov
Keyword(s):  
Public Service ◽  
Ethical Principle ◽  
Council Of Trent ◽  
Clear Separation ◽  
Holy See ◽  
Church Ministry ◽  
Whole Person ◽  
Two Cities ◽  
Life Path ◽  
Venetian Republic

The article examines the life path, the formation of the personality and ideas of the ideologist of the Venetian ecclesiastical independence, Paolo Sarpi. The main source for the study is Sarpi’s biography, “Vita del padre Paolo”, written by his secretary Fulgenzio Micanzio. Ac-cording to Sarpi, the ecclesiastical tradition of the Venetian Republic was based on the Byz-antine symphony of the authorities, which he sought to apply to contemporary circumstances related to the conflict between Venice and the Holy See in 1606–1607. After the Council of Trent, the “War of the Interdict” became a significant event for Christian Europe, and Father Paolo was the central figure of that “war”. The study aims to show, however, that Sarpi’s church ministry and public service were only one of the facets of his activity. They were of an antinomical character in relation to his spiritual and scientific aspirations. The logic of the thinker's choice is revealed in the philosophical credo, which allowed him to remain a whole person, despite the variety of spheres of his activities. For all his involvement in the affairs of church politics, Father Paolo practised “abstinence from judgment”, outwardly expressed in sceptical “ataraxia”. The article concludes that the duality of Sarpi's ethics is resolved through a clear separation of the areas of his life – spiritual, intellectual, and social – that he formulat-ed in the ethical principle of “indifferent participation.”

Milk and Miracles: Heteroglossia and Dissent in Venetian Religious Art after the Council of Trent

2021 ◽  
Vol 51 (2) ◽  
pp. 285-319
Author(s):  
Jutta Sperling
Keyword(s):  
Religious Art ◽  
Council Of Trent ◽  
Counter Reformation ◽  
Religious Imagery ◽  
Wet Nurse

This essay investigates Benedetto Caliari's Nativity of the Virgin (1576) with its provocative and unorthodox depiction of a bare-breasted wet-nurse in the context of both Protestant and Catholic criticism of “indecent” religious imagery. Reformers on both sides drew a connection between the Virgin Mary's ostentatious display of her lactating breasts and her presumed, derided, or hoped-for miracle-working capacities or intercessory powers. In post-Tridentine Venice, several artists, including Tintoretto and Veronese, all of whom were connected to the Scuola de’ Mercanti that commissioned Caliari's painting, employed religious breastfeeding imagery in a wide array of iconographies in order to express dissent with the Counter-Reformation church's emphasis on orthodoxy. In contrast to writers, artists were able to claim a certain degree of nonconformity and freedom from prosecution. In light of Mikhail Bakhtin's concept of heteroglossia, it is argued that religious lactation imagery after Trent produced irony, parody, doubt, and dissent.

Sign in / Sign up

Export Citation Format

Share Document